Learning languages, telling stories

Last week, I was the keynote speaker for the first day of the 2025 Speech Communication Conference held at the University of the Philippines Los Baños (UPLB).

In those few hours, I saw the kind of work that my fellow researchers were carrying out. We all spoke the same language: examining the world through the lenses of communication as a phenomenon, critiquing practice, moving past the usual ‘effects’ questions, and asking instead about our lives as Filipinos.

Language is not merely that which carries meaning for a particular group. It can also refer to the parlance that allows people of the same profession to discuss the same issues and use a vocabulary familiar to them.

When I was a beginner communication practitioner, I thought that our language was simply that of convincing people to do as we wanted them to.

As I immersed myself in the research, however, I found that communication draws heavily from philosophy, and that it is more than dressing up information. As I became a science and risk communication scholar, I also found that my field was about listening to how people make sense of the world, what reality is like for them, and how they experience the intricate, maddening, beautiful combination of knowledge, experience, emotion, and risk (and more).

This has led me to advocate for gathering and listening to stories rather than imposing assumptions. I’ve written about this constantly in this column. Last week, I spoke about it during my keynote.

In the interactions that followed, I saw how researchers across the country already have stories to tell us all.

Kate de Jesus, an assistant professor at UPLB, has traveled to different places in the country, where she brought play and drama strategies to help communities understand complex information. She also has her own framework called Wari-Yari, which joins the two distinct modes of imagination in the Filipino language: kunwari, or the building of ideas in one’s mind; and kunyari, the building of actual structures to reflect the elements of one’s imagination.

Julienne Baldo-Cubelo, an associate professor at UP Diliman, is doing research on conversations, most recently on mothers and daughters discussing social media use, where she found that talk about the body was central to the ideas shared. Her work has explored conversations among different publics, all of them revealing experiences that speak of the Filipino at an uncertain time.

In these two studies, I could see what I wanted to bring forth: a closer look at how we, as a people, articulate our identity; and a deeper examination of how we, as a people, tell the stories of our lives.

It was also in these studies that I saw the richness of our culture, a richness that we often miss out on when we readily label people as too uneducated to react, too poor to have a say, and too simple to understand what we believe are concepts only the sophisticated have access to.

In those brief conversations, I found that there was no corner of the country untouched by perception and intelligence-we simply needed the right medium through which they could emerge.

And the imagination that people had, from the youth who played with ideas, to the old who did not realize that they were already teaching themselves complex concepts from hitherto inaccessible handbooks!

It is in these times of discovery that I am so proud of how we have so much to say, and in depth, and with our own tools; but it is also in these moments that I can see how much more painful it is to sacrifice our dignity at the altar of indifference.

Through the lenses of research and in the language of scholarship, I saw that every peso lost to corruption is a betrayal of a country that is deeply good, that can speak insightfully when called upon, that has its own way of seeing reality that must be shared rather than hidden beneath survey responses, agglomerated numbers, or mind-numbing so-called ‘entertainment.’

I saw so many lives whose stories could be told-but that could be cut short if we are to continue on this road of allowing the powerful to go unchecked in their corruption, if we allow the murderous and foul-mouthed to run free after having orchestrated the butchering of those whose lives and choices had been stolen from them.

For after all, in his rush to go after the drug addicts, was he not also attacking the poor, those who had been forced into poverty by the very government that had tasked itself to ‘discipline’ them?

In the next few weeks, there will be rallies-there should be more of them, as we rattle our cages and speak up. Every shout we make must tell our story, of how we can no longer endure the humiliation of having our taxes decimated in favor of someone else’s comfort.

Every step in those marches must also be our language, where we tell the story of those who do not have the chance or who fear speaking up. If we can loosen their chains, perhaps they will find the power to finally open their eyes and demand justice for us all.

SM Prime to open 89th local mall in La Union

SM Prime Holdings Inc. is opening its 89th mall in the country on Friday, Oct. 17, in La Union.

The Sy family-led property giant on Wednesday disclosed that SM City La Union spans more than 51,000 square meters. The new mall stands along Diversion Road in Barangay Biday, San Fernando City.

Four-fifths of the leasable space has been occupied so far, SM Prime said.

‘This is our ninth mall in Northern Luzon and we designed it to serve as a landmark for both residents and tourists,’ SM Prime president Jeffrey Lim said.

‘As the surfing capital of the region, La Union deserves a retail center that reflects its vibrant lifestyle and rich culture,’ Lim added.

The new mall features the 1,348-sqm Sandbox, an outdoor venue for sports tournaments, mini concerts and other community activities, according to SM Prime. /rwd

Cops seize P7.8-M smuggled cigarettes in Sultan Kudarat

Acting on a tip from Moro National Liberation Front (MNLF) community, police in Palimbang town, Sultan Kudarat province foiled a smuggling attempt on Monday night, Oct.13, but missed two suspected smugglers, police said.

The immediate response led to the recovery of P7.8 million worth of illegally imported cigarettes, according to Brig. Arnold Ardiente, regional director of Police Regional Office (PRO-12).

He said the Palimbang municipal police station received a tip from MNLF officials in Palimbang about a pile of cigarette boxes believed to be smuggled and intended for transport and sale at an opportune time in the coastal area of Barangay Kraan.

Upon arrival, the operating team saw two unidentified men guarding and arranging the said pile of cigarettes.

However, upon sensing the presence of approaching police operatives, the suspects fled in different directions, leaving behind the contraband.

The team recovered 177 boxes and 50 reams of F2 cigarettes, 19 boxes of Tabaco cigarettes, 62 reams of Hero cigarettes, and 50 reams of Canon cigarettes, all with a Bureau of Customs standard value amounting to P7,828,139.60.

The confiscated smuggled cigarettes were brought to Palimbang police station for documentation and proper disposition, and will be turned over to the Bureau of Customs sub-port in General Santos City for appropriate action.

Ardiente commended the cooperation of the MNLF community that led to the successful law enforcement operation.

‘We deeply appreciate the vigilance and cooperation of our MNLF brothers who have shown genuine commitment to the rule of law and to the fight against smuggling. Together, we continue to strengthen our shared vision of a safer and more progressive (region),’ Ardiente said

Philippine history stored abroad

Analyn Salvador-Amores, professor of anthropology at the University of the Philippines Baguio, may not fit the image of the swashbuckling anthropologist Indiana Jones, but her work is real, not reel. For many years now, Amores, ‘Ikin’ to friends, has been on the hunt in German and American museums for artifacts from the Cordilleras. It is not well known that museums abroad have collections from the Philippines collected as early as the 19th century, that are not exhibited in museums but lie peacefully in storage waiting for Filipino scholars to find and learn from them.

When I first started doing archival research in the 1980s, I realized that many Filipino scholars had to go abroad to consult the primary source, historical documents, and artifacts for their work. In my time, one could request photocopies-boxes and boxes of them-but in Jose Rizal’s time, without a smartphone or a photocopier, one had to read and retain as much in one’s head as possible, and to do that, he had to copy out, by hand, whole texts. He did so in the British Museum in 1888, copying one of two early editions of Antonio de Morga’s ‘Sucesos de las islas Filipinas’ or ‘Events in the Philippine Islands’ (Mexico, 1609). Rizal then annotated the text for the readers of his time and published his edition in Paris in 1890. He was so engrossed in his historical work, he only made one passing reference in one of his letters about the Jack the Ripper murders that occurred from Aug. 31 to Nov. 9, 1888. Incidentally, I once saw Rizal included on a website that listed all the suspects in the Jack the Ripper murders.

Unlike Rizal, Amores conducts her research with 21st-century technology. Using archival research for her monograph on 19th-century German travelers who collected artifacts from the Cordilleras, she is able to provide provenance, documenting a sequence of ownership that connects museum artifacts abroad to their places of origin. Then, with cooperation from institutions abroad, like the University of Michigan Museum of Anthropology and the university’s ‘Recollect/Reconnect’ initiative, digital repatriation is possible.

In my last column, I wrote about my visits to the Berlin Ethnographic Museum and the Ethnology Department of the Dresden Museum to see the artifacts donated by Jose Rizal (see ‘Rizal’s hat in Berlin,’ 10/10/25). The Berlin collection dates to 1888, when Rizal was busy annotating ‘Sucesos de las islas Filipinas.’ The Dresden collection dates from his exile in Dapitan from 1892 to 1896. Aside from ethnographic objects, Rizal collected and sent to Dresden: sea shells, fish, reptiles, butterflies, and other insects from Dapitan that have not yet been looked into. I was not able to see these on my two trips to Dresden because they are stored separately from the ethnographic objects in the natural history department. I am not a natural scientist, but I can imagine how important these specimens are in a historical study of Philippine biodiversity. How many of these specimens are found only in Dapitan? How many are extant or extinct? These museums are very open to Filipinos who carry with them local and specialized knowledge that contributes to their existing database.

Thanks to our participation in the 2025 Frankfurt Book Fair, Amores, documentary filmmaker Jay Ignacio, and I were welcomed into the off-site storage of the Weltkulturen Museum in Frankfurt by curator Vanessa von Gliszczynski. We all felt like children let loose in a candy store. A small selection of objects was prepared on a table for us to see. These included a very distinctive ‘bulul’ or granary god of Philippine hardwood that I felt would not feel out of place in a tasteful home ornamented with Philippine modern art. There were two wooden Kalinga shields whose stylized representation we see on the seal of the Philippine National Police, in the wrong inverted position. There were some very finely made lowland Christian hats, some kris (though I wondered if they had specimens with the iconic wavy blade, sometimes depicted in the paws of the heraldic beast with a lion’s head and dolphin’s tail that is found in the seals of the city of Manila, the archdiocese of Manila, and the president of the Philippines). My favorites in the assortment were two chain-mail armors from Mindanao whose distinct protective features are pieces of carabao horn. It is rare to find these with the paired Spanish-style brass helmet.

The objects on the table were like mere appetizers for a full-course meal. Amores and I asked for a printout of the catalog, where we marked out additional items we wanted to see. After we finished the catalog, I asked to browse over all the items in the storage cabinets that were open and waiting. There were items on shelves; smaller items or those that needed to be laid down flat were in drawers. There were textiles (we saw samples of piña and Itneg weave) and clothing (a blouse from Mindanao with fine embroidery and metal sequins and a pair of Bagobo pants). One day, Filipino scholars will locate and identify all of these. Each cabinet, each drawer a time capsule into the Philippine past.

MRT-3 to give free rides for 4 hours on Oct. 26 for Consumer Welfare Month

Free rides will be offered at Metro Rail Transit Line 3 (MRT-3) on October 26 (Sunday) in line with the celebration of Consumer Welfare Month.

The Department of Trade and Industry (DTI) and Department of Transportation will offer the free rides at the MRT-3.

According to the DTI, the free rides will be in effect from 7 a.m. to 9 a.m. (two hours) and from 5 p.m. to 7 p.m. (two hours).

October was declared Consumer Welfare Month through Proclamation No. 1098, signed by then President Fidel V. Ramos on September 26, 1997.

Chavit Singson denies relationship rumors with Jillian Ward

Former Ilocos Sur governor Chavit Singson debunked rumors that he has a ‘special relationship’ with actress Jillian Ward.

‘Marites lang ‘yan, Marites lang. Naririnig ko nga ‘yan. Marami ngang nali-link sa akin. Pero puro Marites ‘yan,’ he told select members of the press including Bandera.

(That’s just gossip, pure gossip. I’ve heard about that. Many people have been linked to me, but those are all just rumors.)

Speculations began after blind items surfaced online hinting at a supposed ‘special relationship’ between Singson and Ward. Some netizens believe the rumors, claiming the two have grown ‘close.’

Meanwhile, when asked if it was true that he once had a relationship with actress Yen Santos, Singson neither confirmed nor denied it.

The 84-year-old replied, ‘Next question,’ followed by a playful laugh, asking the media not to ask further about women romantically linked to him.

The former politician, however, reiterated that the rumors claiming he has a child with Santos are false, something he had already denied earlier in a vlog appearance on the actress’ YouTube channel.

Singson then revealed that he is indeed looking for a romantic partner, someone who will take care of him.

‘Talagang naghahanap ako ngayon ng pwedeng mapakasalan para may mag-aalaga naman sa akin. Para sa pagbibiyahe-biyahe ko, may makasama ako. Kahit na sino, basta maganda ang puso,’ he said.

(I’m really looking for someone to marry so that someone can take care of me. For my travels, I need someone to go with me. Anyone, as long as they have a good heart.) /ra

Eastern Samar grew fastest in 2024-PSA

Eastern Samar posted the fastest economic growth among Philippine provinces and highly urbanized cities, lifted by a postpandemic tourism surge and government investments to improve connectivity across the archipelago.

Latest data from the Philippine Statistics Authority (PSA) showed Eastern Samar-popular for its beaches, eco parks and historical sites-grew by 10.2 percent year-on-year in 2024, outpacing both the national growth rate of 5.7 percent and the Eastern Visayas region’s 6.2 percent.

Puerto Princesa and Batanes rounded out the top three, growing 9.8 percent and 9.6 percent, respectively.

‘Eastern Samar benefited from a rebound in domestic tourism, particularly in eco-heritage sites, which created ripple effects for micro, small and medium enterprises,’ said John Paolo Rivera, a senior research fellow at the state-run Philippine Institute for Development Studies.

‘Additionally, the province’s agricultural and fishery sectors likely contributed to inclusive rural growth, especially as weather patterns in 2024 were relatively favorable compared to previous years,’ Rivera added.

But Leonardo Lanzona, an economist at Ateneo de Manila University, cautioned that Eastern Samar’s superlative growth was likely inflated by base effects.

Still, he said the province may be starting to catch up with others by reducing poverty levels, stressing that the government ‘should aim not for growth per se but inclusive growth.’

Poverty incidence

‘Eastern Samar is one of the poorer provinces in the country. This observed growth can be simply a base effect,’ Lanzona said.

‘In any case, Eastern Samar at the same time was able to reduce its poverty incidence significantly around this period. This indicates that if we focus on impoverished regions, the impact on growth is higher,’ he added.

Nationwide, all 82 provinces and 33 highly urbanized cities posted gains over 2023.

But the biggest bragging rights went to what might be called the Philippines’ ‘trillion-peso club’-Quezon City, Makati, Laguna and Manila-whose economies each crossed the P1 trillion mark.

Quezon City led with P1.33 trillion, followed by Makati (P1.20 trillion), Laguna (P1.08 trillion) and Manila (P1.04 trillion). Together, they account for more than a fifth of the country’s gross domestic product. inq

After Cinemalaya win, Rochelle Pangilinan feels she’s truly an actress

Little did Rochelle Pangilinan know that some members of the audience would be saying ‘Get, get, aw!’ – a popular line from SexBomb Girls – while she went up the stage to accept her Best Supporting Actress plum at the Cinemalaya awards night.

‘Ang daming pinalaki ng SexBomb pala rito. Siyempre, kung malalaman ito ng grupo, matutuwa sila (I didn’t know that a lot of the people here grew up on SexBomb. Of course, if the group finds out, they will be so happy),’ a laughing Pangilinan told reporters on the sidelines of the ceremony while excitedly holding her Balanghai trophy.

The Best Supporting Actress plum is the first award Pangilinan received from the famed independent film festival, following her performance as a reluctant mother witnessing her son chase after his absent father in ‘Child No. 82.’

During her acceptance speech, she proudly declared that she now considers herself an actress.

‘Naisigaw ko nang aktres na ako kasi Cinemalaya ‘to eh. Pangarap kong makapasok sa Cinemalaya pero meron pang kasamang trophy,’ she said.

‘Hindi ko alam anong sasabihin [ko sa speech] kasi tinanggal ko sa isip ko na may chance akong manalo. ako ‘yung pinakaleast siguro [ang may chance manalo]. Ibang klaseng blessing. Iba talaga si God. Maghihintay ka lang talaga at ibibigay niya ang tamang blessing sa tamang time, ibibigay niya ‘yun sa iyo nang sunod-sunod,’ she continued.

(I shouted that I am truly an actress because this is Cinemalaya. It was my dream to enter Cinemalaya, but it even came with a trophy. I didn’t know what to say in my speech because I had removed the thought of ever winning. I had the least chance of winning. This is such a huge blessing for me. God is so good. You just have to wait, and once the right blessing at the right time comes, He will give it to you tenfold.)

As the topic shifted again to some of the audience members being SexBomb fans, Pangilinan said seeing the support for the girl group is a motivation for their upcoming reunion concert in December.

‘Hindi rin namin alam na gan’un karami ang pinalaki namin, hindi lang ito sa Cinemalaya kasi tulad nga ng sinabi ko kanina, matataba ang kanilang utak. Maraming tao ang nakakakilala sa’min (We didn’t know that we raised a lot of people. Not only in Cinemalaya, but also these people who are very intelligent. A lot of people truly know us),’ she said.

When asked if the members on the poster would be the only SexBomb Girls in the concert, Pangilinan clarified that there will be more than 20 girls who will be joining.

‘Yes! Hindi ko lang masabi, pero marami sa wala sa poster, kasama. Sabi ko naman, basta kailangan full commitment sila sa concert. Kasi hindi lang kami kakanta. Sasayaw kami ng napakadaming babae, nasa 20+ kami, pinaghahandaan namin lahat ng pinalaki ng SexBomb,’ she said.

(Yes, I just can’t reveal who they are, but a lot of the members who aren’t in the poster will be there. As long as they are fully committed to the concert. We won’t just sing. A lot of women will dance. We are over 20 girls and we’re preparing for everyone who grew up watching SexBomb.)

Pangilinan started her entertainment career as the leader of SexBomb Girls before transitioning to acting. /ra

Coco Martin, Erik Matti, Dondon Monteverde team up for back-to-back films

Coco Martin, filmmaker Erik Matti, and film producer Dondon Monteverde have formed a strategic alliance to bring together two upcoming films, ‘On the Job: Maghari’ and ‘Maypagasa: The Battles of Andres Bonifacio,’ to champion Filipino culture and history in local cinema.

The partnership between Martin, Matti, and Monteverde was announced in a press launch on Tuesday, Oct. 14, in Pasig City, while revealing a glimpse of what viewers can expect from both films.

‘On the Job: Maghari (2026)’ is a prequel that centers on the young Mario Maghari (Martin) during his turbulent life in the 1990s. It will also show how he ended up in prison. Maghari’s character was brought to life by Joel Torre in the ‘On the Job’ film series.

Meanwhile, ‘Maypagasa: The Battles of Andres Bonifacio (2027)’ is a biopic centered on the life of Andres Bonifacio (Martin). It will also tell the story of how Bonifacio eventually became the father of the Katipunan and his hopes for the country.

According to Matti, he has long been aware of Martin wanting to work with him on a project, but it was all about the ‘right time’ and the ‘perfect project’ for it to happen.

‘When we sat down, we knew from the get-go what we wanted to see from a Coco Martin movie on our end. Ang gusto namin talaga to bring out the best in Coco, not just what we see in ‘Batang Quiapo’ and ‘Ang Probinsyano,” he explained.

‘But together with that, ang lakas ng legacy niya sa indie movies dati. He was this boy next door na hindi po nakikitang kinakawawa, and we wanted to bring it out together, the action star and the dramatic actor in him. From the beginning, Coco is a dramatic actor. so we looked for a material that showcases action with a strong heart, a strong humanity, and d’un kami nagka-tagpo-tagpo,’ he continued.

Martin will be balancing the filming schedules of his upcoming films with ‘Batang Quiapo,’ where he also serves as co-director and creative director. Despite this, he said that he still has the drive because he experienced what it’s like ‘to struggle in finding opportunities’ as an actor back then.

‘Isa sa pinakamagandang experience na naransanan ko sa buhay, is naranasan kong magutom. Naranasan ko ang tagal ng paghihintay as an actor. ang tagal kong naghintay,’ he said. ‘Ang tagal kong pinagsumikapan kung nasaan ko ngayon. Kaya kapag may bagong actors, hindi ko sila tinuturuan paano umarte. Pero ‘yung tamang mindset, ‘yung pagpapahalaga sa trabaho, ‘yun ang kaya kong i-share sa kanila.’

(One of the best experiences I went through in life is being hungry. I experienced long waits as an actor. I’ve waited so long. I’ve worked so hard for a long time to be where I’m at now. This is why when I come across new actors, I don’t teach them how to act. I teach them the right mindset and how to do their job well.)

M x M x MLOOK: Coco Martin, filmmaker Eric Matti, and film producer Dondon Monteverde enter a partnership to produce two upcoming films, ‘On the Job: Maghari (2026)’ and ‘Maypagasa: The Battles of Andres Bonifacio (2027).’ | @HMallorcaINQ pic.twitter.com/ISF8Lcv4C0

– Inquirer (@inquirerdotnet) October 14, 2025

The actor-director added that he is aware of accepting one project after another, in which he explained that he knows what it feels like to miss out on career-changing opportunities.

(If I can look by, I can say that I experienced the worst of beginnings. When I was starting, people saw me as a bold and sexy actor who was paired up with women and men. That’s how hard I worked to be where I’m at. What I’m enjoying is the fruit of all my hardships, and I don’t want to let it go. Now, I’m sharing them with the new actors so they can get opportunities, with the veteran actors who couldn’t land jobs just because they aren’t seen frequently. I give them opportunities so they can keep working.)

Further details on the ‘On the Job: Maghari’ and ‘Maypagasa: The Battles of Andres Bonifacio’s’ cast and storylines are yet to be announced. /edv

From proposal to approval: Budget watchers set up tracker

With the crafting of the 2026 national budget proceeding to the next stages in the coming weeks, all eyes are now on the Senate to see whether it will agree with the House of Representatives about opening up the bicameral conference committee deliberations, which have been traditionally held behind closed doors.

For budget watchdogs, it’s also the perfect time to establish an open budget transparency server that would allow the public to keep track of how government funds evolve from proposal to approval-and increase their chances of nipping corruption in the bud.

There is a pilot platform already built by tech volunteers behind the civil society initiative BetterGov.ph. It uses the existing datasets uploaded by the Department of Budget and Management (DBM), including the National Expenditure Program (NEP) and General Appropriations Act (GAA) on their website.

For now, the platform – budget.bettergov.ph – hosts seven years’ worth of Philippine budget data (2020-2026), and shows the allocations per department and per region. For 2020 to 2025, it has been able to track the changes between the NEP and the GAA and compute the amount of insertions made per agency.

Longtime demand

In a recent post on their Facebook page, the volunteers said they hoped the platform would soon become ‘a living website of budget changes, revisions, and more,’ especially with the House passing on third and final reading its version of the P6.793-trillion national spending plan for 2026.

The setup of such a transparency server has been one of the longtime demands of the civil society watchdogs who were accredited by Congress as ‘nonvoting observers’ in the 2026 budget process. They are counting on it to make the process more transparent and traceable.

‘The technology is available. The volunteers are ready. We already have a proof of concept,’ said Kenneth Isaiah Abante, coconvener of People’s Budget Coalition. ‘Our leaders just have to decide to do it-it’s technically feasible since Congress already reports the budget in the same format.’

Currently, both budget monitors and congressional staff spend days manually re-encoding and cross-checking data across multiple documents – the NEP, GAA, House and Senate committee reports, and general appropriations bills, the bicameral conference committee report, and the presidential veto message – to be able to monitor public spending.

‘With an open budget transparency server, we will know how each agency budget evolved, how each line item changed, and who inserted which project. Now is the time to demand this change, since this process is one of the biggest sources of abuse in the flood control scandal,’ Abante said.

Advance Release Calendar

To make this server work, Congress would need to upload its budget files in machine-readable formats containing unique project identifiers such as the Unified Accounts Code Structure and Program Expenditure Classification codes-similar to the datasets already published by the DBM, Abante said.

He also called for an Advance Release Calendar, which would specify when updated budget files are expected to be published. This would give budget monitors and the media enough time to analyze and comment on them.

The volunteers are ready to meet with House and Senate leaders to discuss the technical details of the proposal and to collaborate with investigative journalists, civil society organizations, and academic institutions to build dashboards mirroring the official data, Abante added.

For members of the Makabayan bloc in the House, achieving full budget transparency remains a distant goal at this point.

Among others, ACT Teachers Rep. Antonio Tinio said the Senate must submit its own version of the budget bill with no unprogrammed funds for the 2026 national budget to be considered a genuine step toward reform.

‘Standby funds’

The House-approved version of the 2026 General Appropriations Bill (GAB) still retained P243 billion in ‘standby funds’ that the President can access once government revenues exceed targets or foreign loans become available.

The amount covers social programs, budgetary support to government-owned and -controlled corporations, and foreign-assisted projects.

The Senate is expected to deliberate on its version of the GAB starting late November before convening the bicameral conference committee.

Last month, Senate President Vicente Sotto III and Senate finance committee chair Sherwin Gatchalian said they would move to scrap the entire UA (unprogrammed appropriations) line amid revelations that it was being used to fund anomalous government projects.

‘It could be possible that they might be swayed by arguments that it’s impossible to scrap,’ Tinio said. ‘But it’s entirely possible to scrap the unprogrammed appropriations in full and not leave a single cent. It should be abolished.’

House appropriations committee chair and Nueva Ecija Rep. Mikaela Suansing earlier maintained that the House version already removed infrastructure allocations from the UA to prevent misuse.

Tinio, however, said there were still loopholes that could allow infrastructure projects to still be funded indirectly.