Azerbaijan Producers Guild admitted to FIAPF membership [PHOTOS]

The Azerbaijan Producers Guild (APG) has been officially admitted as a full member the International Federation of Film Producers Associations (FIAPF), one of the world’s most prestigious cinema organizations, Azernews reports.

The membership will formally take effect on January 1, 2026. The Guild’s accession to FIAPF represents a strategic step toward strengthening the global recognition and positioning of Azerbaijani cinema.

Chairman of the Azerbaijan Producers Guild Mushfig Hatamov highlighted the significance of this achievement, noting that membership in FIAPF opens wide opportunities to align the work of Azerbaijani producers with international standards and integrate them into the global film market. He emphasized that this milestone is of historic importance both for ensuring stronger protection of producers’ rights and for attracting foreign investment to local film projects, as well as expanding participation in international co-productions.

“Azerbaijani cinema is now represented on the same platform as the world’s leading film nations,” Hatamov said.

He added that the Guild plans to use this new status to intensify its activities in several directions, including advancing improvements in international legislation related to authors’ and producers’ rights and film production, and promoting Azerbaijani cinema more actively to foreign producers, distributors, and investors through the FIAPF network.

The Azerbaijan Producers Guild is a public association that unites the country’s leading film and television producers. Its mission is to protect members’ rights and interests, support the development of the local audiovisual industry, and encourage international cooperation in the field.

Founded in 1933, FIAPF is a non-profit organization representing 38 member associations from 31 countries. It safeguards the interests of film producers, accredits major international film festivals such as Cannes, Berlin, and Venice, and sets ethical and professional standards for the global film industry.

Award ceremony for ‘Poetry of Khazri’ recitation competition held in Baku [PHOTOS]

The Azerbaijan State Museum of Musical Culture (Baku Museum Center) hosted the award ceremony for the winners of the Republican Recitation Competition “Poetry of Khazri”, Azernews reports.

The event was organized by the Culture Ministry’s Scientific, Methodological and Qualification Center for Culture (MEMIM) with the support of the Azerbaijan Theater Workers’ Union in partnership with the publishing houses Qanun and MIMTA.

Opening remarks were delivered by Vasif Gurban-zade, Head of the Book Industry Department of the Culture Ministry; Alla Bayramova, director of the Azerbaijan State Museum of Musical Culture, Doctor of Art History, and Honored Cultural Worker; Haji Ismayilov, Chairman of the Azerbaijan Theater Workers’ Union and People’ s Artist; and Vugar Gumbatov, MEMIM Acting Director, Doctor of Philosophy in Art Studies and Associate Professor. They emphasized that the competition was designed to promote the legacy of national poet Nabi Khazri, nurture the creative abilities of reciters, spark interest in the art of literary performance, and enrich the artistic and aesthetic sensibilities of young people.

Members of the competition jury, including Azad Shukurov, Deputy Chairman of the Azerbaijan Theater Workers’ Union, Honored Art Worker, Professor; People’s Artist Mammadsafa Gasimov; and Ilgar Fakhmi, Secretary of the Azerbaijan Writers’ Union, Honored Cultural Worker spoke about the contest. They noted that from nearly 50 applicants, 14 participants advanced to the final stage. The jury assessed their performances and awarded the following: first place to Anar Ahmedov; second place jointly to Ramil Huseynzade and Huseynaga Aslanov; and third place to Sema Aghazade.

The winners received cash prizes and diplomas, while other participants were presented with certificates and commemorative gifts.

The artistic program, moderated by MEMIM staff member, Doctor of Art Studies, and Honored Cultural Worker Saadat Tahmirazgizi, featured performances by the competition winners as well as teachers and students of the 26th Baku Music School named after Muslim Magomayev. They recited poems including “Sea, Sky, Love”, “I Look at Your Photo”, “Tell Me, Where Are You”, “The Wind”, “Do Not Seek the Carefree One”, “Who Awaits What?”, and “My Heart”, alongside musical compositions such as “Cranes”, “Gorges”, “Remained in My Soul”, and “Azerbaijan”, all inspired by Nabi Khazri’s verses.

The poet’s son, Arzu Babayev, attended the ceremony, congratulated the winners, and expressed gratitude to the organizers.

Media partners of the event are Azernews.Az, Trend.Az, Day.Az, and Milli.Az.

National Paralympic Committee receives letter of appreciation in Lisbon [PHOTOS]

A gala evening dedicated to the 2025 achievements of the Paralympic Committee of Portugal (CPP) has taken place in Lisbon, Azernews reports.

Adviser to the President of the Azerbaijani National Paralympic Committee President, Shahin Kazimzade, attended the event at the invitation of the CPP.

During the ceremony, the Portuguese Paralympic Committee presented a letter of appreciation to the Azerbaijan National Paralympic Committee in recognition of their cooperation.

Earlier, Shahin Kazimzade held a meeting with CPP President José Manuel Lourenço, the Committee’s Vice President and First Vice President of the International Paralympic Committee, Leila Marques Mota, as well as Vice President Tiago Carvalho.

The sides discussed the development of the Paralympic movement in both countries, the expansion of existing cooperation, medical classification matters, training initiatives, and the organization of joint training camps.

Azerbaijan made its Paralympic Games debut at the 1996 Summer Paralympics in Atlanta, competing in track and field and power lifting. In the same year, the National Paralympic Committee was established.

Since 1996, national paralympians have taken part in many international competitions and six Paralympic Games. They enriched the country’s medal haul with multiple awards.

The Azerbaijani Paralympic team has made significant progress since the Tokyo 2020 Games, where they won 14 medals, including 4 gold, 4 silver, and 6 bronze.

At the Paris 2024 Summer Paralympic Games, the Paralympic team earned 11 medals, including 4 silver and 5 bronze.

Avto Radio honored in Uzbekistan for promoting Azerbaijani culture [PHOTOS]

The Uzbekistan National Media Association has hosted the latest edition of the national “Renaissance” awards ceremony in Tashkent, Azernews reports.

This annual event brings together leading media outlets, journalists, and representatives of government and public organizations, celebrating projects that have significantly contributed to the country’s information landscape over the past year.

Opening the ceremony, Chairman of the Uzbekistan National Media Association, Rector of the University of Journalism and Mass Communications, Professor Sherzodkhon Kudratkhoja, stressed the importance of recognizing the hard work of media professionals, valuing their integrity and transparency, and emphasizing the vital role journalism plays in society.

Winners were announced across major categories such as “Best Morning TV Show,” “Best Cultural and Educational Project,” “Best News TV Program,” “Best Socio-Political Television Project,” and “Best TV Series of the Year,” along with a range of regional and specialized nominations.

During the event, the Heydar Aliyev Azerbaijan Cultural Center in Tashkent presented a special award to Avto Radio for its “Professional Media Partnership in Promoting Azerbaijani Culture.”

In his remarks, the Heydar Aliyev Cultural Center’s director, Akif Marifli, spoke about the long-standing professional cooperation between the Center and the Uzbek media. He emphasized the consistent airing of programs, reports, and projects dedicated to Azerbaijan on ‘Avto Radio,’ noting that this collaboration helps further strengthen the friendship between the peoples of Azerbaijan and Uzbekistan.

As part of the ceremony, Avto Radio received an honorary certificate and a cash prize, along with an invitation to participate in the annual media tour to Azerbaijan organized by the Heydar Aliyev Cultural Center.

The event concluded with performances by renowned artists and a concert program.

President Ilham Aliyev, First Lady Mehriban Aliyeva visit grave of National Leader Heydar Aliyev [PHOTOS]

President of the Republic of Azerbaijan Ilham Aliyev, First Lady Mehriban Aliyeva, and their daughter Leyla Aliyeva visited the Alley of Honors to commemorate National Leader Heydar Aliyev, as December 12 marks the 22nd anniversary of the passing of the architect and founder of the modern and independent Azerbaijani state, world-renowned politician, and National Leader of the Azerbaijani people.

Azernews reports that President Ilham Aliyev laid a wreath at the National Leader’s grave.

The National Anthem of Azerbaijan was played.

President Ilham Aliyev, First Lady Mehriban Aliyeva, and their daughter Leyla Aliyeva then placed flowers at the grave of the National Leader’s wife, outstanding ophthalmologist and academician Zarifa Aliyeva.

They also paid their respects to prominent statesman Aziz Aliyev and professor Tamerlan Aliyev by placing flowers at their graves.

Gunay Children’s Theater successfully stages Uzeyir Hajibeyli musical comedy [PHOTOS]

Gunay Children’s Theater has successfully staged Uzeyir Hajibayli’s musical comedy “The Cloth Peddler” at the Azerbaijan National Art Museum, Azernews reports.

The performance was staged in honor of the 140th anniversary of the outstanding composer.

Opening the event, Larisa Tarusova, artistic director and chief director of the Gunay Children’s Theater, expressed her gratitude to the museum’s management for providing the opportunity to perform on the National Art Museum’s stage. She noted that, along with various productions, patriotic themes hold a special place in the theatre’s repertoire and that the troupe has paid particular attention to Hajibeyli’s work for many years.

She recalled that the theatre has been presenting “The Cloth Peddler” for 15 years, involving children of different generations, thereby instilling a love for the nation’s rich cultural heritage.

The theater director noted that preparing the new cast required a long and dedicated effort, and it is especially meaningful for her that this play is loved by children. Although the production features only eight main roles, many children apply to take part, learn the script in advance, and eagerly join the rehearsals.

The performance was met with great interest by the museum visitors.

Young performers including Tuncay Hamidli, Aziza Maharramova, Oktay Khudiyev, Manisa Baghirova, Alesya Aksyonova, Margarita Fadeyeva, and others took part in the production.

The director and stage designer of the production is Larisa Tarusova.

The Gunay Theater Studio has maintained its reputation for many years and is recognized as a laureate of numerous international and national theatre competitions.

Uzeyir Hajibayli significantly shaped national musical identity, achieving the distinction of composing the first opera in the Islamic world.

His opera “Leyli and Majnun” (1908) drew upon traditional folk music and dance, forms of expression transmitted orally.

The composer’s subsequent operas, including “Sheyh Sanan,” “Rustam and Sohrab,” “Asli and Karam,” “Shah Abbas,” “Khurshudbanu and Harun,” and “Leyli,” also prominently featured national folk music elements, particularly mugham.

Beyond opera, Hajibayli composed three comedies: “Husband and Wife” (1910), “If not this one, that one” (1911), and “Arshin Mal Alan” (1913).

“Arshin Mal Alan,” or “The Cloth Peddler,” stands out as one of his most beloved and enduring operettas.

This operetta has enjoyed widespread international success, with performances in numerous languages across over 60 countries, encompassing the U.S., Austria, France, China, Greece, India, Russia, and Turkiye.

Nurlan Hasanli’s short film to be shown at Cannes Film Festival

The short film “Green Grass” written and directed by Nurlan Hasanli and currently in production, has won the pitching competition at Austria’s Linz Film Talent Academy, securing its place at the Cannes Film Festival, Azernews reports.

“Green Grass” portrays a tragicomic narrative about a tourist guide from Baku and his wife as they pursue their dream of emigrating to the United States.

Established in 2021 and officially launched in 2022, the Film Talent Academy of the Linz International Short Film Festival aims to nurture emerging filmmakers by offering development labs, mentorship programs, and opportunities for international industry exposure.

It acts as a springboard for short films and debut feature projects, fostering strong and distinctive creative voices.

The Cannes Film Festival (Festival de Cannes) is one of the world’s most prestigious and widely covered annual film festivals. Held in Cannes, France, it presents new films of all genres from around the globe, serving as a central networking hub for film professionals.

Renowned for its glamorous red carpet events, the festival also hosts the competition for its top honor, the Palme d’Or. Founded in 1946, Cannes plays a crucial role in launching films and functions as a major international market, drawing stars, directors, and industry buyers alike.

First VP Mehriban Aliyeva shares post on commemoration day of National Leader Heydar Aliyev [PHOTO]

First Vice-President of the Republic of Azerbaijan, Mehriban Aliyeva, has shared a post on the commemoration day of National Leader Heydar Aliyev on her official social media accounts.

Azernews presents the post: “The Great Heydar Aliyev. In Remembrance and Tribute.”

Heydar Aliyev and the making of independent Azerbaijan

Few figures in modern Eurasian history have shaped the destiny of their nation as profoundly as Heydar Aliyev. Revered in Azerbaijan as the National Leader, Heydar Aliyev stands as the architect of the country’s modern statehood, a statesman whose political skill, discipline, and resolve guided the nation through its most perilous decades. His story is inseparable from Azerbaijan’s journey from a Soviet republic overshadowed by Moscow to a confident independent state charting its own course. To understand contemporary Azerbaijan, one must return to the life and legacy of Heydar Aliyev.

Born in 1923 in Nakhchivan, Heydar Aliyev came of age in an era defined by war, upheaval, and ideological rigidity. Yet even in his youth, he displayed the traits that later came to define his leadership: intellect, endurance, and an unyielding sense of duty. After training in the state security services, H. Aliyev began a career that placed him at the centre of the Soviet apparatus. In 1969, he ascended to the position of First Secretary of the Communist Party of Azerbaijan, effectively the leader of Soviet Azerbaijan.

This period would become the first major turning point in his national legacy. The National Leader inherited a republic marred by corruption, economic stagnation, and institutional neglect. Through administrative discipline, strategic appointments, and a relentless fight against corruption, he transformed Azerbaijan into one of the most dynamic republics of the Soviet Union. Under his leadership, industrial productivity surged, scientific institutions expanded, and Azerbaijani cadres, long underrepresented in Moscow, began to rise within the Soviet hierarchy.

His ascent continued in 1982 when he was appointed First Deputy Chairman of the USSR Council of Ministers, the highest position ever attained by an Azerbaijani in the Soviet government. In Moscow, Aliyev was widely regarded as a highly professional, decisive, and principled administrator. His success was rooted not in ideological zeal but in pragmatic governance, an approach that would later serve independent Azerbaijan.

Yet Heydar Aliyev’s relationship with the Soviet leadership deteriorated dramatically under the Gorbachev administration. In 1987, sidelined by political manoeuvring and disagreements with Moscow’s policies, he resigned from his senior positions. It was a moment of personal and political rupture, but also the beginning of his transition from Soviet statesman to national saviour.

The collapse of the Soviet Union brought independence, but not stability. In the early 1990s, Azerbaijan plunged into an existential crisis: political fragmentation, economic collapse, internal strife, and the brutal war resulting from Armenia’s occupation of Azerbaijani territories. Chaos reigned in Baku; the state teetered on the edge of disintegration. It was at this moment, in 1993, that Heydar Aliyev, then serving in Nakhchivan, was urgently called to lead the country.

What unfolded was not merely a political return but an act of national salvation. Aliyev inherited a country on the verge of civil war, with its institutions paralysed and its territorial integrity compromised. Through a combination of strategic negotiation, political stabilisation, and decisive leadership, he prevented the collapse of the young republic. His early steps included consolidating state power, restoring constitutional order, and calming internal armed groups that threatened national unity. His return marked the re-emergence of professionalism in governance, something Azerbaijan desperately needed.

One of his most consequential achievements was the signing of the 1994 ‘Contract of the Century,’ a landmark agreement that opened Azerbaijan’s vast energy resources to international investment. At the time, sceptics doubted the feasibility of turning a war-torn state into a hub of global energy cooperation. Yet Aliyev’s diplomatic mastery and ability to build consensus among major international players helped secure Azerbaijan’s place on the global energy map. The pipelines and energy corridors developed under this vision would go on to shape the geopolitics of the Caspian region for decades.

The National Leader also set about laying the foundations of the modern Azerbaijani state: strengthening the civil service, reforming the armed forces, stabilising the currency, and initiating constitutional reforms that enshrined the principles of sovereignty and national independence. His emphasis on education, culture, and national identity played a central role in rebuilding the morale of a nation exhausted by war and instability.

Perhaps most importantly, Aliyev believed in a balanced foreign policy, one that safeguarded Azerbaijan’s independence in a region defined by competing powers. His approach rested on three pillars: pragmatic cooperation, strategic neutrality, and diplomatic flexibility. By strengthening relations simultaneously with Europe, the United States, Russia, Turkiye, and regional partners, he ensured that Azerbaijan would never again be isolated or vulnerable to external pressure.

Critics have debated the firmness of his political style, yet few dispute the effectiveness of his leadership during Azerbaijan’s most fragile years. Aliyev was a realist: he understood that statehood required strong institutions, political continuity, and disciplined governance. His legacy is seen not only in Azerbaijan’s modern infrastructure and geopolitical relevance but in the confidence with which the nation now asserts itself on the international stage.

Heydar Aliyev’s passing in 2003 marked the end of an era, but his vision lives on in the stability, independence, and development that define modern Azerbaijan. His leadership transformed a country on the brink of collapse into a thriving, self-assured state. As Azerbaijan continues to evolve, his imprint remains unmistakable: a belief in sovereignty, a commitment to national unity, and a deep sense of responsibility to the future.

History rarely grants leaders the chance to shape both the twilight of one era and the dawn of another. Heydar Aliyev did both. His legacy endures not only in monuments or institutions, but in the very idea of modern Azerbaijan, a nation he helped save, build, and set on a path toward lasting independence.