Category: Auto Guid

Gunmen suspected to be kidnappers have raided Zhibi, a community neighbouring Dei-Dei town in the Federal Capital Territory (FCT) but located in Tafa Local Government Area of Niger State.

Abuja Metro learnt that the attackers abducted a businessman, Muhammad Shuaibu, along with his two daughters – a 200-level university student and her younger sister.

A member of the family told Abuja Metro that the assailants broke into the victim’s home around 12am on Friday through the backyard door after destroying a burglar-proof padlock.

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‘They did the same thing in the room where the wife of the family head was sleeping. She woke up suddenly to see them inside her room, so she quickly ran toward her husband’s room,’ the source recounted.

The source added, ‘They summoned all the family members to the sitting room, threatening to take all of them. But the wife knelt down and kept pleading with them to spare her baby. That made them spare her and the baby.’

According to the source, the attackers seized the mobile phones of the man and his wife and also demanded foodstuffs, which were not available in the house.

He said the police outpost in the area has only a few personnel, and efforts to get a response from the Dei-Dei Division did not yield any result, as, according to him, they always insist that they are under the FCT command, while the area falls within Niger State.

It was further learnt that no communication had been established between the kidnappers and the victims’ relatives as of Monday afternoon when our reporter visited the residence.

The Police Area Commander in Suleja, Muhammad Sani Musa, did not respond to phone calls made by our reporter on Monday.

However, a police source in the area confirmed the attack, adding that efforts were ongoing to track the abductors.

DESPITE the ongoing madness in the local political landscape, the Philippines also got good news one after the other recently.

In a matter of only 24 hours, Jessica Sanchez won America’s Got Talent (AGT), Kirk Bondad was proclaimed Mister International, and Veejay Floresca took home the grand prize in Project Runway US.

Sanchez’s victory was imminent after a stunning, soul-stirring performance of ‘Die with a Smile’ ( a collaboration between Bruno Mars and Lady Gaga) during the final show before Americans started to cast their final votes.

Sanchez is from Chula Vista in San Diego and married to Ricky Gallardo. She recorded a short video upon getting home: ‘I cannot believe what just happened. I was a complete mess onstage emotionally, and I’ve just been doing interviews and stuff, and I still feel the adrenaline and I’m soaking it all in with my husband. I’m just so honored and so grateful to everyone who believed, cheered and voted for me.’

The big dream started 20 years ago when as an 11-year-old hopeful, she joined AGT but didn’t make it very far. In 2012, she almost won American Idol, finishing runner-up to Philip Philips.

In a post victory interview, Sanchez talked about her big dream. ‘That dream started on the AGT stage a long time ago and I think it ignited this fire in me to believe in something bigger. Even though I didn’t make it through that time, and I was devastated as a 10-year-old, I’m so glad to have found that little bit of strength to keep going, and throughout the years it’s really been hard and challenging trying to find myself as a woman and as an artist. But you know, the biggest message is perseverance and just finding that little bit of faith to push though and believe in yourself again. So, here I am, the AGT winner of Season 20, and it’s just so amazing and so crazy,’ she enthused.

Floresca was a surprise winner for Project Runway’s season 21, which has been bashed consistently for many things: choice of designer contestants and judges, constant bickering and drama, boring outputs, and just the overall quality of content in many aspects of the show.

But in the end, after the many plot twists, the US immigrant from the Philippines made history as the first-ever transgender winner of the series, much to the delight of his fans and followers.

Once more, Floresca has proven that not giving up on our dreams is indeed very crucial because it is the reflection of our deepest desires and potentials.

‘If you have thought long and hard about something and it feels right, and it does consistently feels good, then you should not let anyone talk you out of it. Reaching for our dreams require bravery. And bravery is not the absence of fear but the strength to keep moving forward despite every hurdle. The path may seem challenging, even rough, but being brave means embracing all these struggles and continuing, knowing that the reward is always worth the effort you give,’ she told us when she first learned that she made it to season 21 of Project Runway.

Floresca added, ‘Giving up was never an option because it can lead to missed opportunities. I’ve always wanted to be a designer-a good, successful and respected designer. I know Project Runway will open bigger doors and make this dream of mine come true.’ For her feat, Floresca, who competed in the local version of Project Runway in 2008, won a cash pot of $200,000, plus six-month representation by Agentry PR, a mentorship program with the Council of Fashion Designers of America and a spread in Elle magazine.

And then there’s Kirk Bondad, who won Mister International in Thailand a few days ago. Bondad, only the third Mister Philippines to have won the crown after Alexander Aquino in 2001 and Florencio Mata Jr. in 2014, was obviously nervous before he was called out as the winner.

‘Your vision is unique to you and only you, and even if others might not see what you see, it is what you think and and what you feel that matter most. After my devastating loss in Mister World, I knew I cannot give up on my dreams,’ he told us before flying to Thailand earlier this month.

Bondad, who is half German and half Filipino, carries his mom’s surname in all his modelling and pageant activities. His father’s surname is Wachsmuth.

In summation, these victories reaffirm that it takes courage to pursue a dream, especially when others doubt or dismiss it. Just always follow your inner voice, keep your heart and intentions real and pure, and your mind undistracted. It is always okay to reset, restart and refocus, but never give up on your dreams.

Indeed, the big wins of Jessica Sanchez, Kirk Bondad and Veejay Floresca only confirm that big dreams, when pursued with courage, mindset, determination and hard work, have no deadlines.

MOST visual artists treat solo exhibitions as platforms to showcase something new, something fresh. Then there’s acclaimed abstractionist Katrina Cuenca, who, in her latest one-artist presentation, made no bones about maintaining the status quo.

‘As with all of my work, it’s the same principle,’ she said about the theme of her most recent exhibit at Art Lounge Manila-Alabang, underscoring instead the consistent sense of optimism that radiates from her colorful, kinetic artworks. ‘The intention is always for the viewers to feel some semblance of peace and happiness-a sense of calm.’

In no way does Cuenca’s statement suggest a lack of vision. If anything, it feels more like a refreshing approach, one that challenges the notion that novelty serves as the lone currency of an artist’s creativity. While Cuenca’s own practice has evolved into other mediums, she chooses to ground her artworks on the principle it’s best known for, communicating the same message she still finds fulfilment in spreading.

As always, positivity shone bright in her latest show, Elysium. Around 30 artworks comprised of paintings and her newer ventures into sculpture filled Art Lounge’s high-ceiling exhibition space at Molito Lifestyle Center in Alabang from September 17 to 29.

During the artist’s reception over the weekend, the self-taught Cuenca shared that she tries to keep true to her practice’s identity no matter what. The exhibit’s featured series, for instance, was created during a ‘dark period’ following her mother’s passing. And yet, her artworks still hold form as vintage Cuenca with its twisting forms and entrancing palette, reminiscent of a betta fish dancing underwater. It’s a disarming sight, eliciting from the viewer a sense of surrender, as if saying let go and let be.

‘That’s how I wanted to feel [during that challenging period,]’ she said, ‘and I think people can relate to that, as well.’

The message pervades Cuenca’s Elysium. In the sizeable 44′ x 77′ painting Regal Atmospheres, we see her signature forms bursting from a void, its motion and drama heightened with a strategic framing made of silverleaf. Cuenca also uses goldleaf in other artworks, pointing to how as a self-confessed ‘Discovery Channel nerd,’ the idea that people are attracted to shiny objects like gold always stuck with her. She remembers that it’s also described as a ‘happy color,’ that interacting with it releases happy hormones.

‘It’s a sort of lucky charm,’ she said. ‘It’s like whoever is the custodian of my work, I’m giving that person luck.’

The same goes for Cuenca’s auspicious Talisman series, which features golden diamond backgrounds that accentuate her dynamic figures. Meanwhile, the exhibit also presented Cuenca’s more recent forays into glass sculptures, including the cerulean Fractus Caeli, which appears like an elemental block taken straight out of the ocean, frozen in time.

Cuenca’s experimentation with different materials and explorations into other mediums demonstrates her natural inquisitiveness. ‘As an abstract artist,’ she said, ‘it’s my job to keep experimenting.’

She’s also excited to test the artistic potential of various items, just like dichroic films, stretched beyond its industrial applications. Even the way she paints puts limits to the test. Her process involves her placing the canvas upside-down and in other different positions just to see how her forms dance at every angle.

What remains constant amid all the changes, however, is the positive, inspiring and enriching energy of her artwork.

Cuenca said, ‘I think that’s where I found my purpose.’

MOST visual artists treat solo exhibitions as platforms to showcase something new, something fresh. Then there’s acclaimed abstractionist Katrina Cuenca, who, in her latest one-artist presentation, made no bones about maintaining the status quo.

‘As with all of my work, it’s the same principle,’ she said about the theme of her most recent exhibit at Art Lounge Manila-Alabang, underscoring instead the consistent sense of optimism that radiates from her colorful, kinetic artworks. ‘The intention is always for the viewers to feel some semblance of peace and happiness-a sense of calm.’

In no way does Cuenca’s statement suggest a lack of vision. If anything, it feels more like a refreshing approach, one that challenges the notion that novelty serves as the lone currency of an artist’s creativity. While Cuenca’s own practice has evolved into other mediums, she chooses to ground her artworks on the principle it’s best known for, communicating the same message she still finds fulfilment in spreading.

As always, positivity shone bright in her latest show, Elysium. Around 30 artworks comprised of paintings and her newer ventures into sculpture filled Art Lounge’s high-ceiling exhibition space at Molito Lifestyle Center in Alabang from September 17 to 29.

During the artist’s reception over the weekend, the self-taught Cuenca shared that she tries to keep true to her practice’s identity no matter what. The exhibit’s featured series, for instance, was created during a ‘dark period’ following her mother’s passing. And yet, her artworks still hold form as vintage Cuenca with its twisting forms and entrancing palette, reminiscent of a betta fish dancing underwater. It’s a disarming sight, eliciting from the viewer a sense of surrender, as if saying let go and let be.

‘That’s how I wanted to feel [during that challenging period,]’ she said, ‘and I think people can relate to that, as well.’

The message pervades Cuenca’s Elysium. In the sizeable 44′ x 77′ painting Regal Atmospheres, we see her signature forms bursting from a void, its motion and drama heightened with a strategic framing made of silverleaf. Cuenca also uses goldleaf in other artworks, pointing to how as a self-confessed ‘Discovery Channel nerd,’ the idea that people are attracted to shiny objects like gold always stuck with her. She remembers that it’s also described as a ‘happy color,’ that interacting with it releases happy hormones.

‘It’s a sort of lucky charm,’ she said. ‘It’s like whoever is the custodian of my work, I’m giving that person luck.’

The same goes for Cuenca’s auspicious Talisman series, which features golden diamond backgrounds that accentuate her dynamic figures. Meanwhile, the exhibit also presented Cuenca’s more recent forays into glass sculptures, including the cerulean Fractus Caeli, which appears like an elemental block taken straight out of the ocean, frozen in time.

Cuenca’s experimentation with different materials and explorations into other mediums demonstrates her natural inquisitiveness. ‘As an abstract artist,’ she said, ‘it’s my job to keep experimenting.’

She’s also excited to test the artistic potential of various items, just like dichroic films, stretched beyond its industrial applications. Even the way she paints puts limits to the test. Her process involves her placing the canvas upside-down and in other different positions just to see how her forms dance at every angle.

What remains constant amid all the changes, however, is the positive, inspiring and enriching energy of her artwork.

Cuenca said, ‘I think that’s where I found my purpose.’

DESPITE the ongoing madness in the local political landscape, the Philippines also got good news one after the other recently.

In a matter of only 24 hours, Jessica Sanchez won America’s Got Talent (AGT), Kirk Bondad was proclaimed Mister International, and Veejay Floresca took home the grand prize in Project Runway US.

Sanchez’s victory was imminent after a stunning, soul-stirring performance of ‘Die with a Smile’ ( a collaboration between Bruno Mars and Lady Gaga) during the final show before Americans started to cast their final votes.

Sanchez is from Chula Vista in San Diego and married to Ricky Gallardo. She recorded a short video upon getting home: ‘I cannot believe what just happened. I was a complete mess onstage emotionally, and I’ve just been doing interviews and stuff, and I still feel the adrenaline and I’m soaking it all in with my husband. I’m just so honored and so grateful to everyone who believed, cheered and voted for me.’

The big dream started 20 years ago when as an 11-year-old hopeful, she joined AGT but didn’t make it very far. In 2012, she almost won American Idol, finishing runner-up to Philip Philips.

In a post victory interview, Sanchez talked about her big dream. ‘That dream started on the AGT stage a long time ago and I think it ignited this fire in me to believe in something bigger. Even though I didn’t make it through that time, and I was devastated as a 10-year-old, I’m so glad to have found that little bit of strength to keep going, and throughout the years it’s really been hard and challenging trying to find myself as a woman and as an artist. But you know, the biggest message is perseverance and just finding that little bit of faith to push though and believe in yourself again. So, here I am, the AGT winner of Season 20, and it’s just so amazing and so crazy,’ she enthused.

Floresca was a surprise winner for Project Runway’s season 21, which has been bashed consistently for many things: choice of designer contestants and judges, constant bickering and drama, boring outputs, and just the overall quality of content in many aspects of the show.

But in the end, after the many plot twists, the US immigrant from the Philippines made history as the first-ever transgender winner of the series, much to the delight of his fans and followers.

Once more, Floresca has proven that not giving up on our dreams is indeed very crucial because it is the reflection of our deepest desires and potentials.

‘If you have thought long and hard about something and it feels right, and it does consistently feels good, then you should not let anyone talk you out of it. Reaching for our dreams require bravery. And bravery is not the absence of fear but the strength to keep moving forward despite every hurdle. The path may seem challenging, even rough, but being brave means embracing all these struggles and continuing, knowing that the reward is always worth the effort you give,’ she told us when she first learned that she made it to season 21 of Project Runway.

Floresca added, ‘Giving up was never an option because it can lead to missed opportunities. I’ve always wanted to be a designer-a good, successful and respected designer. I know Project Runway will open bigger doors and make this dream of mine come true.’ For her feat, Floresca, who competed in the local version of Project Runway in 2008, won a cash pot of $200,000, plus six-month representation by Agentry PR, a mentorship program with the Council of Fashion Designers of America and a spread in Elle magazine.

And then there’s Kirk Bondad, who won Mister International in Thailand a few days ago. Bondad, only the third Mister Philippines to have won the crown after Alexander Aquino in 2001 and Florencio Mata Jr. in 2014, was obviously nervous before he was called out as the winner.

‘Your vision is unique to you and only you, and even if others might not see what you see, it is what you think and and what you feel that matter most. After my devastating loss in Mister World, I knew I cannot give up on my dreams,’ he told us before flying to Thailand earlier this month.

Bondad, who is half German and half Filipino, carries his mom’s surname in all his modelling and pageant activities. His father’s surname is Wachsmuth.

In summation, these victories reaffirm that it takes courage to pursue a dream, especially when others doubt or dismiss it. Just always follow your inner voice, keep your heart and intentions real and pure, and your mind undistracted. It is always okay to reset, restart and refocus, but never give up on your dreams.

Indeed, the big wins of Jessica Sanchez, Kirk Bondad and Veejay Floresca only confirm that big dreams, when pursued with courage, mindset, determination and hard work, have no deadlines.

Egypt international Ramadan Sobhi, who helped Pyramids win their first CAF Champions League title last season and previously played in the English Premier League, has been banned for four years by the Court of Arbitration for Sport (CAS) for an anti-doping rule violation, Egypt’s anti-doping authority has

‘We have received an official letter confirming Ramadan Sobhi’s four-year suspension in a doping case,’ Hazem Khamis, head of the Egyptian Anti-Doping Organisation, told reporters.

Sobhi’s suspension stems from allegations of doping and sample tampering, the body said.

Sobhi has not yet commented on the sanction. His lawyer was quoted by local media saying that an appeal to the Swiss Federal Court was being prepared.

The World Anti-Doping Agency (WADA) appealed the initial lifting of Sobhi’s provisional suspension, which had briefly allowed him to return to play, before the case was referred to CAS.

The 28-year-old remains in custody in a separate case. A Giza criminal court has ordered his detention pending trial over allegations of academic fraud, including forging documents and paying someone to sit exams on his behalf at a tourism and hotels institute. Sobhi has denied wrongdoing and the next hearing is scheduled for December 30.

Sobhi, who has played 37 times for Egypt, began his career at Al-Ahly before moving to England in 2016, where he played for Stoke City and Huddersfield Town.

He joined Pyramids in 2020 and played a key role in their continental triumph last term.

The Tanimu Turaki-led faction of the Peoples Democratic Party (PDP) has petitioned the Chief Judge of the Federal High Court (FHC) on the party’s cases assigned to courts presided over by three judges of the court.

The judges are: Justices James Omotosho, Peter Odo Lifu, and Joyce Obehi Abdulmalik.

The faction described the courts presided over by the judges as ‘Courts of Particular Concern’.

It listed the courts and their judges in a letter, dated November 19 and signed by the National Secretary of the faction, Teofeek Arapaja, and addressed to the Chief Judge of the Federal High Court.

While Justice Omotosho and Lifu issued judgments stopping the party from proceeding with its just-concluded national convention in Ibadan, the Oyo State capital, Justice Abdulmalalik is currently entertaining a suit against the party and the Independent National Electoral Commission (INEC).

Arapaja wrote: ‘I have the instruction and authority of the National Chairman of our Party, the Peoples Democratic Party, and the entire members of the newly-elected National Working Committee (NWC) and the National Executive Committee (NEC) of our party to write this letter to Your Lordship concerning our fear and apprehension regarding all matters either filed by our party or against our party at the Federal High Court, Abuja Judicial Division.

‘My lord, it is of great concern to our party that it would appear that all matters for the past few years filed in the Federal High Court, Abuja Judicial Division, either for or against our party have always been assigned to the following three judges only, namely: Hon. Justice James Omotosho, Hon. Justice Peter Odo Lifu, and Hon. Justice Joyce Obehi Abdulmalik.

‘.There are other judges, numbering up to nine in the Abuja Judicial Division who could have taken up any of these matters, as the Abuja Division has 12 judges.

‘Several of our party members have recently complained bitterly to the newly elected members of the National Working Committee and the National Executive Committee of the above-mentioned scenario.

‘Indeed, all these three courts are viewed by party members and indeed the public as ‘courts of particular concern’ with regard to matters pertaining to or affecting the interest of the Peoples Democratic Party.

‘My lord, it is trite that justice must not only be done in all cases and circumstances with regard to matters pending and matters filed in the court of law, but justice must be seen to be done indeed by reasonable members of the society including the members of our party.

‘Given the current challenges facing the party, there is a high likelihood of cases being filed for or against the party.

‘It is in this respect that we humbly plead and beg that in no other matters or circumstances with regard to cases that may be filed by or against our party henceforth should be assigned to any of these three judges, since justice is rooted in trust and integrity.

‘Our party wishes to reiterate the fact that we have no iota of doubt with regard to the integrity of the Judiciary, particularly the Federal High Court, Abuja Judicial Division, headed by your lordship in dispensing justice in all cases, other than the above-highlighted fears and apprehension of our party.

‘Kindly accept the assurances and warm regards of the National Working Committee and the National Executive Committee of our great party.’

The House of Representatives recently set up an ad-hoc committee to investigate the over 11,800 abandoned federal government properties and projects across the nation. The properties are estimated to be worth nothing less than N20trn in market value today. The motion that seemingly set off the alarm was raised by the House Minority Leader, Kingsley Chinda, representing Obio/Akpor federal constituency of Rivers State.

Chinda recalled that in 2000, the Presidential Implementation Committee on Federal Government Properties was set up but sadly, two and a half decades later, the committee is yet to submit its final report. In his opinion, nothing speaks so eloquently about the lack of accountability and transparency when it comes to national assets than this act of non-responsiveness of such a committee.

It is sad that a report by the Nigerian Institute of Quantity Surveyors had identified 11,866 abandoned federal projects across the country, representing approximately 63 per cent of all projects initiated since independence. Some of these properties are: the National Stadium in Surulere, Lagos; the Federal Secretariat in Ikoyi, Lagos; the Nigerian International Hotel Suleja, Niger State; Millennium Tower, Abuja; the Federal Inland Revenue Service (FIRS) building in Abia State; the National Library Headquarters, Abuja; the Nigeria Newsprint Manufacturing Company, Kaduna; the Kaduna Textile Building; the Nigerian Aluminium Smelting Company, Delta State.

We are amazed at the array of iconic and valuable projects that have suffered neglect and abandonment across the country. This says everything negative about the value successive governments in this country have placed on national assets and projects across the nation.

In many countries, the preservation of such iconic assets is taken very seriously because in most cases such historically relevant assets represent not just history. They are preserved as national treasures not just as beautiful edifices but for the value they add to the socio-economic lives of the people.

A place like the National Stadium in Lagos today stands as a national disgrace. The stadium didn’t just represent a great geographic space; it stood as a national rallying point that the citizens have a sense of attachment to. It represented a rallying point for sporting activities in the nation and had in the past been the flagship for national, sub-regional, continental and even global sports competitions. Beyond sports, it provided spaces for other socio-political activities due to its centrality and accessibility. Today, the stadium has become home to street urchins and parts of it have been occupied by some private individuals who are reaping profits from national assets.

Today, the most popular sports, football competitions, are now mainly hosted by Akwa Ibom State’s Godswill Akpabio Stadium built by the present Senate President when he was governor. This puts to shame the successive governments at the federal level that could not renovate the National Stadium for the same function, given the employment and revenue that would definitely accrue from its functionality.

Today, Morocco, a smaller African country, has seemingly overtaken Nigeria with its huge investment in sports infrastructure. They have been hosting several FIFA-organised games. They hosted the FIFA Women World Cup; they would be hosting AFCON this December. They are on their way to co-hosting the 2030 FIFA World Cup with Spain.

The investment in sports infrastructure by Morocco has become a huge inspiration for the country’s youths and a huge source of national pride and global relevance. Their national team made history at Qatar 2022 World Cup by reaching the semi-finals, becoming the first African and Arab country to reach the 4th place in a World Cup. Their government has shown understanding of the power of infrastructural development and maintenance. There are no disadvantages to valuing national assets.

We feel that a huge part of the responsibility of governments’ taking care of the security and welfare of citizens comes from the way national assets are handled. This is because most of the abandoned projects like the Directorate of Food, Roads and Rural Infrastructure (DFRRI) buildings built by the former military leader, Ibrahim Babangida’s administration across the country have all become enclaves for miscreants and robbers that are a menace to communities. Even if many analysts felt that the buildings were poorly thought out, as long as they had been built, the onus is on every government to improve on the buildings and increase their functionality for the people.

We consider the abandoned assets and keep wondering how successive governments never thought of making those buildings functional: federal secretariat, aluminium smelting plant, national library, hotels, and textile companies etc. in a country that has been in dire financial straits since the end of the oil boom in the 1970s.

It amounts to crass irresponsibility and financial recklessness to keep building new elephant projects that are often abandoned by opposition governments while ignoring solid structures that are of huge economic and social value.

However, while we commend the House of Representatives for pointing a torch at those valued national assets, they must do more than that. They have committees that can collaborate to see that the right things are done. Being in the House should not be all about raising matters of urgent national importance. The real work is in following through and for each member to focus on the assets in their own states and make sure their oversight function covers such projects. They are national legislators for a reason. While they come from specific constituencies, their larger constituency is the nation.

The relevant ministries like those of works, sports, education and housing must work together to track and account for all the thousands of assets across the nation. In cases where some unscrupulous civil servants or politicians have either appropriated or sold some or parts of those assets, the relevant government agencies must not just retrieve them but also prosecute the offenders. National assets always stand in history as generational legacies with a stamp of care for posterity. Nigeria’s case cannot be different.

Former Super Eagles winger Tijani Babangida has blamed Nigeria’s failed 2026 FIFA World Cup qualifying campaign on ‘self-inflicted’ issues, insisting that former head coach Finidi George had the competence and experience to guide the team to qualification.

Speaking in a recent interview, Babangida expressed deep frustration over the circumstances that led to Nigeria missing out on a direct ticket, stressing that internal problems rather than lack of talent or technical know-how derailed the campaign.

According to him, Finidi’s track record with Enyimba and his understanding of the national team setup were more than sufficient to steer the Super Eagles through the qualifiers.

‘I believe if Finidi didn’t have that problem with the team, with the experience he has with Enyimba and the coaching he’s doing, I’m sure he would have cleared all those matches,’ Babangida told Brila Fm.’Because of that issue alone, we lost two matches and those two matches cost us our World Cup.’

He noted that once the internal tensions settled, particularly after the controversy involving striker Victor Osimhen, the team looked more organised and began to win again. However, by then the damage had already been done.

‘When I saw them come back, the whole team became settled and we started winning again. But it was too late for us at that time,’ he lamented.

Babangida criticised the Nigeria Football Federation (NFF) for allowing the conflict between Osimhen and the coaching crew to escalate, arguing that the situation should have been handled swiftly to prevent it from affecting results.

‘The NFF should not have allowed that problem with Osimhen to escalate. They were supposed to do what needed to be done, but they didn’t. It was very unfortunate,’ he said.

Despite the disappointing campaign, the former Ajax star urged the NFF not to lose faith in Nigerian coaches. He argued that domestic managers should continue to be given opportunities, but supported the idea of pairing them with highly experienced European technical advisers.

‘NFF should not be discouraged from giving our coaches a chance again. They can always bring in a very experienced European coach to assist them, but the opportunity must remain,’ he added.

Super Eagles striker, Ademola Lookman, is back to his striking sharpness as he grabbed the curtain raiser in Atalanta’s Champions League 3-0 victory over away to Eintracht Frankfurt last night.

Lookman scored Atalanta’s first foal in the 60th minute as he lashed on to an inviting cross from the right by De Ketelaere to finish with a sizzling volley off the inside of the boot to the far post.

Two minutes later, he was the provider as he rolled the ball across the face of the goal for

Ederson to beat the opposing goalkeeper one-on-one.

While Ketelaere scored the third some three minutes later , Lookman was in the thick of action before being substituted in the 82nd minute.

Yesterday’s win was the first for new coach Raffaele Palladino who suffered a 3-1 loss to Napoli on his debut with the club in the Serie A on Saturday.