Category: Business Day

Abdullahi Sule, the Nasarawa State Governor has condemned what he described as the hypocrisy of some Nigerians who once showered praises on former President Muhammadu Buhari but later turned against him after he left office.

Speaking at an event in Lafia, the Nasarawa State capital, Sule said it was unfortunate that individuals who benefited politically and personally from Buhari’s administration are now among those criticising his leadership. The governor noted that such behavior reflects a broader moral crisis in the nation’s political culture, where loyalty is often dictated by personal gain rather than principle.

Sule, a staunch ally of the former president, said Buhari’s tenure should be assessed with fairness, acknowledging both his achievements and shortcomings. He argued that history would be kind to Buhari for his integrity, anti-corruption stance, and efforts to lay a foundation for infrastructural growth despite economic challenges. According to the governor, ‘It is sad to see that many who hailed Buhari, called him a man of integrity, and stood close to him while in power, are now among those mocking or discrediting him. That is not the spirit of true leadership or patriotism. Leadership should be about consistency, not convenience.’

He cautioned politicians against opportunism and urged Nigerians to show gratitude for Buhari’s sacrifices, noting that the former president governed at a time of global economic instability, insecurity, and political pressure. Sule emphasized that while no administration is perfect, Buhari’s contributions to national development particularly in infrastructure, agriculture, and the fight against graft remain significant. He added that those now distancing themselves from the former leader are doing so merely to align with new political realities ahead of the 2027 elections.

‘Buhari gave his best. He may not have satisfied everyone, but he served this country with sincerity and selflessness. We must not be a nation that forgets its leaders once they leave office,’ the governor stated. The Nasarawa governor also praised President Bola Tinubu for continuing some of Buhari’s initiatives, saying such continuity is vital for national progress. He called on political leaders to avoid playing to the gallery by discrediting past administrations for short-term political advantage.

Political analysts have interpreted Sule’s remarks as a subtle warning to members of the ruling All Progressives Congress (APC) who have sought to distance themselves from Buhari’s legacy amid public criticism of his economic and security policies.

In a move that underscores his long-standing advocacy for youth inclusion in governance, Abdussamad Dasuki, member of the House of Representatives for Kebbe/Tambuwal Federal Constituency of Sokoto State, has announced that he will not seek re-election in the 2027 general election. Dasuki said his decision was a ‘personal sacrifice’ to allow younger Nigerians to take up leadership roles and drive the country’s democratic renewal.

The lawmaker, who made the announcement in a statement obtained by PUNCH Online on Sunday, said the choice was neither a result of political fatigue nor disenchantment but a deliberate act of conviction. He emphasised that true progress in Nigeria’s democracy requires older politicians to make way for emerging voices and fresh perspectives.

‘After due consultation with my team, our leader, my family, and my conscience, I have decided not to seek re-election to the House of Representatives in 2027. This is not born out of fatigue or disillusionment, but a higher calling a decision rooted in belief, in hope, and in a future we all desire to see,’ he stated. Dasuki, who began his political career in 2011, has served in various capacities, including as a member of the Sokoto State House of Assembly, a member of the State Executive Council, and currently as a federal legislator. His latest decision marks a turning point in a 14-year political journey characterised by calls for reform, transparency, and youth empowerment.

As chairman of The Future Is Now Project, a youth inclusion movement he launched in October 2025, Dasuki has been vocal about the need for at least 70 percent of House of Representatives seats to be occupied by Nigerians under 40 by 2027. His withdrawal from the 2027 race, he said, was an act of alignment with that vision.

‘I am still a youth by all standards, but I have crossed the 40-year threshold we proposed. If we are to give meaning to our words, we must be willing to pay a heavy price. This, my dear constituents, is that sacrifice. And so I choose to make space for the vision we proclaimed,’ he explained. Beyond politics, Dasuki’s announcement reflects a growing sentiment among reform-minded leaders that generational transition is crucial for the survival of Nigeria’s democracy. His decision has been interpreted by observers as both symbolic and strategic a challenge to older politicians to actively mentor successors rather than cling to office. In his statement, Dasuki expressed deep gratitude to his constituents for their trust and to his political mentor, former Sokoto State Governor and current Senator Aminu Waziri Tambuwal, for his guidance over the years.

‘To my constituents, you gave me your trust, and I carried it like a badge of honour. To our youth, I say: no more waiting, no more excuses, no more silence. Take your place. Stand tall. Lead with courage, integrity, and vision,’ he urged.

Dasuki pledged to remain active in national development through mentorship, policy research, and youth empowerment initiatives. Stepping away from elective politics, he said, would allow him to focus on building systems that prepare young Nigerians for leadership.

‘As I step aside, I wish to bequeath a new legacy in Nigeria’s political history one that showcases leaders who know when to exit, paving the way for a fresher generation,’ he concluded.

Dele Alake, Nigeria’s minister of Solid Minerals Development, has announced that Chinese companies have invested over $1.3 billion in lithium processing projects across Nigeria, underscoring growing Chinese interest and confidence in the country’s mining sector reforms.

Speaking at the China Mining Conference in Tianjin, with the theme ‘Connect and Collaborate, Co-Build and Co-Share,’ Alake said the investments represent a major boost to Nigeria’s economic diversification drive and a testament to the success of ongoing policy and security reforms in the solid minerals sector, a statement by the ministry informed.

‘Since September 2023, when this administration assumed office, Chinese companies such as Canmax Technology, Jiuling Lithium, Avatar New Energy Nigeria Company, and Asba have invested over $1.3 billion in lithium processing,’ Alake stated.

‘These investments have strengthened Nigeria’s economic diversification, reduced dependence on oil, and promoted infrastructure, technology transfer, and local skills development.’

The minister attributed the surge in Chinese investments to improved investor confidence following reforms initiated under President Bola Tinubu’s administration, and the signing of several Memoranda of Understanding (MoUs) during the President’s state visit to China in 2024.

Alake highlighted recent structural and technological reforms that have transformed the ease of doing business in Nigeria’s mining sector. These include the deployment of Mining Marshals and a satellite-based mine monitoring system to combat illegal mining and protect licensed operators.

He also cited the introduction of digital platforms such as the Electronic Mining Cadastre (EMC+), the Nigerian Mineral Resources Decision System (NMRDS), and upgraded ministry websites as tools that facilitate global remote transactions and enhance transparency.

As chairman of the Africa Minerals Strategy Group (AMSG), Alake emphasised Nigeria’s leadership in promoting continental cooperation on mineral exploration and governance standards.

He called for shared African systems of knowledge and regulation to ensure that mineral wealth translates into sustainable development across the continent. Alake reaffirmed plans to strengthen regional Centres of Excellence in Geosciences and Mining Skills and expand the role of the Solid Minerals Development Fund (SMDF) and SMDF-AFC Facility to support early-stage exploration and de-risk investments.

‘We invite investors, development partners, and technical institutions to explore Nigeria’s vast mineral opportunities – lithium, gold, lead-zinc, barite, and rare earth elements,’ he said.

‘Our government guarantees a conducive investment climate, improved security of tenure, and incentives that ensure mutual benefit.’ He added that Nigeria’s long-term vision goes beyond extraction – aiming to build a globally competitive mineral value chain that supports the clean energy transition, job creation, and industrial growth, anchored on responsible mining practices.

At a technical session on ‘Mining in Africa and Policy,’ Olusegun Omoniyi Ige, director-general of the Nigeria Geological Survey Agency (NGSA), showcased Nigeria’s National Mineral Resources Data System (NMRDS) and extensive aeromagnetic and geochemical datasets as robust tools for exploration.

Ige noted that while Nigeria’s geological knowledge has significantly expanded, increased investment is needed to convert existing data into proven mineral reserves.

Other notable speakers included Xu Xueyi, deputy director-general, China Geological Survey; Mohamed Ahmed Taha, minister of Minerals, Sudan; Phumzile Mgcina, deputy minister of Mineral and Petroleum Resources, South Africa; and Joseph Lebbie, director-general of Geological Exploration, Sierra Leone.

Many Nigerians and civil society groups have raised concerns over the sincerity of ongoing efforts to reform Nigeria’s Electoral Act 2022, questioning whether politicians who benefit from electoral malpractice can bring about genuine change.

The concerns follow renewed effort by the National Assembly to amend the Electoral Act 2022, less than three years after it came into effect.

Considering the flaws seen in recent polls and the desperation of politicians to win at all cost, citizens have expressed doubt if the lawmakers and many other politicians who benefit from the current flawed electoral system are genuinely canvassing for a change to existing laws to strengthen the electoral process.

Other observers have also expressed doubt about the readiness of President Bola Ahmed Tinubu to sign such an amendment into law.

‘I don’t think they would do anything that would not benefit them. But if they do it, it will require presidential assent that is when we would know Tinubu’s sincerity,’ Lucky Uwem, a lecturer told BusinessDaySunday.

‘For me, I doubt if the president would allow free and fair polls; what is happening is just a fiasco, theatrics,’ he said.

There are also those who questioned the timing of the current amendment, saying that the lawmakers do not have time on their side.

‘Can they make any progress and necessary amendments within the shortest possible time? I have my fears, because some of those amendments in the Electoral Act also require amendments to the constitution and you know how difficult that can be,’ Temitope Musowo, public policy analyst, told BusinessDaySunday.

Prominent politicians and civil society groups have also called for stronger independence of INEC, effective prosecution of electoral offenders, and sustained citizen engagement in the reform process.

Political commentator, Emeka Nwosu said many of those pushing for electoral amendments were direct beneficiaries of the flaws in the current system.

‘It is unrealistic to expect meaningful reform from individuals who gained power through electoral malpractice,’ Nwosu said. ‘They will only make changes that serve their political interests.’

Similarly, the Executive Director of VoteWatch Africa, Aisha Abdullahi, said the lack of political will remains a major obstacle to credible elections.

While the 2022 amendment of the Act introduced innovations such as the electronic transmission of results and tighter campaign finance regulations, observers said that they were all observed in the breach, even by the umpire itself.

Stakeholders have complained that the implementation remains weak, with cases of vote buying, ballot manipulation, and intimidation still widespread during recent elections.

With the complaints that trailed the conduct of the 2023 poll, stakeholders say the amendment to the current Electoral Act was inevitable, though the process has been slow, but the federal lawmakers appear to have intensified effort to get the job done in recent weeks.

In the draft amendment unveiled during a public hearing jointly organised by the Senate and House committees on Electoral Matters last week, the National Assembly is proposing major change in the election timetable; they want the 2027 presidential and governorship elections held in November 2026, six months before the end of the current administration’s tenure.

The move, which forms part of the Electoral Act (Amendment) Bill 2025, aims to allow all election litigations to be concluded before the May 29, 2027, swearing-in of new leaders – ending the tradition of pending court cases dragging into a new government’s term.

Under the proposed amendment, elections into the offices of President and Governor are to be held not later than 185 days before the expiration of the incumbents’ tenure.

Section 4(7) of the draft reads: ‘Elections into the office of the President and Governor of a State shall be held not later than 185 days before the expiration of the term of office of the last holder of the office.’

Chairman of the House Committee on Electoral Matters, Adebayo Balogun, explained that the reform is aimed at ensuring that all disputes arising from the polls are settled before the winners take office. ‘We are proposing that all tribunal judgments be concluded within 90 days, appeals within 60 days, and Supreme Court decisions within the remaining days, ensuring everything is wrapped up within 185 days,’ he said.

To support the reform, the National Assembly will also amend Sections 285 and 139 of the 1999 Constitution, which currently govern the timelines for election disputes.

The lawmakers are also seeking to modernise Nigeria’s voting system through mandatory electronic voting and electronic transmission of results, a long-standing demand from electoral stakeholders.

Nigerians should give NASS benefit of the doubt – Experts

Citizens who have expressed pessimism with the National Assembly’s move to amend the Electoral Act have been urged by experts to give the lawmakers the benefit of the doubt, as the amendment is a crucial step toward strengthening democracy in Nigeria.

‘Amending the Electoral Act is crucial toward strengthening our democracy, and if the lawmakers are genuinely committed to addressing the gaps observed in previous elections, then this move deserves cautious optimism.

‘What matters most is that the process should be transparent, inclusive, and guided by the collective interest of Nigerians rather than political convenience,’ Hameed Muritala, a media and development practitioner, said.

Similarly, Citizen Matthew Koffi Okono, founder/president, Open Forum said the move by the 10th NASS to amend the Electoral Act, though almost belated, was better late than never.

According to him, the question of their sincerity over the process has arisen due to lack of trust in the system as a number of public office holders are beneficiaries of electoral heists.

‘It should however, be noted that though the Prof Mahmood Yakubu-led INEC failed to adhere to its avowed guidelines on electronic transmission of results real time despite over N130b spent on technology for the 2023 polls, citizens must place an irrevocable demand on the NASS to, not only amend the 2022 Electoral Act, but ensure riggers, including the umpire are treated as civil coup plotters and dealt with according to law,’ he noted.

Nigeria’s elections characterised by irregularities

Despite the effort of the electoral umpire, the INEC and security agencies and other officials, elections in Nigeria are typically characterised by irregularities and controversy.

Nigeria’s elections are still prone to violence and the country has a long history of violence during elections and it sadly manifested in the 2023 general election.

Recent off-cycle polls in about four states after 2023 have remained the same. Several media reports put deaths from the 2023 elections at 39, while the European Union at a media briefing claimed more people were killed. Official figures have not been released by either the police or the electoral commission.

Violence marred the elections in parts of the country: Lagos, Delta, Kogi and Kano States. Violence was also recorded in Enugu and Ebonyi States.

The EU election observation mission also noted how violence disturbed voting in some areas.

In Enugu, the Labour Party’s senatorial candidate for Enugu East was killed 72 hours before the February election.

Consequently, most election results are challenged in court, with the court being the final determinant of election winners in the last few years in Nigeria.

As the process to amend the Electoral Act intensifies in the National Assembly ahead of the 2027 general election, calls are intensifying for the establishment of a National Electoral Offences Commission (NEOC) or an Electoral Offences Tribunal, a new independent body empowered to investigate, prosecute and punish electoral offenders.

Such body observers say has become inevitable following the failure of electoral body and governments to successfully arrest and prosecute electoral offenders across Nigeria over the years.

Mabel Oboh, Lagos Director of communications of the African Democratic Congress (ADC) said the establishment of an electoral offences commission in Nigeria is crucial for improving electoral integrity.

According to her, a dedicated body would ensure accountability for electoral malpractices, promoting a more transparent process.

‘Additionally, reforming the Independent National Electoral Commission (INEC) is essential to prevent control by a few individuals, thereby enhancing Nigeria’s democracy,’ Oboh told BusinessDaySunday.

What started as an oral health education initiative for Abraham Akinbami has gradually evolved into a one-stop destination for anyone seeking dental attention.

Akinbami, popularly known as the African Dentist, is the Founder and Managing Director of Toothmine Dental Clinic.

He began his journey by spreading the gospel of oral health education, which eventually led to the establishment of a modern dental clinic offering a wide range of dental services.

Speaking during the launch of Toothmine Dental Clinic in Lagos, Akinbami shared his story of how he became the African Dentist. ‘I said to myself, what’s the next thing to do? I then said, maybe I should call myself the Nigerian dentist. Well, I thought to myself, that was really small thinking. Let’s think about something huge, something more dramatic. And that was where the name, the African dentist, came about.’

Akinbami’s vision was bigger than himself, and he knew he had to take a bold step to achieve it.

‘I took out my phone, hit Instagram, and I typed out the African dentist. Voila, it wasn’t taken. Then I signed up on Instagram, YouTube, and Twitter, all platforms available, just to secure the name. And I moved ahead to start recording videos.’

Through his social media platforms, Akinbami educated people on basic oral health practices, such as how many times to brush in a day, the type of toothbrush to use, and the type of toothpaste to use. ‘Things as basic as how many times to brush in a day, the type of toothbrush to use, the type of toothpaste to use. Those things sound very basic. But interestingly, it cuts across all socioeconomic status.’ Akinbami’s passion for dentistry led him to establish Toothmine Dental Clinic, with the goal of providing quality dental care to patients. ‘I wanted to start a private dental clinic. Then it was time to choose a name again. You know how these names come about. Then Toothmine came. Now, how did I come about ToothMine? It’s restoring your tooth. So that’s how the name ToothMine came about.’

When asked about the future of dentistry practice in Nigeria, Akinbami said, ‘We’re transforming into digital dentistry where we utilize technology a lot. We scan digital scanners. With digital scanners, we can communicate with labs across the world and provide optimal care and provide accurate treatment for patients.’

Akinbami focuses on partnerships and building relationships with schools and clinics, ‘I am all about partnership. Now, what do I mean by partnership? Partnership with schools, building relationships with schools and clinics so that it’s not just about coming into the clinic. We’re also able to build relationships outside the clinic.’

Akinbami’s team, including Babajide Williams, the administrative officer, works together to ensure that the clinic provides quality care to patients. ‘Being an administrative officer at a branch is quite a lot. I mean, there’s the nurses, there’s the doctor, there’s the janitors. There’s the clinic as well in general. So we all have to come together as a team.’

The clinic’s ambience and patient comfort are top priorities for Akinbami. ‘We were intentional about a patient having to come in and feel a bit of warmth, you know, feel comfortable. And that wasn’t just it for us. You know, it wasn’t about just the beauty of the ambience of the space. We also wanted to be intentional about it being comfortable as well.’

Akinbami’s outreach programs aim to educate people on the importance of oral health and provide preventive care. ‘From time to time, like the business developer explained and mentioned, we have outreaches. So these outreaches are designed to ensure that we are able to capture the masses, like you said. And in those outreaches, we do preventive care, we do basic treatments, and we also go the further step to restore teeth.’

Akinbami doesn’t regret studying dentistry and is passionate about his work. ‘I don’t regret studying dentistry. One bit. Why? In school, we close by five. And then the medical students have calls, have ward rounds, and I was like, oh, thank God, I’m still in medicine.’

Former President Olusegun Obasanjo has disclosed that he declined a proposal to endorse Nasir el-Rufai, then the Kaduna State governor, as his successor in 2007, stating that the ex-minister needed more time to mature politically.

El-Rufai, who served as Director-General of the Bureau of Public Enterprises (BPE) and later as Minister of the Federal Capital Territory (FCT) between 2003 and 2007 under Obasanjo, was among those considered during succession discussions at the end of Obasanjo’s second term.

Speaking on Friday at the second annual symposium of the Ajibosin Platform in Abeokuta, Ogun State, themed ‘Importance of Leadership in Governance,’ Obasanjo revealed that Osita Chidoka, former Minister of Aviation, had suggested el-Rufai as a suitable replacement.

‘Let him tell you. He didn’t mention that,’ Obasanjo said, interrupting Chidoka’s presentation. ‘He was pushing when I was leaving government that his friend, el-Rufai, should be brought in as my successor.’

The former president said he turned down the suggestion because he felt el-Rufai was not ready at the time.

‘I did not yield to the pressure,’ Obasanjo said. ‘Later, he asked why I didn’t agree, and I told him el-Rufai needed to mature. You remember? When I left government and, many years later, he saw el-Rufai’s performance, he came back to me and said, ‘You’re absolutely correct – el-Rufai needed to mature.” Chidoka, who was the keynote speaker at the event, had earlier recounted how el-Rufai introduced him to Obasanjo at the age of 34 – an encounter that later led to his appointment as Corps Marshal of the Federal Road Safety Corps (FRSC).

Obasanjo commended both Chidoka and el-Rufai for their ‘special attributes,’ noting that their contributions were significant to the successes recorded during his administration.

On leadership development, the former president lamented the lack of structured training in politics, contrasting it with other professions where apprenticeship is standard practice.

‘It’s only in politics that I found there is no training for leadership,’ Obasanjo said. ‘Even among armed robbers, I was told there is apprenticeship. But in politics, there’s no leadership training. That’s not good enough.’

Obasanjo had backed the late Umaru Musa Yar’Adua as his successor in 2007, a decision that shaped the political transition following his eight-year rule.

In the cutthroat world of Nigeria’s booming music industry, where raw talent alone rarely guarantees stardom, Damilola ‘Dapper’ Akinwunmi, CEO of Dapper Music and Entertainment, emphasises that signing artists hinges on far more than musical prowess-it’s about forging unbreakable partnerships built on creative synergy and shrewd business acumen.

‘We have to believe in the artist,’ Akinwunmi told BusinessDay, underscoring how mismatches in vision or strategy have derailed past deals, while aligned collaborations propel careers to new heights.

As his label scouts diverse talents beyond street vibes, from soulful high-life crooners like Ghanaian star Lasmid to Afrobeats innovators, Akinwunmi’s team approval process ensures every investment isn’t just a bet on sound, but on sustainable success in a landscape rife with fleeting fame.

Dapper Group is a full-service artist management, music distribution and entertainment company founded by Akinwunmi, in 2018.

The discussion with BusinessDay covers crucial criteria for signing artists, strategic resource allocation, financial transparency, and future growth plans, including an upcoming concert designed to redefine live performance experiences.

On the criteria for choosing talent and whether Dapper Music focuses only on street genre music, Akinwunmi explained that that success depends on more than talent; factors like creative alignment and business approach play key roles.

Past experiences showed that mismatches can lead to separations, while compatible partnerships thrive. Akinwunmi stressed that signing decisions combine various variables, but team approval is essential.

On genre preferences, Akinwunmi clarified that Dapper Music is not limited to street music. He cited Ghanaian artist Lasmid as an example, describing his music as soulful and high-life influenced. ‘We sign what we like, and we listen to all kinds of music,’ Akinwunmi said. ‘It’s not restricted to just one sub-genre or style.’ This diversity reflects the label’s openness to different sounds, countering assumptions of a narrow focus.

Speaking about sustaining artists’ careers and allocating resources, Akinwunmi observed that the Nigerian entertainment industry has matured, with clearer business understanding among stakeholders. ‘We’re able to agree on budgets, which I believe is the same thing that goes on everywhere,’ he said, comparing it to football team planning. Decisions cover projects, timelines, and seasons, ensuring alignment on financial commitments before proceeding.

Delving deeper into the signing process on practical aspects, including upfront costs for signing and promoting new artists, Akinwunmi admitted he could not provide specific figures, as they vary by artist and change over time.

He acknowledged the standard marketing and promotional costs in the industry but noted that hypothetical amounts exist to break an artist, though specifics for Dapper Music remain confidential.

The conversation shifted to financial and rights management, referencing past controversies with former artists that Dapper Music has addressed. When asked about transparent practices in intellectual property management to build long-term partnerships, Akinwunmi highlighted the challenges in a third-world context like Nigeria, where financial literacy is low.

‘People don’t have accountants. People don’t understand splits, understand contracts,’ he said. He pointed out similar issues in Western markets, where even major artists complain about payments. To promote transparency, Akinwunmi detailed Dapper Music’s contract features. Contracts allow audits by independent auditors to verify financials from shows and other income sources. Artists can have their own legal representation to review terms before and during the deal. Exit clauses outline dispute resolution procedures.

The label also focuses on regular reporting and checks to ensure accuracy. ‘We’re able to cover the important reporting of your earnings and also do checks and balances,’ Akinwunmi said. These measures aim to educate artists and prevent misunderstandings.

On exploring the business hurdles in the Nigerian Afrobeats scene, including competition from global labels, streaming algorithms, and economic factors, Akinwunmi acknowledged Nigeria’s lag behind the West in access to financing, copyright laws, and functional agencies. ‘We don’t have access to financing. We do not have proper copyright laws that protect the copyrights, the artists, the labels,’ he said. He viewed these as collective industry issues, not unique to Dapper Music.

On global competition, Akinwunmi noted it predates his company, with African artists often preferring international deals. Strategies include better partnerships with global labels. However, he stressed that complaints won’t solve problems; action is needed. ‘It’s just actually being a part of the solution as opposed to nagging about the problem,’ he said.

When asked if label heads collaborate to address these issues, Akinwunmi said some agencies exist but questioned their effectiveness. ‘I’m not sure of anyone that’s currently effective and making those changes that need to be made,’ he said. He called for collective improvement, including his own involvement.

On Dapper Music’s future growth, focusing on scaling operations, new genres, and international markets, Akinwunmi teased expansions but kept details vague. ‘I think you just have to watch and see,’ he said. ‘Most definitely, we have everything on the cards, and through God we’ll achieve everything.’

Pressed on diversification beyond street vibes, Akinwunmi reiterated openness to various genres, again mentioning Lasmid. He encouraged checking the artist’s music and attending the concert. The label’s strategy involves investing in young talent, providing live opportunities, and building confidence to propel careers.

Dapper’s ‘Trench Symphony’, which took place in September, featured a variety of Dapper music artist performing their street vibe music in orchestral sound, highlighting the versatility of the Afrobeats sound and how far it travels and blends with various international genres.

Akinwunmi explained its origins in challenging norms around live music in Nigeria. ‘Live music is almost treated like a luxury,’ he said, noting artists often perform without bands or pre-recorded elements to cut costs.

‘It’s really about the fans at the end of the day,’ Akinwunmi said. Also adding that the key goals included inspiring audiences, boosting artist confidence, and showcasing versatility.

Speaking on the unusual September timing, which is outside the typical December concert season, Akinwunmi confirmed it was deliberate. ‘If you look at what’s going on in the world, people are doing shows anytime, anywhere,’ he said, citing Afrobeats artists’ global tours. This move challenges seasonal norms and promotes year-round musical experiences.

Akinwunmi’s responses paint a picture of a label navigating Nigeria’s evolving music landscape with pragmatism and optimism. By prioritising partnerships, transparency, and innovation, Dapper Music aims to support artists amid industry-wide challenges. The September ‘Trench Symphony’ concert represents a step toward redefining live music in Nigeria, while plans signal ambitions for broader impact.

Looking ahead, Dapper Music’s focus on diverse genres and potential international expansion positions it for growth in 2025 and beyond. The label’s commitment to young artists, even those not yet at the top, highlights its role in nurturing the next generation of Nigerian and African talent.

In the complex, global machinery of Afrobeats, few figures possess the expertise to transition seamlessly from arranging a studio album to orchestrating a world tour.

Seyifunmi Michael is one of those rare architects. Spanning the critical roles of Music Director, Producer, Arranger, Programmer, and Composer, Seyifunmi has built a career defined by versatility and longevity.

His musical roots trace back to his childhood in the Ikotun-Egbe area of Lagos. His early passion was nurtured in a genuinely musical household: Seyifunmi’s late mother was a gospel singer, his father played the guitar, and his sisters sang.

He began playing the keyboard at four or five and was the official keyboardist for his mother’s church by age six or seven. It was in Ikotun that he forged his powerful chemistry with Adekunle Gold. Seyifunmi Michael recalls the complementary nature of their early dynamic: ‘Adekunle came into the picture. He was more of a singer, and I was more of a music person’.

His synergy with AG led to the formation of their early collective, ‘The Bridge’. The official leap into professional music production took place in 2015, cemented by the creation of Adekunle Gold’s debut album, Gold. Seyifunmi reveals that nearly 95 percent of the whole Gold album was already produced by him, with him creating the music in their Gbagada one-bedroom flat using an iMac before the project was refined by then-YBNL producer, Pheelz.

As Adekunle Gold strategically transitioned from ‘Urban Highlife’ on Gold to contemporary ‘Afropop’ and RandB fusion on Tequila Ever After, Seyifunmi Michael has been the constant production and directional force across every project.

This unwavering, two-decade partnership culminated in Seyifunmi’s assumption of Executive Producer for Adekunle Gold’s sixth studio album, FUJI (released in October 2025), a role he describes as officially ‘wearing the robe properly’ after years of simply ‘just been working’ together. ‘I’ve always been an executive producer and AandR on all of his projects,’ he declares.

Seyifunmi Michael’s personal sound trajectory is rooted in his technical versatility and commitment to organic sounds. In the initial phase of his professional work, Seyifunmi was deeply immersed in the traditional Nigerian music that produced hits for Simi, Teni and Adekunle Gold, utilizing elements like talking drums and ‘things like Alujo production’.

However, recognising the need to evolve, Seyifunmi transformed into a more eclectic pop-infused style while still maintaining his organic core.

His commitment to continuous learning while maintaining his essence has allowed him to anchor Adekunle Gold’s bold sonic pivots while producing hits for Pheelz, Jacob Banks, Davido.

His production of Teni’s monumental hit ‘Uyo Meyo’ (2018) earned the Headies Award for Best Recording of the Year 2019.

The track was deeply personal to him, connecting him to his late mother through Teni’s vocal tone and intonation which was from Ondo State where his mother came from. ‘I always want to create from my soul, not just my wrists, and for ‘Uyo Meyo’, I knew I had to be in the zone,’ he shares.

Speaking on the idea behind the FUJI album, he said, ‘The core vision was to do a sound of Lagos and take it back to Fuji.’ As Executive producer, he oversaw every track (except the tracks, ‘Attack’ and ‘Oba’) ‘I’m the one that puts the puzzle together. Even if it’s a complete image, I’m the one that says, ‘ Let’s add a little color onto this one. We need to remove a little color from this one.’

Their approach was to strike a balance and present a ‘mix of the core Fuji and a mix of pop in a way’ to avoid sounding ‘alien’ to global audiences. For instance, on the track ‘Many People’ (which was co-produced with The Kazez), Seyifunmi deployed advanced sound design, layering a grand piano, pop sounds, and a ‘crazy 808″ before switching to the traditional ‘Shina Peters-type kick’ in the second verse, an arrangement designed to ensure that the Gen Zs and the older gens understood the sound’.

He also traveled with Adekunle Gold to Ibadan to record Yinka Ayefele and his ‘Elegbes’ (the traditional term for Yoruba backup singers) to deepen the cultural authenticity.

The second crucial pillar of Seyifunmi’s career is live music arrangement and direction, a non-negotiable requirement for Afrobeats artists seeking global crossover. He serves as the Producer and Music Director for Adekunle Gold’s official band, ‘The 79th Element’.

In this capacity, Seyifunmi is responsible for the logistics and artistry of international touring. His philosophy in this field is simple: ‘Live music has no rules. Whatever you give people is what they’ll take’.

His directorial portfolio includes the sprawling Catch Me If You Can Tour (North America, Europe, and Australia 2022) and the Tequila Ever After Tour (North America 2023). An example of his technical mastery in music arrangement came during a performance in Europe.

After researching the crowd, Seyifunmi switched the hit song ‘High’ into an EDM arrangement at the end, leading to positive crowd reception and even social media virality. ‘It was one of my proudest moments as an arranger and music director’.

Seyifunmi has also served as a music director and arranger for Mayorkun, Taves, and Pheelz.

Beyond music, Seyifunmi is the founder and CEO of Three Kings Burger, a fast-food restaurant brand based in Lagos, Nigeria. Additionally, SEYIFunmi applies his skills as a Composer and Programmer to the corporate space, creating soundtracks and theme songs for major corporate clients, including Airtel Nigeria and Unity Bank Nigeria.

Looking ahead, Seyifunmi Michael is focused on expanding his influence beyond his established collaborations, centering his next five years on impact, mentorship, and diversifying his own musical output. He aims to step out of the background and put himself ‘more out there’. He’s gearing up for the release of a personal EP, expected in the first quarter of 2026.

Beyond this, Seyifunmi plans to collaborate more extensively with international and local A-list artists and producers and push his boundaries by venturing into new genres driven by rich storytelling.

As a Music Director, a major goal is to stage his own proper orchestral concert. This event would uniquely feature his produced songs, with the artists he produced them for performing live on stage, creating a concert experience where people would buy tickets ‘just because I’m the music producer that is involved’.

Underlying all these professional ambitions is a commitment to mentorship: he aims to ‘create kings and queens,’ developing new artists and making himself available to mentor emerging producers without charge. Ultimately, Seyifunmi wants his legacy to be one of lasting impact, where his product outlives him.

‘I want the future generations of creators to look back and study my sound for inspiration,’ he concludes.

The organisers of the upcoming Eko Fiesta, Dosh and Wales Company, have explained that the vision of the fiesta is to create a vibrant, inclusive hub where celebration meets commerce – a place that reflects the spirit of Lagos while supporting local talent and enterprise.

This was stated in a statement to the media signed by the Media Coordinator of the Project, Afolayan Adebiyi, Idris Aregbe.

The promoters, Damilare Osho and Wale Oyebanji stated that Eko Fiesta was born out of a genuine pain-point, noting that they identified among Nigerians in the diaspora and even visitors from other parts of the country, who travel home during Detty December but struggle to find a one-stop space that combines authentic cultural experiences, shopping, entertainment, and networking opportunities. The promoters believed that while Lagos in December is filled with concerts and parties, there’s been a gap for something that goes beyond entertainment -something that blends celebration with purpose.

Eko Fiesta, which is billed for December 22 to 24, 2025, they bridge that gap by creating a space where people can enjoy music, art, and culture while discovering local brands, artisans, and entrepreneurs.

According to the statement, the fiesta is not just about fun, it’s also about creating visibility for small businesses and giving attendees meaningful ways to connect with local culture and craftsmanship.

The Lagos State Ministry of Tourism, Arts and Culture, Idris Aregbe, commended the organisers of the Lagos Fiesta, saying the project closely aligns with the mission at the Ministry, to promote creativity, tourism, and culture in ways that truly reflect the Lagos spirit.

The statement further stated that the Special Adviser to the Lagos State Governor, Babajide Sanwo-Olu, stated this while interacting with the organisers in his Office.

According to a statement, the Special Adviser further said what caught the attention of the Ministry was how closely the project aligns with our mission at the Ministry, to promote creativity, tourism, and culture in ways that truly reflect the Lagos spirit.

‘Eko Fiesta, like every other creative initiative we are known for supporting, stands out for its depth, originality, and cultural relevance’. He explained further that the Ministry had carefully reviewed the framework and found it to be well-structured, impactful, and in tune with our values.

‘What drew us in was the creative synergy, the way music, art, culture, and commerce blend to tell a powerful Lagos story. That harmony perfectly reflects what we stand for’, he said.

He praised the organisers, Dosh and Wales Company saying, ‘our role as a Ministry is to identify and back projects that have the potential to make real impact, and that’s something we can often tell from the very first presentation.

‘As long as a project conveys a positive message and honours our cultural identity, we’re always open to supporting it’.

Aregbe believed that at the heart of every meaningful initiative is impact. ‘We, at the Ministry believe an event shouldn’t just entertain; it should also empower.

‘Eko Fiesta achieves this by giving entrepreneurs the space to connect with diverse audiences, improve their visibility, and grow their businesses’.

‘By providing entrepreneurs with access to new and varied markets, the event directly strengthens the state’s creative economy and encourages sustainable growth. It’s a form of economic inclusion that brings the marketplace closer to the people’, he said. According to him, every time the Ministry supports commerce, we support livelihoods. That’s why initiatives like this matter; they create jobs, foster creativity, and contribute to Lagos’ economic strength. When creativity thrives, the economy follows.

Aregbe explained that the popular Detty December has become a defining part of the Lagos story, as it captures the energy, creativity, and spirit that make the city of Lagos special’.

According to him, ‘the Ministry plays a proactive role in ensuring that events during this festive period celebrate not just entertainment, but also the depth of our cultural identity’.

Ever wonder why meme coins always come roaring back every bull run? It’s because they capture more than just market momentum; they capture culture. From Elon Musk’s viral tweets to global headlines, Dogecoin and Shiba Inu have transformed internet humor into billion-dollar success stories. Their resilience, combined with massive community engagement and viral energy, keeps them relevant even in volatile markets. These projects prove that laughter, loyalty, and decentralization can fuel financial revolutions and the next wave is already forming.

The search for the next 1000x meme coin is now heating up, and BullZilla ($BZIL) stands tall as the leading contender. Built on Ethereum, BullZilla fuses meme energy with real tokenomics, including staking rewards, a 24-stage burn system, and deflationary mechanics. With $960K raised, 31 billion tokens sold, and over 3,200 holders, it’s rewriting what early-stage success looks like in crypto presales.

Dogecoin, currently trading at $0.1975, has risen 3.08% in 24 hours, reminding investors why it remains a household name in crypto. After years of skepticism, DOGE continues to lead meme-based communities, powered by unmatched liquidity and cultural appeal. Its wide merchant adoption and consistent on-chain activity ensure relevance even amid new competitors. While Dogecoin’s utility expansion into payments and NFTs keeps it in the spotlight, analysts say its biggest strength remains its network stability. DOGE might not 1000x again soon, but it’s a pillar of meme coin resilience, the coin that taught the market to laugh, hold, and profit.

Frequently Asked Questions About Dogecoin News Today

What keeps Dogecoin relevant in 2025?

Dogecoin remains a top meme coin due to its vibrant community, frequent social media engagement, and growing acceptance in payment systems. Its steady liquidity and strong brand presence continue to sustain investor interest.

Can Dogecoin reach $1 again?

Analysts suggest Dogecoin could revisit the $1 mark if broader market sentiment turns bullish, Bitcoin maintains upward momentum, and retail investors re-enter the meme coin market with renewed enthusiasm.

BullZilla ($BZIL): The Beast Among the Next 1000x Meme Coin Contenders

BullZilla ($BZIL) is roaring through presale charts as one of the Top Contenders for the next 1000x meme coin. Now in Stage 7D (Bag Signal Activated), each token trades at $0.00018573, with over $960K raised, 31 billion tokens sold, and 3,200+ holders. With its Progressive Price Engine and 24-stage burn mechanism, BullZilla ensures scarcity and compounding ROI, making early entry critical.

$1,000 Investment Scenario

A $1,000 investment in BullZilla at the current presale stage secures approximately 5.39 million $BZIL tokens. Once BullZilla lists at its projected price of $0.00527, that same investment could skyrocket to nearly $28,400 – representing an impressive 2,738% potential ROI. This highlights the explosive opportunity early investors can capture before the next price increase triggers. As the presale rapidly advances, each new stage compounds potential returns, rewarding those who act swiftly before the next automated price surge occurs.

How to Join the BullZilla Presale

Joining the BullZilla presale is simple and secure. Start by connecting your Web3 wallet – MetaMask or Trust Wallet, funded with ETH. Visit the official BullZilla presale website, link your wallet, and swap your ETH for $BZIL tokens directly. The process is instant and transparent. Once your purchase is complete, your tokens will automatically lock until the presale concludes, safeguarding liquidity and ensuring stability before the official launch event.

The Roarblood Vault: Loyalty That Pays

BullZilla’s Roarblood Vault transforms community loyalty into a rewarding experience. Investors can earn up to 10% referral bonuses by inviting friends to join the presale, creating a ripple effect of engagement and growth. Beyond the rewards, the vault strengthens BullZilla’s ecosystem by encouraging long-term holding and active participation. Its design mirrors viral meme culture but fuses it with sustainable tokenomics that build real value over time. The more you contribute and hold, the stronger your potential returns become.

Frequently Asked Questions About BullZilla Presale

What makes BullZilla different from other presales?

BullZilla stands out through its unique mix of deflationary burns, staking rewards, and referral bonuses that compound long-term value, making it a sustainable ecosystem rather than just another hype-driven presale.

How often does the price increase?

The BullZilla price automatically rises every 48 hours or once $100K is raised, creating steady upward momentum that rewards early investors with higher ROI potential at each stage.

When will BullZilla launch?

Following the completion of all presale stages, BullZilla will officially launch at $0.00527, positioning itself as one of the most anticipated and potentially high-performing crypto launches of 2025.

Don’t wait, BullZilla’s price climbs again in 48 hours!

Shiba Inu: The Comeback Challenger

Shiba Inu (SHIB), priced at $0.00001019, climbed 3.06% in 24 hours , signaling renewed momentum. Once dubbed the ‘Dogecoin Killer,’ Shiba Inu now focuses on ecosystem maturity through Shibarium, its Layer-2 scaling network. This innovation drastically cuts fees and boosts transaction speeds, improving long-term sustainability. Developers are also ramping up utility through NFTs and DeFi integrations. SHIB’s vast community continues to drive adoption, but competition is fierce. While it may not replicate its 2021 frenzy, its evolution into a functional ecosystem strengthens its place in the next market cycle.

Frequently Asked Questions About Shiba Inu

What drives Shiba Inu’s recent rally?

Shiba Inu’s latest surge is fueled by the success of its Shibarium upgrade, which boosts transaction efficiency and utility. Expanding adoption across DeFi platforms and NFT integrations has further strengthened investor optimism and community engagement.

Can Shiba Inu hit $0.001?

Reaching $0.001 would require substantial token burns and mainstream adoption, but with Shibarium’s rapid growth and continuous ecosystem development, analysts believe Shiba Inu’s long-term prospects are stronger than ever.

Conclusion

Dogecoin and Shiba Inu keep showing that meme coins are more than hype , they’re culture, community, and creativity. Both have evolved beyond their playful origins, embracing technological improvements and strong ecosystems that support real use cases. This adaptability has helped them maintain relevance, even as new contenders enter the market. While they symbolize the resilience of early meme projects, investors are now searching for the next breakout coin that blends fun with financial potential. That spotlight now turns to BullZilla ($BZIL), the rising Ethereum-based project quickly becoming the next 1000x meme coin opportunity of 2025.

With its 24-stage burn system, 70% APY staking rewards, and deflationary supply model, BullZilla delivers a mix of scarcity and sustainability. Its presale success and growing holder base demonstrate investor confidence, setting the stage for what could become one of the most powerful launches of the coming bull cycle.

Join 3,200+ holders, BullZilla’s next 3.59% surge is coming fast!