THE pandemic years marked a turning point for Mark Lewis Higgins. He turned 60, mourned the loss of his sister, and faced the truth that he alone carried the responsibility for Slim’s Fashion and Arts School, founded in 1960 by his mother and National Artist Salvación Lim Higgins, and his aunt Purificación Lim.
‘I realized I needed to think about succession. If something happens to me, what will happen to this school?’ he said. ‘It’s not so much for the legacy of my mom. It’s more because if the school shuts down, it would be a great loss for the country. The curriculum is so valuable.’
Slim’s became known for its strict training in design, dressmaking, and patternmaking. The school set the benchmark for technical precision in Philippine fashion education, and produced generations of designers and artisans, among them Oliver Tolentino, Jo Ann Bitagcol, Joe Salazar, Oskar Peralta, and Michael Cinco. For Higgins, the main question was how the school would continue.
‘We weren’t just looking for a partner,’ he explained. ‘We were looking for a community that understands the dignity of making.’
In September, the ownership and custodianship of Slim’s Fashion and Arts School was officially handed over to the De La Salle-College of Saint Benilde (DLS-CSB).
‘Benilde has the infrastructure, the heart, and the commitment to carry Slim’s forward,’ Higgins said.
Under the agreement, Slim’s will continue offering its diploma and certificate programs under Benilde’s School of Environment and Design. The college will retain Slim’s core courses in Dressmaking, Bespoke Tailoring, Fashion Illustration, and Draping, while introducing new ones such as the Textile Series, Fashion Business Series, and Styling.
‘This is not just a merger,’ said Bro. Edmundo Fernandez, FSC, president of CSB, during the ceremonial handover and MOU signing on September 4 at the college’s Design + Arts Campus. ‘It’s a custodianship. Slim’s is a national patrimony, and we’re honored to be entrusted with its legacy. We want to make its training accessible to more students, especially those who come from middle-class backgrounds and aspire to build careers in fashion.’
Christine Cheryl Benet, incoming director of Slim’s under Benilde, stressed that the school’s identity will remain intact. ‘Slim’s has always been about precision, discipline, and honoring the craft,’ she said. ‘We’re expanding into arts and design, but the core remains-we train makers, not just dreamers.’
The agreement also links Slim’s archives with the planned Benilde Fashion Museum at the historic Miguel Febres Cordero Building. The museum will house garments, sketches, and documents from Slim’s and other Filipino designers, allowing students and researchers to study them firsthand.
For Higgins, the transfer involved many moving parts. ‘You can imagine it’s a very complicated transition.it’s like an octopus. In one tentacle, you have the curriculum. In another, you have the collection of dresses, which will now be with the Benilde Fashion Museum. Then another tentacle is the library, which houses hundreds of books. Then you have the archive of vintage photographs, my mom’s original fashion designs. So it’s a lot for them to absorb and to plan for.’
One piece in particular was difficult to let go. ‘My mom’s wedding gown. She designed and made it herself. She closed her shop for two months just to create her entire wardrobe when she got married. It’s a beautiful gown. It hasn’t been seen since 1959, but we’ve been photographing it for an upcoming book,’ he said.
The gown, he added, is a testament to her craft. ‘She bought this really expensive lace from Paris, and she always told me it was heirloom lace. The lace has not disintegrated, and the dress is beautifully cut. It’s Dutch satin and silk, and whatever was left from that lace, she made into the christening dress for my sister and me.’
Benet explained that Slim’s will remain a separate unit under Benilde. While Benilde runs four-year fashion and design degree programs, Slim’s will focus on shorter certificate and diploma courses, including TESDA-recognized training. This ensures that the Slim’s Method of dressmaking and tailoring is preserved while being integrated into Benilde’s offerings. She noted that Slim’s curriculum would broaden through Benilde’s expertise in fields such as textiles. This expansion would strengthen the fashion ecosystem, benefiting not only designers but also artisans and other makers who are vital to the supply chain.
Sustainability is another priority. Benet pointed out that many Filipinos today lack access to skilled dressmakers or tailors. ‘One of the main problems of typical Filipinos is that there’s no one to sew in their area. First and foremost, we don’t even know how to repair clothes,’ she said. By producing more skilled artisans through Slim’s, she hopes communities will learn to repair and modify clothing rather than relying on fast fashion.
She also emphasized Slim’s role in preserving Filipino identity in fashion. Many young designers, she observed, are unfamiliar with earlier generations of Filipino designers. By keeping Slim’s teaching methods and archives alive, students gain a deeper understanding of the roots of Philippine fashion, not just its Western influences.
Higgins believes Benilde is the right custodian to carry Slim’s forward. ‘The exciting thing is, because it’s in the hands of an institution like De La Salle, they can run it on a larger scale than my sister and I ever could. They want to retain the clientele of people who don’t necessarily want a college degree but who want to learn a skill. At the same time, they can integrate it so that you can ladderize it and still earn a degree. In a way, they’re reaching a broader market than we would.’
Benilde established the country’s first bachelor’s degree in fashion in 1996. With Slim’s under its wing, the college can now support both degree programs and skill-based training.
‘The fashion industry is incredibly diverse,’ Benet added. ‘It is made up not only of degree holders, but also artisans and makers, all of whom are vital to keeping our industry alive. By housing the Slim’s Fashion and Arts School under Benilde, we can contribute more holistically to the Philippine fashion ecosystem-nurturing not only designers, but also the artisans and technical experts that bring fashion to life. This milestone ensures that Slim’s legacy thrives in the hands of a new generation.’