Manibela to stage transport strike on Oct. 13 to 15

Transport group Manibela will hold a transport strike from October 13 to 15 in protest against the Department of Transportation-Special Action and Intelligence Committee for Transportation (DOTr-SAICT).

Manibela claimed that the DOTr-SAICT has been brutal towards drivers despite following the committee’s rules.

‘This is due to the continuous pressure and torture by the DOTr-SAICT on drivers who, even though their vehicles or units are complete and in good condition, are still being ticketed and fined heavily,’ Manibela reasoned.

The transport strike will begin at 12 a.m. on Monday, and a protest rally is also set to happen at 6 a.m. on the same day at the Petron-Commonwealth Avenue Philcoa, Quezon City.

‘The head of DOTr-SAICT, Assistant Secretary Tracker Lim, is the husband of DUMPER (Drivers United for Mass Progress and Equal Rights) Partylist Representative Claudine Bautista Lim, who should be taking care of and helping the basic problems of drivers and operators but instead is just letting the drivers belittle and make them suffer,’ Manibela said.

Manibela, while acknowledging the need for roadworthiness, also hoped that it is not ‘used as a tool to abuse small drivers who don’t make a lot.’

The group previously alleged that the DOTr-SAICT has been apprehending jeepney operators without proper justification.

Due to these arrests, the group tagged as ‘anti-poor,’ drivers and operators are purportedly forced to use their earnings to pay the fine.

Fyang Smith on recent controversies: ‘Lagi akong pinapagalitan’

Fyang Smith bared that she has often been subjected to reprimand by her management amid her actions and remarks that made headlines and became fodder for criticism.

As she navigates the world of show business, including the onslaught of criticisms thrown her way, Smith said she is learning from her mistakes and vows to do better.

Smith, who was named the Big Winner in ‘Pinoy Big Brother (PBB): Gen 11’ in 2024, opened up about how she was dealing with controversies in an interview with entertainment insider Ogie Diaz on his YouTube channel on Wednesday, Oct. 8.

Among them were viral clips of herself claiming that her ‘PBB’ season was ‘unbeatable,’ which earned the ire of fans of other PBB celebrity batches; a video supposedly hitting a security guard; and of herself making faces at fans.

‘Lagi akong pinapagalitan ni Direk Lauren [Dyogi]. may mga nababasa ako sa management ko ng, ‘Hindi man lang pinagsasabihan si Fyang? Wala ba silang magawa?’ Every day akong pinapagalitan sa office. Hindi naman sila galit [palagi], pero pinagsasabihan para i-correct ang wrongdoings ko,’ she said, referring to her management Star Magic where Dyogi serves as the head.

(Direk Lauren Dyogi would get mad at me all the time. I would read comments about my management, saying, ‘Don’t they reprimand Fyang? Aren’t they doing anything?’ I would often be reprimanded in the office. They’re not mad at me all the time, but they would reprimand me to correct my wrongdoings.)

The ‘PBB’ alum also pointed out that some of the issues were indeed mistakes she made when ‘she didn’t know better,’ saying that she often makes an effort to reflect on them.

”Yung iba d’un, past ko na ‘yun eh, tapos binabalik ng mga tao. Mali ko talaga ang mga nangyari sa’kin before and inaamin ko naman ‘yun kay Direk Lauren. Every time kapag pinapatawag ako, na-adapt ko po ‘yung mga sinasabi niya [and] pumapasok naman po sa utak ko,’ she said.

”Yung masama ugali ko, attitude, lalakero, lumaki ang ulo, ganyan. Paulit-ulit na lang. pero sa’kin sa pagkakamali ko, ang sasabihin ko is, hindi ako anghel at hindi rin naman ako demonyo. Hindi ako perfect,’ she continued.

Her side of the story

During the interview, Smith was asked to clarify some of the recent issues that she had faced. One of these was when she claimed that her ‘PBB’ batch was the best, wherein she clarified that it was a ‘spliced’ video.

‘Noong sinabi ko ‘yun, wala pa pong ‘[PBB] Collab,’ super happy and proud ako sa batch namin [kaya] masasabi ko na best batch siya for me. Siguro, naging mali lang ang dating sa tao kasi spliced video siya,’ she said.

‘May explanation ‘yun [na sinabi ko] na batch namin ‘yun, siyempre proud ako sa batch namin. Sinabi ko rin na ‘Guys, support PBB collab.’ Na-misinterpret lang ako ng mga tao,’ she continued.

The former housemate also addressed another video of herself allegedly hitting a marshal during a gig. In her words, she said she considers the marshal, ‘Kuya Bravo,’ as family.

‘Si Kuya Bravo, hindi marshal ang tingin ko sa kanya. Ang tingin ko sa kanya ay friend, tropa, and family. Kasi every time na may ganap ako, lagi siya ang nasa tabi ko,’ she said, sharing that he was the marshal assigned to her when she was on hotel arrest prior to entering the ‘PBB’ house.

‘Hindi naman nila nakikita paano kami mag-bond off-cam. Before ‘PBB,’ nag-hotel arrest kami and si Kuya Bravo ang nagbantay sa’kin n’un. And after ‘PBB,’ siya talaga ni-request kong maging marshal ko,’ she added, sharing that she even invited him to her birthday party.

When asked about the claims that she would ‘make faces’ at anyone, including her fans, Smith clarified that her facial expressions would often be misinterpreted by other people.

‘Ang ingay ng mukha ko. Lingid sa kaalaman ng lahat, lahat ng taga-suporta namin ni JM, friends namin. Kada ganap namin, pare-parehong mukha ang nand’un. lagi kaming nagkikita, parang wala lang, gan’un ang bond namin. Kapag nagkikita kami, kahit anong gawin ko, ginagaya nila ako. gan’un ang love language namin, parang bardagulan,’ she said.

Amidst all the controversies, Smith said she takes note of every criticism thrown along her way, and that she doesn’t take them negatively.

‘Merong criticism [done] in a nice way so I take them as constructive, kasi ‘yung iba talaga, may sense ang sinasabi,’ she said. ‘Every time na nakakabasa ako n’un, tinutuldukan ko talaga. The next time na [mangyayari ‘to], hindi ko na gagawin, tine-take ko na lang siya as constructive and para sa ikabubuti ko naman ‘yun.’ Smith, who recently wrapped her digital series ‘Ghosting,’ is set to star in the upcoming film ‘Shake, Rattle and Roll Evil Origins,’ an entry to the 2025 Metro Manila Film Festival.

Surigao del Sur bridge safe after 6.2-magnitude quake – officials

After a magnitude 6.2 earthquake struck Cagwait town of Surigao del Sur at 10:32 p.m. on Saturday, October 11, the bridge connecting nearby Tago town to the provincial capital city of Tandag remained safe for passage, provincial officials said.

Surigao del Sur Gov. Johnny Pimentel assured the public the bridge was still safe for passage past Sunday midnight after he dispatched a joint inspection team from the provincial engineer’s office along with the maintenance crew from the Department of Public Works and Highways (DPWH) to check on the bridge’s condition.

‘Based on the engineers’ assessment, the visible cracks on the bridge were not structural but were expansion joints designed to move and absorb vibrations during an earthquake,’ Pimentel said. ‘There is no damage to the main structure.’

Despite the favorable findings, however, the province implemented some precautionary measures to ensure public safety: Only one vehicle is allowed to cross the bridge at a time, and traffic enforcers have been deployed on both sides to control the flow.

Light vehicles such as motorcycles, tricycles, pedicabs and private cars are permitted to pass but are reminded to strictly observe the no-stopping zones.

Six-wheeler trucks had to unload their cargo before they are allowed to pass, pending further structural assessment by DPWH engineers; while 10-wheelers and fully loaded trucks are advised to take alternate routes until clearance is given.

‘The safety of our people is our top priority,’ Pimentel said. ‘We are asking for the public’s patience and cooperation as we continue to monitor the situation and conduct further evaluations,’ he added.

The provincial government continues to coordinate with local and national agencies to ensure the structural integrity of existing public infrastructures and to keep the mobility across Surigao del Sur safe in the aftermath of the tremor.

Tago town Mayor Jelio Val C. Laurente also inspected another bridge connecting his town to La Paz, Agusan del Sur and assured that despite the cracks that appeared, the bridge remained passable to all types of vehicles. Laurente, however, also urged motorists to cross slowly and exercise caution.

Teams from the Provincial Disaster Risk Reduction and Management Office and their local counterparts are currently conducting structural assessments and closely monitoring the situation.

Chot Reyes wins 7th PBA Coach of the Year award

The PBA Press Corps on Sunday named TNT’s Chot Reyes as the winner of the Baby Dalupan Coach of the Year for a record-extending seventh time.

Reyes was announced as the Season 49’s best coach by the group of reporters covering the PBA beat after steering TNT to championships in the Governors’ Cup and Commissioner’s Cup.

He put TNT in a position to flirt at a historic Grand Slam in the Philippine Cup, but eventually lost to San Miguel Beer in the Finals.

He will receive the honor on Monday when the Press Corps holds the 31st edition of its Awards Night at Novotel Manila in Cubao, Quezon City.

San Miguel Beer’s Leo Austria, who won the award four times, was also nominated for guiding the Beermen back to claiming the all-Filipino crown.

Reyes is just one of the many individuals from TNT who will be honored by the Press Corps in the event, which starts at 7 p.m.

Team owner Manny V. Pangilinan will be honored by the Danny Floro Executive of the Year award, which will put him in a tie with San Miguel Corporation sports director Alfrancis Chua and Elmer Yanga, the former team manager of the RFM franchise.

Brandon Ganuelas-Rosser is set to claim the Bogs Adornado Comeback Player of the Year, Calvin Oftana receiving the Order of Merit for most Player of the Week citations in Season 49 and Jordan Heading as part of the All-Rookie Team.

TNT is also sharing the award with Barangay Ginebra for Game of the Season, which is the epic Game 7 of the Commissioner’s Cup Finals that went into overtime.

Also to be honored are Magnolia’s Zavier Lucero as Defensive Player of the Year, San Miguel Beer’s Don Trollano as Mr. Quality Minutes and former NorthPort star Arvin Tolentino as Scoring Champion.

Also on the All-Rookie Team are Blackwater’s Sedrick Barefield, Rain or Shine’s Caelan Tiongson, Converge’s Justine Baltazar, Phoenix’s Kai Ballungay and Ginebra’s RJ Abarrientos.

Magnitude 4.0 quake jolts waters off Surigao del Sur anew

Another earthquake with a magnitude of 4.0 struck the waters off Cagwait, Surigao del Sur, on Sunday afternoon, according to the Philippine Institute of Volcanology and Seismology (Phivolcs).

The earthquake was recorded at 2:56 p.m., originating 112 kilometers southeast of Cagwait, Phivolcs said.

Phivolcs also reported that the earthquake was tectonic in origin with a 12-kilometer depth of focus.

While there are no reported intensities, expected damage to infrastructure, or aftershocks, this is the second earthquake recorded near Surigao del Sur in the last 24 hours.

On Saturday evening, a stronger magnitude 6.2 earthquake struck the coast northeast of Cagwait, according to Phivolcs.

Several consecutive earthquakes have been reported all over the country in the last two weeks.

On October 10, a doublet earthquake with magnitudes 7.4 and 6.8 hit Davao Oriental, with over a thousand aftershocks recorded since.

Meanwhile, the number of aftershocks following the magnitude 6.9 earthquake in Cebu on September 30 has reached nearly 11,000, as of Saturday afternoon.

Chanda Romero `very much alive,’ says lawyer, film producer Joji Alonso

Lawyer and film producer Atty. Joji Alonso debunked the reports of Chanda Romero’s supposed death, saying the screen veteran is ‘very much alive.’

Alonso took to her Facebook page on Saturday, Oct. 11, to deny the rumors of Romero’s alleged death, making the ‘Espantaho’ star the latest victim of death hoaxes involving celebrities and other famous personalities.

‘Chanda is very much alive po, and happy and content,’ the post read, which also included screenshots of the false report.

Alonso also called out the unnamed individual behind the death hoax, claiming that it was the ‘same person’ who made a false report about the supposed death of Michael de Mesa.

‘The person who posted this is the same person who posted that Michael de Mesa passed, which we all know is NOT true. I don’t understand why people make up stories like these? Sana ipost nyo na lang na kayo ang namatay (I wish you would post about your own death instead)!!!’ she said.

Romero is one of the lead stars of the 2024 Metro Manila Film Festival entry ‘Espantaho,’ which earned her a Best Supporting Actress nomination at the annual festival.

The actress currently stars as Olivia Guerrero-Torres in the action drama ‘FPJ’s Batang Quiapo.’

How Jericho Rosales developed a deeper love for his country after ‘Quezon’

When Jericho Rosales received the offer to star as Manuel L. Quezon in ‘Quezon,’ he immediately jumped at the chance to do it – but it took him to fully understand the purpose in portraying the country’s former head of state.

‘I jumped [at the opportunity] right away without understanding what it meant. I just said yes, [then director Jerrold Tarog asked], ‘Gusto mo ba basahin ang script?’ May meaning pala ang pag-play ng presidente ng Pilipinas, and now I understand how important it is,’ he said during the film’s grand media con.

Years before Rosales took on the titular role, he admitted that he was not fond of his history classes when he was young. ‘I was bored to death, and I just fell asleep,’ he recalled, although it was the film that reminded him of why loving one’s country matters.

‘Because of this film, nabuhay ang pagka-Pilipino ko. It’s such a blessing. The timing is perfect. We all know that it was going to be played by TJ [Trinidad], but he went on a different path, and we talked with him. He was so wonderful and graceful,’ he said. ‘I understood the reason why I fall asleep in history class was because I didn’t care about the country, it is care that makes you move. It is love that makes you move.’

Despite the challenge in portraying Quezon, Rosales said he also understood the importance of ‘taking responsibility’ for his own country, as it is a manifestation of being a faithful citizen.

At the same time, it taught the actor that history plays an important role in why loving one’s country matters.

‘Because of this film, I saw how important it is for everyone to take responsibility and know saan tayo nanggaling, sino ba ‘tong naihahalal natin, and sino ine-elect natin. But it’s important for us to understand what we love the most about our country so we can be proud again. Through history, diyan mo malalaman bakit mo mahal ang Pilipinas,’ he said.

Embodying Quezon

When the actor was asked if he ever felt he was ‘possessed’ by Quezon’s spirit at one point, he said it wasn’t the case, but he had no choice but to bring home the former president’s personality. Almost to the point that his girlfriend Janine Gutierrez and his staff took notice.

‘When you say sinapian kasi – not in a spiritual or horror way – parang pinasok ng ugali niya ang katawan ko. One time, bumisita si Janine [Gutierrez], and she said, ohmigod, ‘Kamukha mo si Quezon.’ And then my staff said, ‘Sir, para kang matanda,” he recalled.

‘Inuwi ko siya and there was no choice. You have to bring it home. I’m not a method actor, but I have to bring it home,’ he continued, noting that Benjamin Alves (who plays a younger Quezon) went through the same experience. Rosales then pointed out that he had to emulate Quezon, instead of simply acting out the character. ‘Kapag inacting mo kasi, hindi totoo. Kailangan maging totoo sa’yo kaya mahirap siyang gawin,’ he explained.

‘We all have to show paano siya mag-isip, ano ang karisma niya, papaano siya sa tao, sa relasyon, sa mga gamit, sa pananamit, kailangan namin gayahin at magkaintindihan,’ he further added, saying that the film’s production team did a good job of ensuring that proper research was done to be faithful to the period in history.

This explains why even if ‘being possessed’ by Quezon was difficult for Rosales, it was difficult for him to let the character go.

PVL: Tots Carlos returns in Creamline loss to Akari

It wasn’t the result she had wanted, but Tots Carlos was thrilled to make her comeback from a knee injury that sidelined her for six months.

Carlos delivered 12 points, but Creamline fell short against Akari, which drew 34 points from Annie Mitchem, 23-25, 25-23, 30-28, 23-25, 15-12, in the PVL Reinforced Conference on Saturday night at the Dasmariñas Arena. ‘My injury was a bit complicated. We really had to figure out what worked best for me. It took a lot of patience and discipline to get back,’ said Carlos in Filipino.

‘It’s also about mindset because when you have injuries, it’s frustrating. But I’ve learned a lot from everything that happened.’

Creamline lost to Akari for the first time after 10 games, including a title-clinching sweep in the Reinforced Conference last year.

But the three-time Conference MVP and the Cool Smashers are sticking to the positives, with a short turnaround before battling All-Filipino champion Petro Gazz on Tuesday at Smart Araneta Coliseum.

‘The team was still positive after the game. It wasn’t an easy match, but you could see the effort. It was a tough loss, for sure. But like always, once a game is done, the focus shifts to the next one,’ Carlos said. ‘We don’t have much time to prepare, so we move forward quickly. The coaches already gave us feedback too.’

Carlos was proud of her team after forcing a fifth set behind Courtney Schwan and Alyssa Valdez’s clutch showing.

But they have to address their late-game errors to bounce back from this tough loss.

‘Honestly, I appreciate how hard the team worked tonight. It wasn’t an easy game-Akari played really well, and their whole team showed up,’ said Carlos.

‘I think we just need to respond better to what the other team is doing. That’s really it. There were some crucial errors that turned out to be the difference of the game.’

Hilda Koronel’s ‘Sisa’ selected as entry to Tallinn Black Nights Film Festival

‘Sisa,’ the upcoming film which marks the acting comeback of Hilda Koronel, will have its world premiere at the 29th Talliinn Black Nights Film Festival in Estonia this coming November.

‘Sisa’s’ world premiere was announced by Jun Robles Lana on X on Friday, Oct. 10, saying he is ‘deeply excited’ for the audience to see how much the crew had worked on it. He also shared a glimpse of the film’s teaser, showing Koronel as the titular character.

‘I’m immensely proud to share that our film, ‘Sisa,’ starring the legendary Hilda Koronel, will have its World Premiere in the Official Competition at the 29th Tallinn Black Nights Film Festival this November. It took an extraordinary team to bring this film to life, and I am deeply excited for them, and the world, to finally see it,’ he said.

I’m immensely proud to share that our film, ‘SISA,’ starring the legendary Hilda Koronel, will have its World Premiere in the Official Competition at the 29th Tallinn Black Nights Film Festival this November. It took an extraordinary team to bring this film to life, and I am. pic.twitter.com/cT8Xmcd2O1

– Jun Robles Lana (@junrobleslana) October 10, 2025

With ‘Sisa’ and ‘Call Me Mother’ (Lana’s Metro Manila Film Festival 2025 entry starring Vice Ganda and Nadine Lustre) in mind, the filmmaker said both films are an ode to motherhood and a portrayal of how ‘courage [deserves] to exist.’

‘I didn’t realize until this year that the two films I was making centered on motherhood, although in radically different forms. With one film, we explore a motherhood defined by sacrifice, not biology. With SISA, we explore the mothering of a nation: the fierce, necessary commitment to teach our people how to resist and survive,’ he said

‘Both are stories about the fight to be seen and the courage to exist. I couldn’t be more excited for everyone to witness the journeys of my two mothers soon,’ he continued.

The film’s upcoming premiere was also echoed by its production company, The IdeaFirst Company, in a separate post.

‘Hilda Koronel’s much-awaited return as SISA. A film by Jun Robles Lana. World Premiere in Official Competition at the Tallinn Black Nights Film Festival this November,’ the post read.

NEW TEASER: Hilda Koronel’s much-awaited return as SISA. A film by Jun Robles Lana. World Premiere in Official Competition at the Tallinn Black Nights Film Festival this November!#SISA #SinoSiSISA pic.twitter.com/7FdG1ZS9FV

– The IdeaFirst Company (@theideafirst_co) October 11, 2025

According to the film festival’s website, ‘Sisa’ is set in the Philippines in 1902, where widows, including Sisa, ‘fill the villages’ after the war.

‘Beneath the rags and ramblings, Sisa hides a secret: she is a spy. A survivor. A mother robbed of everything but rage. Haunted by visions she cannot silence, she begins to lead a quiet revolt – gathering women who, like her, have been pushed to the margins. As betrayal coils around her, Sisa walks the line between memory and madness, asking what it takes to rise when the world has already buried you,’ the film’s logline reads.

The Tallinn Black Nights Film Festival will take place in Tallinn, Estonia, from November 7 to 23.

In the claustrophobic room of democracy: Reflections from Manila

The Philippines is a tragedy of innocence-plundered by conquerors, betrayed by its rulers, yet still enduring.

In 1521, Fr. Pedro de Valderrama arrived with Ferdinand Magellan and held the first Mass on Philippine soil.

From that moment, faith and conquest became inseparable. Three centuries of Spanish rule carved Roman Catholicism into the soul of the archipelago. Millions perished-in rebellion, in silence, in the shadow of empire.

Then came the Americans-first as liberators, then as rulers under another name. Another million Filipinos died in the Philippine-American War.

The Japanese bombing followed after Pearl Harbor, and now the looming presence is China.

Geography condemned the Philippines to geopolitics. It has never had the luxury of neutrality. To live here is to exist at a crossroads of empires, of faith and of survival.

Yet beneath these tides of history runs a quieter, more corrosive current: corruption. It is not merely an act, but a condition of existence.

‘We are Catholics,’ a senior bureaucrat told me, ‘corruption is a cultural thing.’

He spoke not with pride, but resignation-an echo of colonial plunder transformed into modern inheritance.

Cultural critic Marian Pastor Roces once described the nation as ‘a claustrophobic room with no doors or windows,’ where everyone is trapped with the worst actors. Democracy lived as captivity.

I have seen similar rooms in Sri Lanka, Bangladesh and Nepal-societies devoured from within, until the young, in despair, set fire to the ruins. On ground zero

In the Philippines, the cycle continues-pork barrel, flood control funds, ghost projects-each scandal another scar. And yet, amid fatigue, something stirs. The youth refuse complicity. They shame the corrupt not with violence but with exposure-wielding the light of truth across social media’s vast mirrors.

These are not revolutions, but reckonings.

Thousands of Filipinos gathered at Luneta, EDSA and Mendiola on Sept. 21 to protest corruption-a date heavy with memory. They may return, perhaps on Oct. 21.

The choice of the 21st is no accident: it marks the anniversary of former President Ferdinand Marcos Sr.’s imposition of martial law in 1972, a shadow that still lingers over the nation’s politics and conscience.

I came to Manila after releasing the first test data of the Economic Crime and Geopolitics Index, which places the Philippines in the medium-risk category-teetering toward high. I wanted to see the ground truth.

In Makati, a senior official told me quietly: ‘No coup. The generals are content with their pensions.’

This is not 1986. Today’s protests are not against Marcos Jr.-ironically, it is he who exposed corruption within his administration and called for a full investigation. In a land accustomed to silence, even a whisper of accountability matters.

At a hotel café, a young data scientist traced the missing trillions from flood control funds, then nodded toward a man nearby. ‘He once ran for president. Lost. Owns mines. One of the richest.’ The new colonizer

Manila is full of such paradoxes-glittering, decaying, alive. Contradictions breathe here like humidity.

Walking through Makati, memories returned-my childhood in nearby Quezon City, my mother’s hand guiding me through the noise. The Filipino heart remains resilient, but the burden is heavier. Inequality has become the new colonizer.

At the Café Cubana, a popular refuge for Westerners, I met a woman who worked days at an ATandT call center for $350 a month, and nights selling her body.

‘Six a day,’ she said quietly.

Her honesty pierced deeper than any policy report. Meanwhile, in offices adorned with million-dollar art, elites speak of reform.

Sometimes I wonder whether the man in Washington is right to rebel against archaic institutions-like the International Monetary Fund, where I once served, or the United Nations-grand in rhetoric, blind to the hunger of the poor.

This is the face of survival in a democracy gasping for breath-the elites dine beneath chandeliers while the poor trade sleep for rice. Center of a storm

And still, another shadow stretches across the archipelago-China. Its presence is subtle but strategic: online gambling rings funding espionage, quiet financing of unrest.

The Philippines stands at the center of a storm. In any war over Taiwan, these islands will burn first.

President Marcos Jr. walks a narrow path. Unlike Duterte-now facing charges in The Hague for crimes against humanity-Marcos balances with Machiavellian precision. He dismissed Duterte’s daughter, not as a political act but a survival one. Beijing fears such men-those who understand the game.

But the greater peril lies within. As long as corruption is tolerated as ritual, democracy will remain what Roces described-a windowless room, suffocating its own people.

Marcos must break that wall-build a window for fresh air to flow-and he cannot do it alone. The generation that refuses to lie is ready.

I believe the Filipino spirit will endure-not through revolt, but through awakening. The youth will not burn their cities. They will illuminate them-with data, with courage, with truth.

In Manila’s humid nights, beneath neon light and fading hymns, I see a beauty born of struggle. Here, to survive is to rebel-quietly, stubbornly, with faith in the possibility of light.