Chinaza Eziaghighala’s novella Chimera follows Yetunde, Amaka, Inyene, and others on the campus of a college of medicine that is unmistakably MedLag. We watch as they grapple with various challenges and display their flaws in all their messy glory and grandeur.
It is narrated in the first person by Amaka, Inyene, and Inspector Babajide, whose voices are presented with unflinching artistry.
At the beginning of the book, we meet Amaka at a Lagos market, amid all the chaos and confusion. Through her, we are introduced to Mama, her grandmother, who raises her after her parents’ death; Yetunde, her friend; and Inyene, her boyfriend, who soon reveals that his eyes are on Amaka. He makes flirtatious moves whenever his girlfriend is not around, moves that stir strange feelings in Amaka, feelings she dares not express for fear of shattering Yetunde’s happiness.
Inyene’s advances towards Amaka make some sense when he says: ‘I had not fully understood what happened, because what I last remembered was booze, weed, colours, and a blasted headache. When I saw Yetunde instead of Amaka, I knew it had happened again, even though I didn’t intend for it to happen this way. I had only skipped about a week’s dose, which wasn’t that much in my opinion; therefore, I didn’t expect this to happen, not so soon anyway.’
Still, we are left with questions, especially about what makes him confuse one friend for the other. The suspense deepens when Yetunde, whose parents live abroad, turns up in the hospital after an attempted suicide. But it doesn’t end there. Upon leaving the hospital, she disappears, and the search for her gives the plot new wings, forcing us to journey through the nooks and crannies in pursuit of this young woman whose life brims with mysteries waiting to be unraveled.
The police soon step in. Inspector Babajide is given the mandate to unravel the circumstances surrounding Yetunde’s disappearance. His daughter, Rita, attends the same school and he feels led to find the missing girl because she could have been his daughter. He goes after Amaka, Inyene, and Ahmed and makes life ‘unbearable’ for them. His discovery breaks hearts and engenders disappointment. Fingers of guilt point at Inyene, but he insists the fingers are pointing in the wrong direction.
As we get closer to the last pages, we are left with no choice but to praise the author for treating themes so heavy with ingenuity. We confront a chimera, that phenomenon of seeing things that exist in the imagination but are impossible in reality.
But Chimera is more than a story of individual breakdowns; it is a magical tale. It also holds a mirror up to a society that refuses to acknowledge the fragility of the mind.
The college setting, with its intense academic competition, substance use, and unspoken emotional burdens, echoes the wider realities faced by young Nigerians striving to ‘succeed’ in a system that rarely allows them to falter.
The market and street scenes also give the author the latitude to run veiled commentaries about the state of infrastructure, especially roads, in Lagos. The persistent darkness also provides the opportunity to comment on what a disappointment the power supplier has become.
The role of religion in our society doesn’t escape the author’s attention. When the pastor visits Inyene in a cell complete with oil and claims of ‘casting out demons’, it seems to reflect a deeply ingrained social reality in Nigeria (and across much of Africa): spiritual interpretations of mental illness often take precedence over medical ones.
This is not just a critique of religion but also an acknowledgment of the power dynamics at play: elders, family members, and spiritual leaders exert pressure, often overriding the agency of the person in crisis.
Meanwhile, Inspector Babajide embodies an older generation’s attempt to restore order without fully grasping the psychological chaos beneath it.
In Chimera, Eziaghighala combines medical insight and fantasy with literary craft to produce a haunting narrative that blurs the line between the real and the unreal.
In smooth prose, she serves us a delicious dish about the human mind and age-old culture.