Can the world quit coal?

As world leaders and thousands of researchers, activists and lobbyists meet in Brazil at the 30th annual United Nations climate conference, there is plenty of frustration that the world isn’t making progress on climate change fast enough.

Globally, greenhouse gas emissions and global temperatures continue to rise. In the U.S., the Trump administration, which didn’t send an official delegation to the climate talks, is rolling back environmental and energy regulations and pressuring other countries to boost their use of fossil fuels – the leading driver of climate change.

Coal use is also rising, particularly in India and China. And debates rage about justice and the future for coal-dependent communities as coal burning and coal mining end.

But underneath the bad news is a set of complex, contradictory and sometimes hopeful developments.

The problem with coal

Coal is the dirtiest source of fossil fuel energy and a major contributor of greenhouse gas emissions, making it bad not just for the climate but also for human health. That makes coal a good target for cutting global emissions.

A swift drop in coal use is the main reason U.S. greenhouse gas emissions fell in recent years as natural gas and renewable energy became cheaper.

Today, nearly a third of all countries worldwide have pledged to phase out their unabated coal-burning power plants in the coming years, including several countries you might not expect. Germany, Spain, Malaysia, the Czech Republic – all have substantial coal reserves and coal use today, yet they are among the more than 60 countries that have joined the Powering Past Coal Alliance and set phase-out deadlines between 2025 and 2040.

Several governments in the European Union and Latin America are now coal phase-out leaders, and EU greenhouse gas emissions continue to fall.

Progress, and challenges ahead

So, where do things stand for phasing out coal burning globally? The picture is mixed. For example:

The accelerating deployment of renewable energy, energy storage, electric vehicles and energy efficiency globally offer hope that global emissions are on their way to peaking. More than 90% of the new electricity capacity installed worldwide in 2024 came from clean energy sources. However, energy demand is also growing quickly, so new renewable power does not always replace older fossil fuel plants or prevent new ones, including coal.

China now burns more coal than the rest of the world combined, and it continues to build new coal plants. But China is also a driving force in the dramatic growth in solar and wind energy investments and electricity generation inside China and around the world. As the industry leader in renewable energy technology, it has a strong economic interest in solar and wind power’s success around the world.

While climate policies that can reduce coal use are being subject to backlash politics and policy rollbacks in the U.S. and several European democracies, many other governments around the world continue to enact and implement cleaner energy and emissions reduction policies.

Phasing out coal isn’t easy, or happening as quickly as studies show is needed to slow climate change.

To meet the 2015 Paris Agreement’s goals of limiting global warming to well under 2 degrees Celsius (3.6 Fahrenheit) compared to pre-industrial times, and aiming to keep warming under 1.5 C (2.7 F), research shows that the world will need to rapidly reduce nearly all fossil fuel burning and associated emissions. It is not close to being on track.

Ensuring a just transition for coal communities

Many countries with coal mining operations worry about the transition for coal-dependent communities as mines shut down and jobs disappear.

No one wants a repeat of then-Prime Minister Margaret Thatcher’s destruction of British coal communities in the 1980s in her effort to break the mineworkers union. Mines rapidly closed, and many coal communities and regions were left languishing in economic and social decline for decades.

But as more countries phase out coal, they offer examples of how to ensure coal-dependent workers, communities, regions and entire countries benefit from a just transition to a coal-free system.

At local and national levels, research shows that careful planning, grid updates and reliable financing schemes, worker retraining, small-business development and public funding of coal worker pensions and community and infrastructure investments can help set coal communities on a path for prosperity.

A fossil fuel nonproliferation treaty?

At the global climate talks, several groups, including the Powering Past Coal Alliance and an affiliated Coal Transition Commission, have been pushing for a fossil fuel nonproliferation treaty. It would legally bind governments to a ban on new fossil fuel expansion and eventually eliminate fossil fuel use.

The world has affordable renewable energy technologies with which to replace coal-fired electricity generation – solar and wind are cheaper than fossil fuels in most places. There are still challenges with the transition, but also clear ways forward. Removing political and regulatory obstacles to building renewable energy generation and transmission lines, boosting production of renewable energy equipment, and helping low-income countries manage the upfront cost with more affordable financing can help expand those technologies more widely around the world.

Shifting to renewable energy also has added benefits: It’s much less harmful to the health of those who live and work nearby than mining and burning coal is.

So can the world quit coal? Yes, I believe we can. Or, as Brazilians say, ‘Sim, nós podemos.’

REVIEW | ‘Shrek the Musical’ is a delightful treat that offers something for everyone

The beloved green ogre has officially taken over the stage at the Newport Performing Arts Theater as Shrek the Musical makes its grand run from October to November. Based on DreamWorks’ 2001 animated hit, the production brings to life the charm, humor, and heart of the original film, now with an all-Filipino cast that truly does justice to the global favorite.

Shrek has long been a classic, known for its wit and humor, particularly for how it cleverly pokes fun at the fairy tales we grew up with. As a fan of both the franchise and the musical, watching it live was nothing short of thrilling, and it felt even more special because of the impressive local production.

My biggest question before the show began was how the execution would compare to the international version. Having watched Shrek the Musical online, I knew it was a massive production, and I tried to keep my expectations realistic, knowing how challenging it could be to recreate that kind of spectacle locally. But from the very first scene, I was utterly blown away.

From the makeup and costumes to the detailed stage setups and lighting design, everything was done with great care and creativity. The moment Shrek’s swamp house appeared, I immediately thought, ‘hindi tinipid.’ Every element reflected hard work, passion, and commitment, the kind of high-quality Filipino audiences truly deserve.

Jamie Wilson as Shrek was a natural fit for the role. He embodied the lovable ogre perfectly, from the voice to the walk and even the smallest mannerisms. His accent was spot-on, which made the performance feel like an international production staged right here in Manila.

Krystal Kane shone as Princess Fiona. Her performance of ‘I Know It’s Today’ with the young Fionas was heartfelt and mesmerizing. It felt as if the character was made for confident, quirky, and strong-willed, all while keeping Fiona’s charm intact.

Meanwhile, Topper Fabregas as Donkey brought boundless energy and comedic timing that kept the audience laughing from start to finish. His delivery captured the sass and humor of Eddie Murphy’s original portrayal while adding a fresh, local flair that made the character even more endearing.

Another standout was Alfredo Reyes as Lord Farquaad, one of the most iconic and meme-worthy characters in pop culture. His entrance alone drew cheers, and his performance-singing and dancing on his knees for most of the show-was nothing short of impressive. He handled the physical comedy of the role with such flair and dedication that it was impossible not to applaud his efforts.

The ensemble cast also deserves high praise. From Gingy and Pinocchio to the Three Little Pigs, the Fairy Godmother, the Witch, the Big Bad Wolf, the Ugly Duckling, and Humpty Dumpty, each performer brought their own spark to the stage. Together, they filled every scene with color, energy, and personality.

And then there was the Dragon, a true show-stopper. Her grand entrance, combined with Julia Serad’s powerful vocals, brought the house down. The moment she appeared, the crowd erupted in awe. Serad’s charisma and commanding stage presence made her performance unforgettable.

One aspect that made this production stand out was its high level of interactivity and immersion. Seeing Shrek and Donkey walk around and engage with the audience brought the story closer to everyone, especially the kids, who couldn’t help but squeal in delight every time a character came near.

The choreography was another highlight. Numbers like ‘Story of My Life’ showcased the ensemble’s impressive synchronization and strong vocals. It felt like hearing the Broadway soundtrack come to life, vibrant and full of energy.

A Must-Watch Production

Overall, Shrek the Musical at Newport Theater is a triumph. It stays faithful to the international version while adding its own albeit subtle Filipino twist, a fresh and exciting flavor that makes it uniquely ours. Every aspect of the show, from the set design to the performances, demonstrates how far local theater has come and how it continues to reach world-class standards.

Whether you’re a longtime fan of Shrek or seeing the story for the first time, this production has something for everyone. It’s nostalgic yet new, hilarious yet heartfelt, and reminds us of the importance of friendship, acceptance, and embracing who we truly are.

Shrek the Musical runs at the Newport Performing Arts Theater from October to December 2025, and it’s definitely a must-see for families, theater lovers, and fans of the beloved ogre. Get your tickets now and prepare to laugh, sing, and fall in love all over again with Shrek and his swamp friends.

Junior golfers showcase talent in Valley golfest

STANDOUTS from the Junior Philippine Golf Tour (JPGT) will stake their mettle against the country’s top touring pros in the International Container Terminal Services Inc. Valley Golf Challenge set Tuesday at the Valley Golf Club’s South course in Antipolo City.

Patrick Tambalque, Jakob Taruc, Kristoffer Nadales, Alexis Nailga and Armand Copok-who dominated the North vs South Ryder Cup-style Finals-now find themselves stepping onto a stage many young golfers only dream of.

Angelo Que headlines the P2-million event as the three-time Asian Tour winner targets not only a third leg victory in the season-ending leg of the 10-stage circuit but also his first-ever Order of Merit crown.

He’ll have his hands full against fellow leg winners Fidel Concepcion, Guido Van der Valk, Reymon Jaraula and Rupert Zaragosa, as well as the battle-tested Clyde Mondilla, Tony Lascuña, Jhonnel Ababa, Zanieboy Gialon and Michael Bibat.

For Tambalque, Taruc, Nadales, Nailga and Copok, sharing the fairways with elite competitors is less on chasing trophies but more on soaking up lessons they can’t get anywhere else-how the pros manage pressure, attack courses, recover from mistakes and maintain discipline across four grueling rounds.

The 72-hole championship organized by the Pilipinas Golf Tournaments Inc. is further strengthened by the entry of young stars Aidric Chan and Carl Corpus.

Sean Ramos and veteran Justin Quiban are also coming into the tournament fresh from a stint in Taiwan, with the final round being played Sunday.

The Impact of MAMA 2025 on Filipino Fan Culture

For Filipino K-pop fans, the upcoming Mnet Asian Music Awards 2025 (MAMA 2025) is a full-blown fiesta of fandom.

When November 28-29 rolls around, living rooms all over the Philippines will transform into vibrant concert arenas as fans rally behind their idols in Hong Kong. The buzz is almost electric: group watch parties are in the works, Twitter feeds are alive, and ‘MAMA night’ is marked on calendars. Fans see their values reflected in these artists, so when a beloved group takes home a big win, it feels incredibly personal.

Global Awards, Local Excitement

MAMA 2025 is shaping up to be one of the most star-studded editions yet, and Filipino fans are riding the wave of announcements with unmatched enthusiasm.

Nominations were unveiled in mid-October, with K-pop powerhouses like BLACKPINK leading the charge. In fact, the group has emerged as the most-nominated act this year, racking up an impressive 23 nods. Hashtags like #BlackpinkMAMA2025 have been trending as fans rallied their voting teams.

From PH EXO-Ls to BABYMONSTER’s growing fanbase, everyone is buzzing to see their idols get recognition. The nominees represent a wide range of K-pop generations, and Filipinos have favorites in every category, whether it’s Seventeen and TXT for Best Male Group or aespa and TWICE for Best Female Group. Each nomination feels like a victory for the fandom.

In 2021, the Philippines was recognized as the second-highest country for K-pop Twitter activity globally. Fandom names have become part of everyday conversation: ARMYs, BLINKs, NCTzens, ONCEs, and more. That incredible fan energy is now focused on MAMA, every tweet, vote, and cheer contributing to the chorus of support.

Voting Fever and Fan Power

The countdown to MAMA 2025 turned into an election season for K-pop fans. Fan voting is a vital part of MAMA, especially for the Worldwide Fans’ Choice awards. Voting began in October on Mnet’s global app and through Twitter/X hashtags, and Filipino fan communities sprang into action. They’ve organized daily voting reminders, tutorial threads, and even vote-swap systems. Voting ended November 10, 10:59 PM Philippine time.

To keep the energy up, fanbases engage in friendly competitions. On a local fan platform called FanFlare, the August idol rankings saw TXT, TWICE’s Chaeyoung, and NMIXX snag the top spots, thanks to enthusiastic support from Filipino fans. Fans joke about becoming nocturnal during voting season, adjusting their schedules to Korean Standard Time and checking server clocks on navyism, a server time checking portal.

Fandom Without Borders

The success of UNIS, the first K-pop group made up of Filipinas to win at last year’s MAMA, sparked joy across the nation. ‘Finally, after 25 years, Filipino K-Pop idols have won a MAMA award!’ This milestone inspires more young talents and encourages fans to support Asian artists across the board. The Philippines has had a long-standing connection with MAMA, from Sarah Geronimo’s Best Asian Artist (Philippines) in 2012 to SB19 shining on the global stage, and Sandara ‘Dara’ Park cherished as an adopted Filipina star. These ties make Filipino fans feel personally invested.

With Hong Kong a short flight away, some die-hard fans are pooling resources to attend. For those at home, streaming platforms ensure no one misses a moment. The Filipino fandom experience is interactive and communal, with trending topics, fan art, live updates, and multilingual congratulations whenever a beloved artist wins.

Bringing K-culture Closer to Home

Amid global excitement, fan culture in the Philippines is becoming localized. A major player is FanFlare, a homegrown fan platform revolutionizing how projects are organized. While MAMA focuses on global recognition, FanFlare makes local impact. FanFlare encourages shining the spotlight at home. It’s now easier to rent an LED billboard along EDSA or host a themed café event. NMIXX’s Philippine fanbase used FanFlare to aim for a billboard in Cubao. TXT fans in the Philippines used it to snag an ad in Seoul’s famous Hongdae district. HORI7ON’s Anchors use it to promote their boys on radio, as well as run ads in Hongdae for months at a time.

With MAMA 2025 just around the corner, its influence on Filipino fan culture is deep and varied. It’s the swell of pride when Asian artists shine. When the lights at Hong Kong’s Kai Tak Stadium illuminate the night on November 28 and 29, a million lights in the Philippines will shine right along with them.

National U gals unbeatable in Preseason Unity Cup

NATIONAL University (NU) allayed fears of diminished competitiveness from key departures and a sudden coaching shakeup with a dominating conquest of the 2025 Shakey’s Super League (SSL) Preseason Unity Cup.

Seasoned holdovers Vange Alinsug, Chams Maaya, playmaker Lams Lamina and defense specialist Shaira Jardio displayed solid leadership in proving that the rebuilding Lady Bulldogs pack the same powerful bite to complete a four-peat.

NU overcame the challenge of a strong field, punctuated by a nail-biting 22-25, 25-22, 25-27, 25-23, 15-10, escape over gritty University of Santo Tomas in Game 2 of the best-of-three finals on Saturday for an impressive 10-game sweep of the league’s centerpiece tournament backed by Shakey’s Pizza Parlor, Peri-Peri Charcoal Chicken, Potato Corner and R and B Milk Tea.

The Lady Bulldogs also completed a season sweep for the second straight year after ruling the National Invitationals Davao Leg last August-a clear proof that they remain as one of the country’s top college women’s volleyball programs, if not the best.

NU passed the preseason test with flying colors, ushering in the dawn of a new breed of Lady Bulldogs following the exit of three-time University Athletic Association of the Philippines Most Valuable Player Bella Belen, Alyssa Solomon, Sheena Toring and Erin Pangilinan after winning back-to-back titles early this year.

‘Because we’ve lost key players to graduation, I told the girls that we have to do this together, we have to work as a team,’ said Regine Diego after winning a title in her first run as head coach since replacing Sherwin Meneses last September.

NU went 13-0 this season, including a three-game domination of the National Invitationals, where prized rookie Sam Cantada emerged as Best Player, introducing herself as the team’s newest weapon.

Cantada connived with Alinsug, Kaye Bombita and Maaya on offense in the championship series clincher, finishing with 24 points as NU replicated a come-from-behind Game 1 win that also went the full five sets.

‘We were pressured because our seniors are no longer around,’ said Lamina, who was named tournament MVP and Best Setter. ‘And I’m very happy we all stepped up and our coaches gave us their trust and confidence.’

Long-time SSL partner Shakey’s Pizza Asia Ventures Inc. (SPAVI), through its Shakey’s Pizza SSL Bundle initiative, has donated a total of P11,845,100 to all 16 participating teams.

‘We hope that those amounts will help the school programs and make their teams even stronger,’ SPAVI president and CEO Vic Gregorio said.

Ateneo de Manila University received the lion’s share of P1,201,925 in financial support, followed by Adamson (P1,163,275), Arellano University (P1,147,175), University of the Philippines (P862,725), Jose Rizal University (P850,375), NU (P692,925), Lyceum of the Philippines University (P689,575) and UST (P682,825).

University of Perpetual Help System Dalta got P666,725 followed by Far Eastern University (P636,125), Emilio Aguinaldo College (P597,625), San Sebastian College (P584,975), Mapua University (P576,675), Letran ((P519,425), College of Saint Benilde (P487,175) and San Beda University (P485,575).

HERE COME THE PIXIES | Alternative legends gear for Manila gig and homecoming of Pinoy guitarist

In 1994, I was handed a compact disc sampler that a colleague of mine at Universal Records compiled and was to be given to rock and pop radio, and those willing to play alternative rock that had become very popular.

Titled Dislocated 2, the sampler featured among others, Deadeye Dick’s ‘New Age Girl’ that was being given a significant push, Tanya Donnelly’s band Belly, dream pop band Lush, and. a song from the Pixies (‘Here Comes Your Man,’ now a powerpop classic) and the solo work from the latter’s vocalist Frank Black (‘Headache’ from the solo album, Teenager of the Year).

I first heard the Pixies in 1989 while crate digging in the Stanley area of Hong Kong. That song was ‘Monkey Gone to Heaven’. I wasn’t paying much attention until the chorus, when the singer went, ‘Rock me, Joe.’

After the guitar solo reeled me in, the singer went: ‘If man is five, if man is five, if man is five. then the devil is six, then the devil is six, then the devil is six, then the devil is six. And if the devil is si,x then God is seven!’

Now he was raving.

‘What is this?’ I thought to myself as the song went crazy.

‘Like a Paul McCartney song,’ was my thought about rave-ups such as ‘Oh, Darling’, ‘Hey, Jude’, and ‘I Saw Her Standing There,’ among others. It was McCartney’s style – start soft, then end with a rock and roll bang.

Impressed, I bought the record of the Pixies titled Doolittle that contained ‘Monkey Gone to Heaven’ among others. Apparently, it was their second after Surfer Rosa; their first release was a mini album titled ‘Come on Pilgrim’.

Watching the music video of ‘Here Comes the Man’ on MTV, I was like, ‘This band is weird, which seemed par for the course for 4 A.D. Records. And they do have a sense of humor.’

But that seemed to be the norm in the 1990s as it seemed like rock music was one big fraternity party from Unrest to Reel Big Fish to Weezer to the Breeders to Pearl Jam and many others.

The infatuation with the Pixies was short-lived as I began working in 1989. Working at an advertising agency meant long hours, and that meant losing touch with what was new on the airwaves and record racks. I wasn’t into compact discs yet, and I didn’t have the time to check out new music.

It wasn’t until I joined Universal Records in 1993 that I dove back into music and fortuitously encountered the Pixies again, since my company secured the licensing for 4 A.D. Records.

My job allowed me to focus on music; this changed everything for me.

With the alternative rock scene taking off and, in many ways, becoming part of the mainstream, I had a better appreciation for the Pixies.

The weirdness, bizarre lyrics, odd song structures, and the soft and loud dynamics wrapped around these manic boy and sweet girl harmonies. And how about the title to their first-ever ‘greatest hits’ compilation – Death to the Pixies. It’s brilliant!

Imagine learning that the Pixies (along with the Melvins, the Cure, Echo and the Bunnymen, and others) had a huge influence on the music of the 90s – that was amazing. And best of all, guitarist Joey Santiago is Filipino!

When the band reunited in the late 1990s, I got to see them perform, scratching that out from my Bucket List. But lo and behold – 25 years later, as they celebrate their 40th Anniversary, the Pixies are coming to Manila in 2026.

Aside from Santiago’s homecoming, it isn’t every day that one of the bands that had a massive influence on the alternative rock scene of the 1990s hits these shores. Furthermore, it isn’t like they are rehashing old hits and living off legacy.

The Pixies put out five albums post-Trompe le Monde, the band’s final studio album before the supposed breakup and the last with Kim Deal on bass – Indie Cindy, Head Carrier, Beneath the Eyrie, Doggerel (their best since Doolittle), and The Night the Zombies Came.

While Kim Deal or even Paz Lenchantin will not be around to handle bass duties, three out of the four original members in Black Francis, Dave Lovering, and Santiago, are better than nothing. It’s like Smashing Pumpkins, who were here recently with three of their OG line-up present, along with new bassist Emma Richardson (formerly of Band of Skulls). Boy, she can sing.

Joey Santiago will be feted like a returning hero. The crowd will be crazy (well, who doesn’t get crazy to their songs). And I. I cannot wait to yell back a vociferous ‘Ho Ho Ho Ho’ and shout back, ‘Chien.’

Scribes, sports officials take on Legends challenge in PSA Cup

A RELATIVELY big field made up of sports officials and scribes gather for some competition and a lot of camaraderie on Monday when the Philippine Sportswriters Association (PSA) Golf Cup gets off the ground at the Legends course of the Manila Southwoods in Camona, Cavite.

From former Samahang Basketbol ng Pilipinas and Philippine Football Federation presidents Al Panlilio and Mariano ‘Nonong’ Araneta to some of the youngest reporters just starting to take up the game, the 18-hole tournament is a day for everyone to get to know each other while they battle for three division titles.

‘We look forward to this day each year,’ Inquirer sports editor Francis Ochoa, serving his first term as PSA president, said. ‘It’s a day of fun and competition and a day for the reporters and the officials we cover to know each other better and vice versa.’

Manila Southwoods will play host to the event for the fourth straight time, and with the help of the Philippine Sports Commission, Premier Volleyball League, International Container Terminal Services Inc. and former Azkals team manager Jeff Cheng, the tournament will go on for yet another year.

The Philippine Amateur Track and Field Association, Polylite, San Miguel Corp., Athletic Events Sports Managements Inc. Nonong Araneta, Pagss, Philippine Basketball Association, Best Center and MacBeth are also sponsoring the event.

Jerome Delariarte, the ex-The Country Club champion, will not be around to defend the overall championship this year because of duties with Manila Southwoods as the club’s assistant general manager.

Champions in Classes A and B for the PSA members and a friends division winner will also be crowned.

Lady Tams complete unbeaten run to UAAP football title

Far Eastern University completed an unbeaten run to the title in the University Athletic Associaiton of the Philippines women’s football tournament, scoring a 2-0 victory over La Salle in the championship game on Saturday at the University of the Philippines Diliman Football Stadium.

The Lady Tamaraws secured their fourth consecutive crown and 14th overall title.

FEU is the first to accomplish a four-peat since La Salle from Season 65 to 68.

‘It’s a good gift for the graduating players,’ coach Let Dimzon said. ‘Even before we went here, they were very confident na makukuha namin yung game.’

Judie Arevalo scored on a 15th-minute header off a corner kick.

Three minutes into stoppage time, 2025 FIFA Futsal Women’s World Cup national team member Regine Rebosura capped off her collegiate career with a goal off a corner to seal the win.

FEU won all matches, conceding only three goals this season.

The Lady Tamaraws’ winning streak now stands at 13 games dating back to the second round of Season 87, and they remain unbeaten in 32 matches overall.

This championship also marks FEU’s second collegiate title this Season 88, following their earlier triumph in women’s athletics.

Lady Tamaraws captain Jonela Albino was named Most Valuable Player, Regine Rebosura earned the Best Midfielder title and and Jessa May Lehayan was awarded Best Goalkeeper.

Arevalo, who finished the tournament with eight goals, received the Golden Boot award.

La Salle’s Elisha Lubiano was named Best Defender and Jodie Banzon the Rookie of the Year.

Ateneo’s Jada Bicierro took home the Best Striker award after scoring six goals, while the Blue Eagles also received the Fair Play Award for accumulating the fewest bookings.

The Blue Eagles claimed bronze, marking their first podium finish since Season 79.

5150 FAB debuts most demanding course yet in Bataan

MORE than 300 athletes from 15 nations will be up for an adventure like no other as the 5150 FAB Triathlon fires off Sunday at the Freeport Area of Bataan (FAB).

Organized by Sunrise Events Inc. in partnership with FAB, the event’s inaugural staging promises a unique racing experience-one that pushes athletes beyond their limits through a meticulously designed course engineered to test strength, stamina, strategy and mental fortitude.

The route begins with a 1.5-km swim at the pristine Camaya Coast, followed by a 40-km single-loop bike course marked by a climb up the Bagac-Mariveles Road and a 10-km, two-loop run at the FAB Gym.

What elevates this year’s event is the two-transition setup-bikes at Transition 1 (Camaya Coast) and run gear at Transition 2 (Visayas Avenue, FAB).

The triathletes are from Brazil, Canada, Finland, France, India, Ireland, Japan, Korea, Malaysia, New Zealand, Northern Mariana Islands, the Russian Federation, Northern Ireland, Singapore, the United Kingdom, United States and the Philippines.

The event also features the Sunrise Sprint (S2)-a 750-meter swim, 20-km bike and 5-km run race-for beginners or athletes eager to close out their season with a fast, festive race.

‘This event reflects our shared vision of promoting Bataan as both an economic and sports tourism hub,’ FAB Administrator Hussein Pangandaman said. ‘The 5150 FAB Triathlon brings the world’s athletes to our shores and showcases our commitment to providing an environment that supports wellness, tourism, and community pride.’

‘We are proud to continue our partnership with the Freeport Area of Bataan,’ Sunrise Events Inc. president and managing director Princess Galura said.

Among the notable athletes toeing the line are IRONMAN 70.3 World Championship standout Mervin Santiago and Nicole Andaya, winner of the historic 5150 Dapitan in 2024.

Also competing are Paulo Sauler who’s fresh from a World Championship finish, Claudine Mendiola, Rockstar coach Reujen Lista and Vanessa Agdon, a multi-time Ironman World Championship qualifier.

REVIEW | ‘Now You See Me: Now You Don’t’ brings back the magic with new faces and tricks

Ten years or so between installments of a successful Hollywood franchise is a lifetime. When it comes to the third ‘Now You See Me’ movie – poof! – time doesn’t matter. These magicians still got it.

‘Now You See Me: Now You Don’t’ does what sequels apparently must do these days – load up the characters, return to favorite bits, and go global – but nails the trick, a crowd-pleasing return that already has a fourth in the works.

‘It is very good to be back,’ says Jesse Eisenberg as the egotistical, perfectionist J. Daniel Atlas, the brains behind the magician-robber outfit. It’s hard to argue with that sentiment on the strength of this outing, directed with assurance by Ruben Fleischer.

‘Now You See Me: Now You Don’t’ acts as a sort of pivot, bringing back the veterans – all of them, in various forms – as well as introducing three Gen Z eat-the-rich magicians played by Dominic Sessa, Justice Smith, and Ariana Greenblatt. They’re clearly the future. It’s in good (sleight of) hands.

The movie starts off with a clever rip-off of nasty crypto bros in Brooklyn and expands to scenes in Belgium, the United Arab Emirates, France and South Africa. It’s got Nazis, ‘Harry Potter’ vibes and some Louvre museum heist energy. We didn’t need the F1 chase through Abu Dhabi, but no one’s complaining.

The original Four Horsemen – Eisenberg, Woody Harrelson, Dave Franco and Isla Fisher – are supplemented by Lizzy Caplan, who had replaced Fisher in the second installment. Morgan Freeman returns as the gravel-voiced mentor.

The prize at the movie’s heart is a diamond – but no mere bauble. It’s the Heart Diamond, the largest ever discovered, with a price tag of half a billion dollars. It’s the size of a smoked turkey leg.

The diamond is owned by a particularly vile South African diamond mine scion who uses her ultra-wealth to launder money for warlords and arms dealers. She is played deliciously by Rosamund Pike with a snide disdain and a nifty Afrikaner accent.

The secretive magic society known as The Eye unites the old Horsemen and the new trio (the Three Ponies?) to steal the diamond, stored in one of those multilevel, biometric ‘Mission: Impossible’-style bunkers.

Capturing it won’t enhance their bank statements. Remember, they’re all really anti-capitalist, share-the-wealth magicians – most likely democratic socialists, in vogue right now. ‘This is a chance to drive a stake through the devil herself,’ Eisenberg’s character says.

Hollywood is funny that way, creating a multimillion-dollar franchise on the back of heroic left-wing activist characters and convincing the UAE to set it on their streets.

At first, it’s hard, with eight heroes rushing around, to figure out the primary dynamics. The older Horsemen are strangely muted here – except for Caplan, a hoot – and the young need some seasoning. Intergenerational bickering keeps the movie alive.

There’s a quick stop at a French chateau where some real magic takes place, literally. The last two ‘Now You See Me’ installments got very green-screen and CGI when it came to effects, but the third very refreshingly steps back into old-fashioned trickery. In a single take, we see each of the heroes try to top the others with a card trick, misdirection or illusion.

There’s also a hall of mirrors, an upside-down room, an infinity staircase, a perspective-warping room, and a nifty escape from a chamber filling with sand. Kudos to the filmmakers for embracing physical tricks over digital trickery. Also, cute use of Lady Gaga’s ‘Abracadabra.’

All this leads to a huge showdown between the diamond princess and our motley magicians. You won’t guess who’s been pulling the strings all this time. Seriously, you won’t. And a new generation of magician-thieves is minted. That was a hard trick to pull off.

‘Now You See Me: Now You Don’t,’ a Lionsgate release in theaters Friday, is rated PG-13 by the Motion Picture Association for some strong language, violence, and suggestive references. Running time: 112 minutes. Three stars out of four.