NU completes perfect eliminations run; UST completes Final Four cast

National University’s (NU) Hailene Diaz and Naeomi Gulpany pulled through in the first doubles match, fueling a 4-1 victory over last season’s Finals tormentor Ateneo de Manila University and completing a sweep of the qualifying round of the UAAP Season 89 Women’s Badminton Team Event on Saturday at Gameville Central Park in Mandaluyong City.

The cousins came through in the clutch, taking down first-time partners Jochelle Alvarez and Althea Hernandez, 21-19, 5-21, 21-19, in nearly an hour to clinch the Lady Bulldogs’ fifth straight win.

This marked the first time NU had swept the eliminations, earning the top seed heading into the Final Four.

The Lady Bulldogs will face the Adamson University Lady Falcons, who reached the semifinals for the first time since Season 72 in 2009, on Tuesday at 1 p.m.

Gweneth Chiva and Sab Amora gave NU a 2-0 advantage after defeating Fayina Dolor and Althea Ocampo, respectively, in the first two singles matches.

Rookie Chiva needed just 19 minutes to complete a 21-5, 21-6 sweep of Dolor, while team captain Amora fended off Ocampo, 21-13, 21-14, in 43 minutes to extend the lead.

Andrea Hernandez and Daena Castro pulled one back for the Blue Eagles with a 21-11, 21-10 rout of Lee-Ann Jade De Leon and Tia Bualat. However, Lady Bulldog Karyll Rio sealed the victory and completed NU’s sweep of the qualifying round with a 21-15, 21-14 win over Angel Valle.

University of the Philippines leaned on graduating seniors Kimberly Lao and Susmita Ramos to finish the qualifying round in second place with a 4-1 win-loss record.

Lao and Ramos secured their second consecutive victory as a pair, helping the Fighting Maroons complete a 5-0 sweep of the Adamson Lady Falcons.

They defeated the previously unbeaten tandem of Mary Untal and Jasmine Reformina, 21-11, 22-20, in the opening doubles match.

University of Santo Tomas ended its team event campaign on a winning note, defeating De La Salle University, 3-2.

Ivan Tuazon shone brightest as the University of Santo Tomas completed the men’s Final Four cast, defeating De La Salle University, 3-2, in their playoff tie on Sunday at Gameville Central Park in Mandaluyong City.

In a battle between two universities looking to re-establish themselves among the league’s elite, the Golden Shuttlers secured their fourth Final Four appearance in five seasons after missing out on the semifinals last year.

Once again, they had fourth-year standout Tuazon to thank, as the team captain came through in the deciding singles rubber against rookie Huego Queddeng, 21-17, 23-21, in an action-packed 54-minute battle.

Standing in the way of UST’s bid to reclaim its place among the league’s elite is undefeated National University, which awaits the Golden Shuttlers in the Final Four for a place in the championship round.

FROM GUZZLE TO GASTRONOME | The changing relationship with alcohol

Some years back, going out on a ‘Sabado Night’ meant buckets of beer, a slew of shots, and hours of indulgence and ‘inuman’ with friends and acquaintances over alcoholic beverages.

These days, many Filipinos, especially the Gen Zs, are drinking much less, if at all. Research shows that the decline in drinking is caused by several factors, including adulting in the midst of pandemic-related quarantines and liquor bans, rising consciousness about health and wellness, as well as more non-alcoholic alternatives such as coffee, teas, juices, and beverages with zero alcohol.

Mere bar chow no more

TO re-ignite appreciation for alcoholic drinks, mixologists, bar-owners and wine and spirit retailers have had to get creative through IG-worthy cocktails; a more curated and discriminating array of bubbly, gins and reds; or wines and cocktails paired in culinary experiences.

Food and drink pairings aim to elevate and enhance flavors in a dish. An increasing number of alcohol brands have been turning to gastronomy to get people to drink. San Miguel, for one, has been collaborating with various restaurants to create menus paired with beer.

For the 2026 Philippine Cocktail Fiesta, which will be held in Cebu from November 13 to 15, four cocktail pairing experiences bring visiting bartenders together with Cebuano chefs and restaurants, connecting cocktails with each venue’s culinary identity.

The pairings

Tonic Liu, co-founder of Kaohsiung top-rated bar Maltail, will be paired with Chef Masahiro Kinoshita at AKA Mactan for cocktails served with contemporary Japanese cuisine at Crimson Resort and Spa. Meanwhile, Pinoy pride reigns with Filipino-inspired cocktails created by Jon Bunoan from Hong Kong’s Filipino bar Dara, paired with coastal Filipino cuisine by Chef Marcel Ramos at Davos.

The food and cocktail pairings also include Filipino comfort food from Chef Joanne Sakai at Balai Brunch by Cafe Plus meeting ingredient-driven mixology by Grasshopper Bar Head Bartender Jonathan Matienzo; and Yangdup Lama, co-founder of Sidecar in New Delhi, India, with Head Bartender Souvik Rana Lama, collaborating with Chef Chris Navarro from Anzani Restaurant for contemporary Indian cocktails served together with New Mediterranean cuisine.

‘What started in Manila last year has grown into something much bigger than a single-city festival,’ says Tatum Ancheta, Founder of DrinkCollectiv and Festival Director of The Philippine Cocktail Fiesta, ‘Beyond bringing great bars and bartenders together, these dinners allow guests to discover the Philippines through our bars, food, and hospitality.’

Drinking with moderation and intention

WITH more people drinking to mark milestones, create memories or get in the moment of occasions that they deem worthy of a drink, they are doing so with a more discriminating taste in their choice of alcoholic beverages.

These days, the grape variant matters. The region matters. The cocktail flavors matter. People know their Cabernet from their Pinot Noir.

Retailers such as The Marketplace are stocking up on a much wider variety of wines and other spirits as Filipinos become more sophisticated drinkers. The Marketplace brings together a thoughtfully curated selection from exclusive finds and highly rated wines to exciting varietals and prestigious Bordeaux.

Through its partnership with Vivino, the world’s largest wine app and community, The Marketplace helps explore the world, one bottle at a time, with feedback and ratings from experts and consumers from all over the world. Guests can explore different labels, regions, and unique flavor profiles in one destination-from familiar favorites to bottles waiting to become your next go-to.

So while drinking habits, patterns, and preferences are shifting, one of the world’s oldest products will always have a place in society-whether it’s an occasion or simply meeting friends.

Sanwo-Olu charges CIS to deepen capital market participation, promote financial literacy

The Governor of Lagos State, Babajide Sanwo-Olu, has charged the Chartered Institute of Stockbrokers (CIS) to deepen capital market participation, strengthen professional capacity and promote financial literacy among Nigerians.

Governor Sanwo-Olu gave the charge on Friday during a courtesy visit by the principal officers of the Chartered Institute of Stockbrokers, led by its President and Chairman of Council, Fiona Ahimie, at Lagos House, Ikeja.

He noted that Nigeria’s capital market has recorded significant growth in recent years, commending professionals and investors for their contributions to the development of the sector.

Governor Sanwo-Olu stressed the need to deepen the market through increased public awareness, financial literacy and broader participation, particularly among Nigerians who may not fully understand the opportunities available.

He observed that many people are not familiar with investment opportunities beyond their daily financial needs, calling for deliberate efforts to educate the public on savings, investment and wealth creation.

The governor, who pledged his administration’s support for the CIS, expressed support for initiatives aimed at expanding financial literacy and developing more professionals to strengthen the capital market.

Governor Sanwo-Olu congratulated Ahimie on her emergence as the first female President of the Chartered Institute of Stockbrokers, describing her appointment as a significant milestone for the professional body.

He expressed confidence in her leadership, urging the new Council to sustain the Institute’s achievements while advancing professionalism, public engagement and capacity development within the capital market.

Governor Sanwo-Olu said Lagos remains committed to supporting professional institutions and economic activities capable of promoting investment, creating jobs and improving opportunities for residents.

He also highlighted the importance of professional expertise in governance, noting that collaboration between public and private sector practitioners could improve institutional effectiveness and strategic development.

Speaking earlier, the President and Chairman of Council of the Chartered Institute of Stockbrokers, Fiona Ahimie, congratulated Governor Sanwo-Olu on his association with the Institute, noting that his professional background and experience in public service made the engagement particularly significant.

Ahimie said the Institute’s annual conference, scheduled for November 4 and 5 in Lagos, would provide an opportunity to discuss the development of Nigeria’s capital market and the need to expand financial literacy and investment participation.

She noted that the Institute is collaborating with the Office of the Vice President on initiatives to train 10 million Nigerians in financial literacy and capital market participation.

According to her, the programme is expected to improve public understanding of investment opportunities and encourage more Nigerians, particularly young people, to participate in the capital market.

Ahimie also disclosed that the Institute is working towards establishing a N5 billion endowment fund to support capacity development and professional training.

The visit by the Chartered Institute of Stockbrokers’ leadership underscored the importance of collaboration between the Lagos State Government and professional institutions in advancing financial literacy, investment awareness and economic development.

COST OF MAKING MUSIC | Sam Benwick leaps with HIGHS and lows

FOR an independent musician, the price of making an album is not always measured in studio bills or production costs. Sometimes, it is measured in hours that could have been spent somewhere else-at home, with family, or simply getting some sleep.

Filipino-British singer-songwriter and producer Sam Benwick relates to that, mentioning those as the hardest part of making HIGHS and lows, her first full-length album, which was released on October 16.

‘Time away from my family was, I think, the most burdensome for me,’ Sam told SoundStrip.

There were nights when the 22-year-old stayed awake to write, record, and finish the album. There were also days when she chose music over the ordinary things she enjoyed with her family, even when they were only in the next room.

‘There were times when I would cry because I just wanted to be with my family,’ she explained. ‘Not that they were far away from me; they were just in the other room.’

That trade-off says something about the album itself: AS HIGHS and lows is not simply the latest entry in Benwick’s growing catalog.

Sam Benwick

Eight months, or perhaps years

SAM has been making music since she was young, eventually releasing her self-produced debut EP, Songs About Heartbreak, in 2020.

Covers helped introduce her to listeners, but writing and producing her own material has remained central to her work.

For HIGHS and lows, the immediate production process took roughly seven to eight months. But fitting that work around school and other responsibilities stretched the process closer to a year. And even that does not tell the whole story.

Some of the songs on the 15-track record were written years before Sam began putting the album together. They were pieces of different periods of her life that eventually found a place within the same record.

‘So in actuality, this album did take years to make,’ the rising artist told this newspaper.

That longer timeline also gives context to the album’s subject. HIGHS and lows follows Sam’s changing understanding of love-from the excitement of finding it to the pain of encountering the wrong kind, and the lessons that remain after both.

It is less a declaration that she has figured love out than a record of what she learned while trying to understand it. Her faith became part of that process, too.

Choosing faith over fear

MAKING the album independently brought its own uncertainty. Sam knew the decision would be difficult, but she wanted to take the step rather than wait until everything felt safe or perfectly timed.

That mindset shaped her decision to make a full album now.

She has already released singles and two EPs, but a full-length record had been something she wanted to make for years. Eventually, the question became less about whether she was ready and more about whether she was willing to begin.

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‘I would always base my decisions on fear instead of on faith and hope,’ Sam said. ‘But now, I’m turning over a new leaf.’

The album, she said, is an attempt to make music for herself, her family and people who might need to hear what she has to say and, above all, for God.

That does not make the record a simple statement of certainty. If anything, its title suggests the opposite: that the experiences worth writing about often exist somewhere between the extremes.

The highs matter because there were lows. The lows matter because they changed what came after.

For the ones who stayed

For Sam, that circle extends beyond her family.

Her supporters, known collectively as the Samshines, have followed her through the years as she moved from covers and earlier releases toward increasingly personal original music.

For her, their encouragement became particularly meaningful as she took on the uncertainty of working independently. Now, they are part of the album’s next chapter.

Some members of the community have had the chance to hear HIGHS and lows in full before its official release during her listening party earlier this month, turning what began as a largely private process-late nights, old songs, new recordings and time away from family-into something shared.

Sam admits she could have made the album faster. But speed was never really the point.

For an artist who spent years writing songs before deciding they belonged together, the record is as much about finally taking the risk as it is about the music itself.

‘I just wanted to release an album and not let my fears get in the way,’ she said.

And perhaps that is where HIGHS and lows ultimately begin-not with having all the answers, but with deciding that waiting for certainty is no longer a reason not to make the next song.

Windsor Gallery spotlights Cameroonian Hako Hankson in Artists-in-Residence

Since its debut in the Nigerian visual art scene in 2022, Windsor Gallery, a dynamic contemporary art institution dedicated to amplifying West African and pan-African voices on the global stage, has continued to make bold statements with its projects.

One of such projects is its Artists in Residence programme, which creates a space for artists from across the continent to live, work, exchange ideas and engage with new cultural environments.

It is in furtherance of that commitment to building meaningful cross-border conversations around African art that the gallery is featuring Hako Hankson, a Cameroonian-born contemporary artist, at the latest Windsor Gallery Artists in Residence programme.

Hako, who has arrived in Lagos, is joining Douala, his base in Cameroon, for the six-week artist residency.

Speaking on the rationale for the programme, the gallery explained that Hako’s residency in Lagos forms part of ongoing effort to strengthen the connections between African artists, audiences and institutions – creating opportunities for exchange that move beyond borders and encourage new ways of seeing and understanding the continent through art.

Offering more details, the gallery said that over the course of six weeks, Hako will immerse himself in Lagos, developing new work while engaging with the city’s creative community, its people, histories and constantly evolving cultural landscape.

However, the residency will culminate in a solo exhibition at Windsor Gallery from October, where Hako will present the body of work developed during his time in Lagos and offer audiences an opportunity to encounter his practice through the lens of the new environment.

The highly anticipated solo exhibition by Hako, which is entitled ‘Hako’s Allegory’, will open on October 31, 2026, from, 1pm – 6pm at Windsor Gallery at #4C Goriola Street, Victoria Island, Lagos.

On display would be the works created by Hako during the six-week Artist-In-Residence in Lagos.

Offering insights on the exhibition in its curatorial note, Windsor Gallery asked, ‘What if what we see is only a shadow of what is real’?

It further used Plato’s Allegory of the Cave to explain Hako’s Allegory’. In Plato’s case, the gallery said that ‘a group of prisoners are confined to a cave, able to see only shadows projected onto a wall before them. Having known nothing else, they mistake these shadows for reality.

‘When one prisoner is finally released and encounters the world beyond the cave, the experience is disorienting. What he believed to be true is revealed to have been only a limited perception of truth’.

With the above in mind, Hako’s Allegory takes the philosophical proposition as its point of departure.

‘Through a new technique developed on plexiglass, Hako Hanson creates works that exist between image and reflection, visibility and obscurity, surface and depth. The material becomes more than a medium; it becomes a metaphor for perception itself,’ Windsor Gallery stated in its curatorial note.

Plexiglass, according to the gallery, allows the image to be seen while simultaneously revealing the space beyond it and as light passes through, reflections interfere, and the viewer’s own position alters the work. What appears fixed becomes unstable.

The intrigue is that what seems immediately visible begins to question itself and like the shadows in Plato’s cave, Hako’s images ask viewers to consider whether seeing is the same as knowing.

‘The works operate within this tension between appearance and reality. They invite the viewer to look beyond the immediate image, to question the assumptions that shape what we perceive and to consider how much of our understanding is constructed by the limitations of our own perspective.

‘The journey out of Plato’s cave is not simply a movement from darkness into light. It is a confrontation with the possibility that everything we previously understood may have been incomplete’.

Hako’s works occupy this threshold and do not offer a definitive reality beyond the surface. Instead, they create a space in which reality remains fluid, fragmented and open to interpretation. The viewer is therefore not merely looking at the work, but participating in it – moving around it, seeing through it, seeing themselves reflected within it, and continually negotiating between what is presented and what is perceived.

But the allegory may not be about leaving the cave, but recognising that we are still inside one.

There are also reasons to see Hako’s Allegory at Windsor Gallery from October 31, 2026.

The self-taught Cameroonian contemporary artist is gifted. He works across painting, drawing, sculpture and mixed media, amid a practice that is deeply influenced by the traditions, rituals, mythology and spiritual heritage of West Cameroon, as well as the realities of contemporary African life.

The son of a sculptor and musician associated with the Royal Palace, Hankson grew up surrounded by masks, statuettes, totems and ceremonial objects. These early experiences became central to his artistic vocabulary. Although he trained as a car mechanic, he pursued art independently, developing his practice through observation, experimentation and engagement with the artistic community in Douala.

His works combine figures, masks, animals, symbols and expressive gestures, exploring memory, identity, spirituality, migration and everyday life. He has cited artists including: Jean-Michel Basquiat, AntoniTàpies and Jean Dubuffet as influences, while emphasizing the importance of energy and gesture in his own work.

Hankson has exhibited internationally, including with OH Gallery in Dakar, Primo Marella Gallery in Italy and Switzerland, and L’Atelier 21 in Casablanca. He participated in the 60th Venice Biennale in 2024 and his works are held in collections including the Fondation Cartier, MACAAL, Fondation H, Fondation Donwahi and the Benetton Collection.

In 2013, he founded the In and Off Art Center in Douala, supporting artistic exchange and emerging artists. His practice continues to connect Cameroonian cultural heritage with contemporary global experiences, creating a distinctive visual language rooted in memory, spirituality and human experience.

With all these going for him, ‘Hako’s Allegory’ will definitely live up the viewers expectations.

Once again, the solo exhibition will open on October 31, 2026, at Windsor Gallery at #4C Goriola Street, Victoria Island, Lagos.

Metals traders reap bonanza with another year of record profits

Metals traders are earning billions of dollars in a second consecutive blowout year for the sector, with several top trading houses notching up record profits.

Trafigura Group, which competes with Glencore Plc for the title of the world’s largest metals trader, made a record profit of around $2 billion in metals trading in its financial year that ended in September, according to people familiar with the matter. Glencore, too, has been enjoying some of its best-ever profits, although its overall results have been marred by a $480 million provision related to its exposure to iron ore trader Radiant World.

The vast earnings haul has meant that the champagne was flowing freely at London Metal Exchange Week, the main annual gathering of the global metals industry, which concluded on Friday. Many individual traders said privately they are enjoying the best earnings of their careers, while simultaneously fielding job offers from rival companies, as well as newer entrants looking to grab a slice of the metals boom.

While many had expected fewer opportunities for metals traders after US President Donald Trump did not go ahead with tariffs on refined copper last summer, continued ambiguity over whether tariffs might yet be imposed has extended a bonanza available to traders shipping copper to the US. Meanwhile, metals including copper, gold and silver have soared to record highs, while the market for semi-processed copper concentrate-the bread-and-butter of many physical traders-has been unprecedentedly tight.

Trafigura’s metals division has had a record performance in trading, according to people familiar with the matter, who asked not to be identified as the results aren’t public. The trading house is still finalizing its results, which it usually reports in early December, and the audited profit numbers might be subject to adjustments and revaluations of assets like its smelting unit, Nyrstar, some of the people said.

Trafigura and Glencore both declined to comment.

Mercuria Energy Group, the most aggressive of a group of energy traders that have expanded in metals in the past few years, has also had a strong year. Mercuria’s annual operating profits are on track to match or exceed last year’s level above $300 million, people familiar with the matter said. The company has plowed more than $4 billion into metals deals everywhere from Congolese copper to Indonesian aluminum as it seeks to grow its footprint in the market.

IXM, the metals trading unit of miner CMOC Group Ltd., is also on track for a record year, according to a person familiar with the matter. CMOC’s half year report said that IXM had ‘strengthened physical trading, achieving a new record high for the same period in terms of operating revenue.’

Representatives for Mercuria and IXM declined to comment.

Vitol Group, the world’s largest commodity trader, which is also building a metals trading business, is on track for profits of more than $100 million this year, a person familiar with the matter said. While that is well ahead of its performance in metals last year, it remains behind key competitors including Mercuria.

Vitol is in talks to strengthen its metals team, people familiar with the matter said. It has hired Billy Henty, who previously worked at Mercuria and Citigroup Inc., to trade iron ore in Dubai. And Vitol executives have had discussions with former chief executive officer of IXM Kenny Ives. It’s unclear whether the conversation will go anywhere, and Ives has indicated he won’t consider a new job until 2027 at the earliest, the people said.

Vitol and Ives both declined to comment.

Regenerative med’s big promise meets PHL research gap

STEM cell treatments are often discussed in terms of what they might restore: movement in patients with degenerative diseases, faster healing for difficult wounds, or developmental gains in children with autism.

But for the doctors behind the Philippine Society for Regenerative Medicine (PSRM), a more pressing question is whether the country has the research capacity to determine which treatments actually work, for whom, and at what risk.

The Philippines has clinicians and young researchers interested in the field, but limited facilities for cell-based research, insufficient funding and a shortage of large, rigorous clinical studies are holding back progress, PSRM leaders told BusinessMirror in an exclusive interview.

‘We are really frank about these things,’ said Dr. Daryl Joel C. Dumdum, PSRM co-founder and vice president.

Given the high cost of regenerative therapies, patients need to understand whether a treatment is likely to help them and whether it is safe, he added.

The gap between scientific possibility and proven medical benefit was central to the society’s first annual convention on October 21 to 22 in Makati City, under the theme ‘Leading Innovation in Philippine Regenerative Medicine.’

Research is not clinical readiness

DUMDUM estimated that the Philippines is among about 30 percent of the level of more advanced countries in regenerative medicine, although he did not identify a formal benchmark or measurement system for that figure.

For her part, PSRM President and co-founder Dr. Quincy P. Raya drew a distinction between producing research papers and conducting robust clinical trials that can establish a therapy’s safety and effectiveness.

She also pointed to the absence of a strong research culture in medical training, where research can become a requirement to complete rather than a pursuit that continues throughout a physician’s career.

‘There is no financial support,’ Raya said, adding that medical research also needs stronger legal and technical support.

Without these resources, the PSRM head added that local doctors risk remaining dependent on findings generated overseas rather than building evidence suited to Philippine patients and healthcare conditions.

Meanwhile, Dumdum said the country has genomic research capabilities, including a genome center at the University of the Philippines, but noted that its work is different from facilities that culture and expand cells for regenerative research.

For PSRM, a professional society could help researchers coordinate studies, develop protocols and subject projects to ethical review. The challenge is building the financial and institutional support to make that work possible.

Promising does not mean proven

REGENERATIVE medicine covers a broad range of approaches, including the study of mesenchymal stromal cells, which researchers are investigating for their potential effects on inflammation and tissue repair.

Other emerging technologies include induced pluripotent stem cells, which can be reprogrammed to behave like stem cells capable of developing into different cell types.

These technologies offer research possibilities, but their clinical uses differ in maturity. A biological mechanism that appears plausible does not automatically translate into a treatment that has demonstrated meaningful benefits in people.

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Raya identified osteoarthritis and diabetes as areas worth investigating.

In osteoarthritis, researchers can measure outcomes-such as pain, joint function and cartilage changes.

Studies involving diabetes could examine measures such as glycated hemoglobin, which reflects average blood sugar levels over time.

Dumdum also cited wound healing as an area where changes may be observable, alongside research into skin rejuvenation and chronic neurological conditions.

But these should not be mistaken for established indications for stem cell therapy. The doctors’ discussion of possible applications does not establish that such treatments are proven or approved for those conditions.

Raya herself emphasized that regenerative therapies are not standard diabetes care, for instance, and should not be presented as replacements for established treatment.

The danger of testimonials

THE distinction becomes particularly important in conditions such as autism, where families may be searching for interventions that could improve communication, behavior or daily functioning.

Raya said small improvements can mean a great deal to parents, but claims of benefit need to be measured against defined developmental and functional assessments.

Evaluations by independent specialists can help reduce the risk that expectations or the involvement of the treating provider influence the results.

‘If you’re given a free trial, of course, your testimony is good,’ Raya said, pointing to the influence that sponsored or free treatments can have on how patients and families perceive outcomes.

Anecdotes can help explain why people pursue a treatment, but they cannot reliably establish that the treatment caused an improvement.

Changes may reflect other therapies, natural development, differences in assessment or other factors. Controlled studies and independent evaluation are needed to distinguish those possibilities.

Dumdum, meanwhile, stressed that regenerative medicine is not a one-size-fits-all intervention, particularly for autism, a spectrum condition with varied developmental and support needs.

He described stem cell treatment as a possible adjunct rather than a cure, while emphasizing that patients should continue appropriate therapies.

The same caution applies to other conditions: a treatment may help some patients without benefiting everyone, and claims of guaranteed results should raise questions rather than inspire confidence.

From promise to evidence

THE PSRM’s immediate challenge is to help build the research and clinical infrastructure needed to evaluate regenerative therapies responsibly.

Its outlook for 2026 to 2030 includes expanding institutional partnerships, physician education, specialized training and collaborative research, with patient safety and evidence-based standards as priorities.

The society’s briefing document lists illustrative targets for 2030, including 30 to 50 institutional partners, 10 to 15 qualified training or referral sites and five to 10 collaborative research projects. These are planning scenarios, not established national commitments or forecasts.

Nestlé Nigeria Commissions smart boreholes to boost water regeneration project

In furtherance of its water regeneration initiative, Nestlé Nigeria has commissioned eight smart boreholes and water treatment facilities to serve communities in the Agbara axis.

These facilities form part of a wider programme spanning the Agbara catchment in Ogun State and the Abaji catchment in the Federal Capital Territory.

The Water Regeneration Project is structured around four connected pillars: Water access, delivered through 24 climate-smart boreholes-eight in Agbara and 16 in Abaji; Water quality, supported by treatment plants, routine monitoring, the National Water Quality Advocacy Campaign and practical water safety guidance; Water conservation, advanced through rainwater harvesting systems; and Water governance, strengthened through community water, sanitation and hygiene (WASH) committees and governance training.

These measures provide local oversight, clarify responsibilities for safe operation, preventive maintenance, fault reporting and water quality checks, and strengthen community ownership to protect the long-term value of the infrastructure.

For Nestlé Waters and Premium Beverages, the water regeneration project links measurable community impact with watershed resilience, responsible water management and business continuity.

It provides an integrated model in which infrastructure expands access, treatment safeguards quality, rainwater harvesting supports conservation, advocacy strengthens stewardship and local governance sustains performance.

Speaking at the commissioning, Business Executive Officer, Nestlé Waters and Premium Beverages, Nestlé Nigeria Plc., Olutayo Olatunji said: ‘The Agbara commissioning is an important milestone within our wider Water Regeneration Project and reflects Nestlé’s commitment to helping regenerate local water cycles.

By combining treated water infrastructure with local governance and performance monitoring, we are creating a model that improves access, strengthens watershed resilience and delivers enduring value. As we finalise the remaining scope, our focus remains on rigorous delivery and measurable outcomes that benefit communities and support business continuity.’

Also speaking on the project, the Minister of Water Resources and Sanitation, Joseph Terlumun Utsev, said: ‘Commissioning a facility is only the beginning; ensuring that it continues to provide safe, reliable and sustainable service is the true measure of success. It is encouraging that this initiative places strong emphasis on governance and water stewardship through the development of a governance training manual for water regeneration and stewardship.’

In his address, the Minister of Environment, Balarabe Abbas Lawal, added: ‘This project demonstrates what strategic public-private collaboration can achieve. By working with regulators, local authorities and host communities, Nestlé has supported an ecosystem for sustainable and equitable access to safe drinking water. The initiative advances Sustainable Development Goal 6 and aligns with Nigeria’s environmental priorities.’

Welcoming the project on behalf of the host community, His Royal Majesty, Oba Lukman Jayeola Agunbiade, Olute III, the Alagbara of Agbara Kingdom, said: ‘Today is a day of gratitude for the people of Agbara. Safe water touches every part of our lives: the health of our children, the dignity of our homes and the hopes of our families.

‘Today, it has come closer to all of us. But Agbara has received more than boreholes; we have received a responsibility.

‘As custodians of this land, I charge our chiefs, Baales, WASH committees and every resident to treat these facilities as our own, guard them against misuse and report faults promptly. What has been started here today, Agbara will sustain for our children and for generations yet unborn.’

Corporate Communications, Public Affairs and Sustainability Lead, Nestlé Nigeria Plc, Victoria Uwadoka, said: ‘Through the National Water Quality Advocacy Campaign and the National Water Quality Handbook developed with the Federal Ministry of Water Resources and Sanitation and OPS-WASH, we are helping to take water safety knowledge beyond project sites into homes, schools, communities and institutions. Access alone is not enough. Water must be safe, it must be protected, and communities must have the knowledge to manage it responsibly.’

The commissioning of the projects in Agbara reflects the strength of collaboration among public authorities, regulators, traditional institutions, community leaders, WASH Committees, OPS-WASH and other technical partners.

As the Abaji sites are completed and handed over, Nestlé Nigeria will maintain its focus on disciplined delivery, transparent validation and strong local ownership to create lasting value for communities, strengthen watershed resilience and support the long-term sustainability of the business.

At Obscure Table, the Filipino salo-salo gets a creative makeover

Two chefs turn years of corporate experience and a shared passion for cooking into an unconventional dining experience in Silang, Cavite.

There is something distinctly Filipino about gathering around a table laden with food. Meals are meant to be shared, conversations flow as dishes are passed around, and the pleasure of eating lies as much in the company as in what is served.

At Obscure Table in Silang, Cavite, chefs GB Barlao and Dennis Hipolito take this familiar tradition and give it a contemporary twist. Their concept revolves around the Filipino salo-salo, but instead of keeping diners in one place for the entire meal, they invite them to experience dinner in three acts, moving through three distinct spaces on the property.

For the two chefs, Obscure Table is the culmination of a friendship built over years in the food industry and a shared desire to return to their first love: cooking.

Both studied at the Culinary Institute of America in Hyde Park, New York, although they met only after graduation. Their professional paths eventually crossed, leading to a friendship and working relationship that would span nearly two decades.

Hipolito spent years in Singapore working with Yum! Brands in the Asia-Pacific region, developing products for brands including KFC, Pizza Hut, and Taco Bell. Barlao, meanwhile, built experience in culinary education, ingredient sourcing, and product development.

Understanding food beyond the kitchen

THEIR corporate careers gave them an understanding of food beyond the kitchen, encompassing innovation, marketing, and operations. But the desire to cook and create something of their own remained.

‘We wanted to pursue the passion of cooking,’ Hipolito recalled, describing conversations that began before the pandemic about leaving corporate work and exploring their culinary ambitions.

Initially, they envisioned a café that would transform into a supper club in the evening. The opportunity that eventually presented itself, however, was different.

A relative of Hipolito offered them a property in Silang. Expecting a simple farm space, the chefs discovered an old family dining hall, a patio, and several distinct areas that could accommodate different dining experiences.

Rather than force their original concept onto the property, they allowed the space to shape their plans. The result was Obscure Table, a destination built around the idea of making the meal itself a journey.

Three acts, one communal experience

OBSCURE Table describes itself as an elevated salo-salo told in three acts. Operating by reservation, it accommodates 15 to 20 guests for one seating each night from Friday to Sunday.

The evening begins in an indoor-outdoor garden, where guests enjoy breads, spreads, and appetizers. The experience then moves into another space for the main courses before concluding in a separate area for desserts and conversation.

Each setting has its own atmosphere, with distinctive lighting, furnishings, and tablescapes contributing to the progression.

The chefs drew inspiration from their dining experiences in the Philippines and abroad.

They wanted to preserve the communal character of Filipino eating while offering something different from conventional tasting menus, where diners typically remain seated and receive individual portions throughout the meal.

At Obscure Table, dishes are served in sharing portions, allowing guests to choose what they want and return for second servings. Those booking individual places may also find themselves sharing a long table with people they have never met.

The chefs initially wondered whether diners would embrace communal seating, so they tested the concept through dinners with guests. The feedback encouraged them to continue, with conversations sometimes leading to new friendships and professional connections.

For Barlao and Hipolito, bringing people together is as important as the food itself.

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Familiar flavors, a different perspective

‘WE don’t claim authenticity. We claim sincerity,’ Barlao explained, describing their approach to cooking.

The chefs take familiar dishes and apply culinary techniques, layers of flavor, and contrasting textures to present them differently without losing their recognizable character.

The September menu served during the media preview illustrated this philosophy. The meal began with a grazing board of balut , eggplant tapenade, ensaymada coffee butter, maple walnut cream cheese, and scallion spread, accompanied by curated breads.

One of the more enjoyable parts of the meal was the pulutan platter, which showcased the kitchen’s playful approach to Filipino favorites. A ‘Tokwa’t Baboy’ terrine with prune chutney and crispy tokwa reimagined a familiar pairing, while mini embutido corndogs gave the well-loved meatloaf a different presentation. The ‘Sinuglaw’ Agua Chile de Camaron with Thai BBQ pork brought together seafood and pork in an inventive combination.

The main courses continued the reinterpretation of familiar flavors. Bulalo Dashi with Chili-Manis Patis offered a different dimension to the comforting flavors associated with bulalo, while the spiced lamb shank and slow-cooked oxtail and tripe kare-kare stew provided a more substantial take on the beloved peanut-based dish.

Equally welcome were the vegetable courses, which balanced the richer meat offerings. Carrot cake pavé, charred cabbage with fish sauce caramel, and ginataang calabasa casserole brought contrasting textures and flavors to the table. Rather than treating vegetables as mere accompaniments, the menu gave them a distinct place in the overall spread.

Dessert continued the progression with the Obscure Table Pianono, dacquoise, and caramel crémeux, combining familiar pastry references with contemporary techniques.

For the chefs, the goal is not simply to make dishes look different. Their experience in product development and culinary operations gives them the technical grounding to work with flavor, texture, and execution while keeping the pleasure of eating at the center of the experience.

The dish that started it all

AT the heart of Obscure Table is Chicharonillo, the chefs’ original creation combining cochinillo with a specially developed chicharon skin.

Developed through repeated trials, the dish brings together crisp pork skin and tender meat, accompanied by several accoutrements. It is presented whole and carved tableside, turning its arrival into a shared moment for diners.

The name is trademarked, and the creation has become a defining feature of the concept. It is included in the Grand Menu, while guests choosing the Salo-Salo Menu may order it separately. A limited holiday-season release will also make it available outside the private dining experience for the first time.

Hospitality at Obscure Table extends beyond the guests. The chefs also prepare meals for accompanying drivers, mindful that finding food for them can be difficult while their passengers dine. Their kitchen team likewise gets to enjoy meals prepared by the chefs themselves.

After years of working behind the scenes, Barlao and Hipolito are now exploring the Philippine dining scene through a concept that brings together their corporate experience and culinary ambitions.

Obscure Table may be an unconventional destination, but its underlying idea is familiar. Filipino dining has always been about salo-salo-sharing food, making room for others, and finding pleasure in the company around the table.

Here, that tradition becomes a three-act experience, shaped by two chefs who believe that food can be creative and thoughtfully prepared without losing its most important quality: the ability to bring people together.

A TASTE OF MARRAKECH | Bacha Coffee has arrived in Manila

It was only last March, while aboard the Disney Adventure cruise’s maiden voyage, when I was introduced to the captivating brews of Bacha Coffee.

Amid the cruise’s high-seas luxury, I first encountered two variants of the legendary Moroccan coffee made from 100 percent Arabica beans: the berry-noted I Love Paris and the hazelnut-flavored Happy Gianduja. Sachet-wrapped drip coffee bags of both brews were available in our room and served in all of Disney Adventure’s restaurants.

That unforgettable four-day cruise where I had my repeated fills of Bacha Coffee was more than enough to get me hooked. Since then, I went on to ask an overseas-based friend to send me Bacha Coffee’s Navigator sampler, which allowed me to enjoy its numerous other variants, including the fruity 1910 and the Marrakech Morning Coffee with its mixed flavor notes.

For the uninitiated, which until recently included myself, Bacha Coffee is the legendary Moroccan coffee house founded in 1910 within the historic Dar el Bacha in, yes, Marrakech. Following its global revival in recent years, V3 Gourmet, the same group behind the equally exquisite TWG Tea, opened its first international store in Singapore in 2019.

Now, I’m very happy to learn that Bacha Coffee is now available here in the Philippines with not just one but two locations in Metro Manila: SM Mall of Asia in Pasay City and Greenbelt 3 in Makati City.

These flagship stores bring both the art of traditional coffee preparation and coffee gastronomy directly to Filipino coffee lovers.

‘Bacha Coffee is the product of a rich legacy, a brand that has ripened over storied brews since 1910. Our latest destinations will ignite the imagination of our guests in the same way that coffee transports us to faraway destinations. We have combined old and new into one experience, paying homage to the past and inventing the future, with 100 percent Arabica specialty coffee playing center stage in this theatre of life,’ noted Taha Bouqdib, President and CEO of V3 Gourmet.

Reflecting the heritage of its birthplace in Dar el Bacha, both spaces feature the brand’s signature visual spectacle: rich, warm ochre tones, intricate geometric zellige tilework, hand-carved cedar wood ceilings, polished brass detailing, and striking black-and-white inlaid marble floors.

With a whopping library of over 200 varieties of 100 percent Arabica specialty coffees, meticulously sourced from 35 premier coffee-producing regions worldwide, it wouldn’t be an exaggeration at all to consider Bacha Coffee as the ultimate coffee experience. Divided across Single Origin, Fine Blended, Fine Flavoured-including the beloved I Love Paris-and Naturally CO2 Decaffeinated categories, guests can explore the awe-inspiring stores through its three distinct concepts: an intimate Coffee Bar, a retail Coffee Boutique, and a full-service Takeaway experience.

For those seeking an immersive sit-down experience, the Bacha Coffee Bar offers an exclusive setting-seating up to 15 guests at SM Mall of Asia and 8 guests at Greenbelt 3. True to Moroccan tradition, no espresso-based beverages are served here. Every brew is meticulously prepared and poured from signature golden pots. The coffee is accompanied by gourmet and freshly baked treats, including the Philippines-exclusive Soy-Marinated Chicken and Potato Croissant. There are also signature desserts like the decadent Bacha Coffee Tiramisu, served in an amber glass jar layered with coffee jelly and Arabica-soaked biscuits.

The Coffee Boutique features floor-to-ceiling columns of ochre canisters. Coffee enthusiasts can purchase loose beans by weight or have them freshly ground by in-house Coffee Masters to match their exact brewing setup. The retail collection also offers exquisite gift choices, such as the Signature Nomad Collection-featuring rare origins like Yemen’s Grand Moka Matari Coffee-along with single-serve Coffee Bag Gift Boxes, bone china from the Heritage Collection, and curated gift hampers.

And yes, the Navigator sampler, a box of 25 individually wrapped, single-serve drip coffee bags, is also available here and the one I’ll most likely come back for the most.

Bacha Coffee also elevates the takeaway experience. Each takeaway order, whether served hot or iced, is presented on a silver-toned designer tray complete with vanilla bean-flecked Chantilly cream, a raw sugar stick, a wooden spoon, and a reusable glass straw.

As someone who has fully embraced Bacha Coffee’s timeless tradition after first experiencing it in, of all places, the open seas, being able to enjoy its rich brews at home and, yes, in their new Metro Manila stores is nothing short of a wonderful treat.

As I kept telling Maranda Barnes, co-founder and Chief Commercial Officer of V3 Gourmet, Bacha Coffee’s Marrakech roots reminded me of ‘Marrakesh Express,’ the classic folk song by Crosby, Stills and Nash. With its upbeat tone and inviting lyrics, I found myself on board this particular train thanks in large part to Bacha Coffee.

Looking forward to seeing more Bacha Coffee stores open here in the Philippines in the near future.

Destination Guide:

Bacha Coffee SM Mall of Asia: Ground Floor, Main Mall, SM Mall of Asia, Pasay City. Open daily from 10 am to 10 pm.

Bacha Coffee Greenbelt 3: Ground Floor, Greenbelt 3, Ayala Center, Makati City. Open Sunday to Thursday from 11 am to 9 pm, and Friday to Saturday from 11 am to 10 pm.