Category: Business Daily

When Rosemary Kimunya started the Kenya Flower Festival six years ago, she wanted it to bloom into something similar to the prestigious Chelsea Flower Show in London.

She envisioned a local event that would bring together flower lovers in Kenya, but never imagined that it would attract visitors, designers, and florists from around the world.

‘I just wanted a space where people who love flowers could meet and share ideas,’ she recalls. ‘I never thought it would go this far.’ This year’s event was at the Nairobi National Park. The festival brought floristry into the wild by combining two of Kenya’s greatest treasures: its flowers and its wildlife.

‘It was risky,’ she says. ‘We even worried that baboons might eat the flowers overnight. But it worked beautifully.’

Hosting it in the park was not just about the location; it was also about flower tourism.

‘We also wanted to return flowers to their natural context and remind everyone that, long before they became commercial products, they were wild things that grew freely under the African sky. There’s something symbolic about bringing art and business into a conservation space,’ Rosemary says.

‘It reminds us that sustainability isn’t just a trend; it’s our responsibility.’

She was also looking to attract flower tourists, having priced the tickets in dollars.

‘When we first priced tickets in dollars, I wasn’t sure anyone would come,’ Rosemary says. ‘But then the bookings started coming in. That’s when I realised we’d truly gone global.’ South African floral designer and educator Mabel Maposa was at the event. ‘Flowers in the wild remind me that beauty doesn’t always ask for permission,’ she said.

To Ms Mabel, Kenya is not just a floral powerhouse, but a place where cultivation meets nature’s poetry and flowers represent both business and way of life. Her journey with Kenya began in 2019, when her curiosity led her to her first flower festival.

‘It was mysterious,’ she recalls. ‘I was drawn to Kenya, I call it the home of garden roses. No other country is quite like it.’

However, her initial visit was merely the beginning. She has returned repeatedly-in 2021, 2022, 2023, and now 2025.

‘This country is warm,’ she says.

‘The people, the culture, the way it has evolved, everything about it keeps drawing me back. But one of the things that troubled me during my first year was hearing Kenyans talk about how their beautiful flowers were being shipped off, leaving little behind for them. But that has changed. Witnessing that evolution has been powerful. I can’t stop coming back.’

At this year’s festival, Ms Mabel witnessed this transformation more clearly than ever before. For the first time, the programme included visits to flower farms.

‘I learned so much. I’ve worked in this industry for 15 years, but this was the first time I truly understood the difference between breeders and growers, how far apart their processes are, what it takes to create new varieties, and how it all connects back to us florists,’ said Ms Mabel.

‘Kenya shouldn’t just be known for exporting flowers,’ Ms Kimunya said. ‘We should also be known for celebrating them, for making flowers part of who we are.’

Imagine this: in a youth centre outside Nairobi, four teenagers join a facilitator in call-and-response music making. Shoulders loosen, hands find rhythm, moods shift.

What once looked like an arts club now carries a new label-music therapy. The songs are familiar, but what’s new is the structure: goals, methods, and measures. This clinical scaffolding makes the difference between casual singing and a recognised therapeutic intervention.

Kenya has always healed through music-lullabies in maternity wards, choirs in moments of grief, drumming that binds communities. Professional music therapy does not replace these traditions; it curates them within ethical and clinical frameworks.

Sessions target clear goals such as reducing anxiety, improving attention, or supporting emotional expression, while evidence is tracked through checklists, scales, and reflection.

Why invest?

The economics are persuasive. International research shows music therapy is not just effective but often cost-saving.

In US intensive care units, a patient-directed music programme delivered by therapists reduced time on mechanical ventilation, saving about $2,300 per patient at an average cost of only $329.

In dementia care homes, music therapy reduced agitation at £13-£27 per person, far lower than the costs of other interventions. In neurosurgery, perioperative music was found to be cost-effective in reducing postoperative delirium.

Group music therapy for schizophrenia in Chinese nursing homes dominated treatment-as-usual, providing clinical benefit at lower overall cost. Even in paediatrics, therapist-supported music has helped reduce sedation needs-making care both safer and more affordable.

These numbers matter for Kenya, where mental health services remain underfunded and clinical staff are stretched thin.

Music is already embedded in everyday life, trusted across generations and communities. Introducing professional music therapy offers a low-cost, high-reach solution that extends care into schools, hospitals, and community halls.

An ideal life insurance cover should range between four and eight times one’s annual gross salary, financial experts say, a figure that often surprises many first-time policy seekers.

Life insurance is about protecting your family’s future, ensuring that in your absence, they can grieve, heal, and rebuild without financial distress. But how do insurers decide what your life is worth, and what determines how much you should actually be covered for?

Cross-border traders, Kenyans in the diaspora, and multinationals are increasingly using stablecoins for payments, setting the stage for wider adoption of digital assets in everyday finance in Kenya.

Kenya made Sh426.4 billion ($3.3 billion) worth of transactions in stablecoins in the year to June 2024, according to Chainalysis, a New York-based blockchain data platform that tracks crypto use.

Wholesale prices of electricity will be capped at $0.07 (Sh9.04 at current exchange rates) per kilowatt-hour (kWh) for new Power Purchase Agreements (PPAs) that Kenya Power will sign in a move aimed at cushioning consumers from costly electricity.

David Gikaria, the chair of the National Assembly Energy Committee, disclosed that capping of the prices is one of the conditions included in a report that his committee will table in Parliament, setting the stage for lifting of a moratorium that has been in place since 2018.

Commercial banks are asking the Central Bank of Kenya (CBK) to cut the base lending rate further to help lift the pace of private sector credit growth.

Through the Kenya Bankers Association (KBA), the lenders say overall inflation remains low, the foreign exchange rate is stable and private sector credit remains ‘under strain,’ requiring further easing of the Central Bank Rate (CBR).

After nearly three decades as an employee-more than half of them as chief executive of Crown Paints-Rakesh Rao longed for the day he could start a business of his own.

Entrepreneurship, he believed, would finally give him ‘peace of mind.” In an April 2021 interview, he said he had given himself about three years-around now, as his two sons settled into their paths-to actualise the dream.

Kenya’s hospitality story is built on warmth, resilience, and world-class talent. But here’s a question for all of us: will the next generation of global hotel brands carry Kenyan names, or will we forever host under someone else’s flag?

For decades, local hotel owners and investors have carried the spirit of Karibu Kenya, welcoming the world with unmatched professionalism.

Our hotels, lodges, and camps have been the heartbeat of tourism, shaping experiences that bring millions to our country. Yet as more international hotel chains set up in Kenya, we must ask: are we building our industry’s future on borrowed names, or nurturing our own to become tomorrow’s global leaders?

International chains undoubtedly bring value-global visibility, expertise, and jobs. But the profits flow abroad, decisions are made elsewhere, and our pioneers risk being overshadowed in their own home market.

Kenyan hotel brands deserve the same incentives, financing, and global exposure offered to foreign players. With a disciplined, highly skilled workforce already sought after worldwide, why shouldn’t Kenyan brands dominate regionally and globally?

In fact, Kenyan hospitality professionals have long been our greatest export. From Dubai to Doha, from Mauritius to southern Africa, our chefs, managers, and staff are in high demand and are well-trained, polished, and trusted to deliver excellence.

Even in Europe, Kenyan graduates are finding opportunities, valued for their professionalism and service culture. If our people can power the success of other countries’ hotel industries, why can’t our own brands be given the tools to succeed at home and abroad?

Other countries have shown us what is possible. In South Africa, Protea Hotels grew from a modest local chain in the 1980s to more than 100 properties across Africa, proving that African hospitality brands can achieve continental scale.

Yet its eventual acquisition by Marriott in 2014 is a double-edged lesson: without strong national and regional support, even successful African brands risk being absorbed by global giants rather than standing as independent players.

In contrast, India’s Taj Hotels began with a single property in Mumbai in 1903 and, with deliberate government and private sector backing, evolved into one of the most respected hospitality names worldwide.

Kenya requires approximately Sh30.4 billion ($235 million) to equip around 3,800 health facilities across the country that currently lack electricity, and to stabilise backup power for existing connections.

An analysis by Sustainable Energy for All (SEforALL) reveals that of this total amount needed-inclusive of Sh17.2 billion ($133 million) for private facilities and Sh13.1 billion ($102 million) for public facilities-only about Sh1.3 billion ($10 million) has been provided by donors, resulting in a funding gap of Sh29.1 billion ($225 million).

The Ministry of Energy has been lobbying the National Assembly to lift the seven-year ban on new power purchase deals. While there was an indication of the ban being lifted in June of this year, this is yet to be realised.

For years, Kenya Power, the country’s main electricity offtaker, has been tied into contracts with independent power producers (IPP). These agreements were signed quietly, away from public scrutiny, and were meant to secure additional electricity for the grid.

On the surface, they seemed like a way to expand supply and meet rising demand. But in reality, many of these contracts tilted heavily in favour of the private producers and left the public carrying the cost.

In the year ending June 2024, Kenya Power bought 59 percent of its electricity from KenGen, the State generator. Yet KenGen only received 40 percent of the total payments, about Sh49.4 billion.

By contrast, IPPs supplied just 41 percent of the electricity but collected 60 percent of the money. Put simply, KenGen supplied most of the power, while IPPs took most of the cash.

The latest half-year results up to December 2024 show that this imbalance is still weighing on the company. Kenya Power spent Sh71.4 billion on buying electricity in just six months.

The stronger shilling reduced some costs, and renewable energy purchases rose to 6,603 gigawatt hours (GWh) from 6,199 GWh a year earlier, but the basic problem remains. The share of money paid out is still far higher than the share of electricity delivered by IPPs.

A unit from a private producer averaged Sh21, while KenGen charged less than half that, at about Sh10. Even in geothermal power, which is considered one of the cheapest and most reliable renewable sources, IPPs were charging more than double what KenGen billed.

The pattern continued in thermal generation, whese producers charged almost Sh44 per unit against KenGen’s Sh29. Unfortunately, the contracts include what is known as a take or pay clause, which means Kenya Power is required to pay, even when the electricity is not consumed. These are rigid contracts that load risk onto the public.

For ordinary citizens, all this translates into one simple outcome: high electricity bills. But the story is bigger than bills. It is a story about governance.

When power purchase contracts are signed behind closed doors and when governments lack the technical expertise or bargaining strength to negotiate on equal footing with private companies, the outcome is almost always the same: the public carries the burden.

Kenya’s electricity story shows just how costly weak governance can be. When we talk about Environment, Social and Governance (ESG) principles, the spotlight almost always falls on the environment or social concerns. We speak about climate change, carbon emissions, job creation, and diversity. Governance is usually mentioned last, like a supporting act.

Yet governance is the foundation stone that holds everything together. Without it, environmental promises and social pledges are a weak foundation. Governance is about trust, fairness, accountability, and the ability of institutions to deliver in the public interest. Without good governance, everything else begins to crack.

Governance is not about paperwork or ticking compliance boxes. It is about the ability to safeguard the public interest. It is about ensuring that contracts, policies, and decisions are fair, transparent, and accountable. Kenya’s electricity contracts demonstrate what happens when governance is treated as an afterthought.

This is not a uniquely Kenyan problem. Across Africa, governments often find themselves at the negotiating table with multinational corporations that bring entire teams of lawyers, financial analysts, and consultants.

Governments, by contrast, are sometimes represented by overstretched officials with little specialist support. The imbalance is obvious, and the results are predictable: contracts that lock countries into expensive obligations, expose them to hidden risks, and leave them with little flexibility when circumstances change.

The good news is that African governments are not without options. There are institutions created precisely to help them navigate these complex negotiations. One of the strongest is the Africa Legal Support Facility, hosted by the African Development Bank.

The Facility provides governments with access to world-class legal and financial experts, helps them identify risks in contracts, and builds their capacity to negotiate better deals in the future. It is not the only option available. Governments can also draw on regional development banks, international partnerships, or even strengthen their use of local legal and technical expertise.

The problem is that many governments do not use these resources as much as they should. Deals are rushed through in the name of urgency or expediency, and the result is decades-long obligations that weigh down public finances and burden citizens. Kenya’s experience with its power purchase agreements shows why this approach is unsustainable.

As the country prepares to lift the freeze and negotiate new power deals, there is a chance to reset. This is the moment to insist on transparency, to involve stakeholders, to publish the terms, and to use every tool available to strengthen the hand of the state. Governance cannot be an afterthought tucked at the end of ESG.

Citizens pay the price when governance is weak, but they also reap the rewards when governance is strong. Africa has the tools to make sure contracts are fairer and better balanced. The challenge is simple: use them.