Learning from Penelope and her suitors

IN her attempt to expedite the presentation of documentary evidence in the impeachment trial of Vice President Sara Duterte, private prosecutor Lorna Kapunan jokingly remarked that she had yet to watch Odyssey in theaters. She nevertheless offered to rely on the defense’s marked documents, reasoning that, theoretically, both sides were working from the same records.

That amusing exchange led me to think about something more serious. Friends have been talking about how the movie Odyssey has brought Homer’s ancient epic into our national consciousness. Beyond the spectacle and personalities, the story speaks of loyalty, justice, deception, perseverance, and the longing for home.

And then there is Penelope. I had almost forgotten her. When I first read Homer’s Odyssey in high school, Odysseus naturally occupied center stage. But Penelope’s story may actually be more relevant to Filipinos today.

While Odysseus was away and presumed dead, Penelope was left behind in Ithaca. A group of persistent and opportunistic suitors descended upon her, each seeking to marry her and ultimately gain the power and privileges attached to her household. They pressured her relentlessly, consumed her resources, and behaved as though the throne was theirs for the taking.

Penelope refused to surrender. She devised a strategy. She promised to choose a husband after completing a burial shroud for Odysseus’ father. She would weave during the day and secretly undo her work at night. She bought time. More importantly, she refused to be manipulated into making a decision simply because everyone around her demanded one.

Perhaps that is precisely what Filipinos need to learn today. We have become a nation perpetually waiting for a political savior. Every election, another candidate appears promising to restore the country, crush corruption, punish the enemies of the people, or make the Philippines great again. We are repeatedly encouraged to believe that one person, with the right surname, political machinery, money, social-media army, or populist rhetoric can solve problems that generations of leaders have failed to address. And many Filipinos fall for it.

Our political suitors have become increasingly sophisticated. They no longer need to knock on every door. Their messages can be delivered directly into our phones. Troll farms and paid influencers can manufacture outrage, popularity, enemies, and even consensus disguised as public opinion. Political commentators can conveniently become campaign surrogates while maintaining the appearance of objectivity. And because the electorate is increasingly polarized, facts have become secondary to loyalty.

This is where the Penelope analogy becomes disturbingly relevant. Penelope was surrounded by suitors who wanted something from her. So are we, especially during election season. Our political suitors want our votes, loyalty, attention, and sometimes unquestioning obedience. They promise change but often preserve the very system that keeps them in power. Some reinvent themselves every election season. Still others rely on political machinery, family names, money, patronage, or carefully constructed online personas.

Yet the voter is not powerless. Penelope did not defeat her suitors by matching their deceit with greater deceit. She did not surrender her judgment simply because she was pressured. She waited, planned, and strategized. And when the time came, the suitors were removed.

I am certainly not suggesting that we literally eliminate corrupt politicians in the manner in which Odysseus dealt with the suitors. The democratic equivalent is much simpler: Do not vote for them. One priest once told his congregation: ‘Take the money, but vote your conscience.’ Whether one agrees with that advice or not, the larger principle is that we should never surrender our judgment simply because a politician gives us something. An ayuda lasts for a day or a week. The consequences of electing the wrong leader can last for years. This is where our collective hypocrisy becomes uncomfortable.

We complain about corruption while allowing politicians to cultivate dependence. We condemn political dynasties while repeatedly electing the same families. We criticize incompetence but reward politicians who entertain us.

We cannot have it both ways. The politician who buys a vote and the voter who sells it participate in the same transaction. The difference is that the politician keeps the office for several years while the voter is left with the consequences. That is why Penelope’s patience may be more instructive than Odysseus’ heroism.

We should stop looking for saviors and start looking for servants. We should stop asking who is popular and start asking who is trustworthy. Most of all, we should stop confusing loyalty to a politician with loyalty to the country. The political class has mastered the art of keeping us distracted. While we argue about which politician is more corrupt, institutions remain weak. While social-media armies battle over who is ‘DDS,’ ‘Dilawan,’ ‘Marcos loyalist,’ ‘anti-Marcos,’ or whatever label is fashionable, politicians continue negotiating positions, alliances, contracts, appointments, and political futures.

The most dangerous political weapon today is the ability to convince ordinary citizens that their fellow citizens are the enemy. Once we are divided, we become easier to manipulate. Once we are angry, we become easier to control. Once we become obsessed with personalities, we stop examining institutions. Perhaps it is time we learned to say no, just as Penelope did. Waiting is not the same as doing nothing. We need the patience to build institutions, educate voters, hold officials accountable, and defend the truth even when it is inconvenient to our political camp. National transformation does not happen in one election cycle.

As a follower of Jesus, I have also learned another kind of patience that comes from knowing that I am not ultimately in control. Whenever I become anxious about the Philippines and its political future, I return to Philippians 4:4-8. Believers often remember verse 6: ‘Do not be anxious about anything…’ But Paul did not begin there. He began with: ‘Rejoice in the Lord always. I will say it again: Rejoice!’

Paul was writing from prison. He was not rejoicing because everything was going well. He was rejoicing because his confidence did not depend on his circumstances. Believers do not rejoice because corruption is acceptable or injustice is tolerable. We rejoice because our ultimate hope is not in a politician, political party, or particular vision of the Philippines. Our hope is in God.

Paul continues: ‘Let your gentleness be evident to all. The Lord is near.’ That is difficult advice amid political warfare. When politicians lie, cheat, and steal, we want revenge. But Christian faith calls us to remain faithful without becoming consumed by hatred. Gentleness does not mean weakness or silence. It means refusing to believe that the fate of the country rests entirely on our ability to control every political outcome. Jesus said: ‘In this world you will have trouble. But take heart! I have overcome the world.’ (John 16:33).

That may be the greatest antidote to political anxiety. The Philippines will have another political crisis, another scandal, another political dynasty, another army of trolls telling us whom to hate, and another survey telling us who is supposedly unbeatable. As the 2028 elections approach, another politician will appear promising salvation, prosperity, revenge, or some combination of all three. Another generation of Filipinos will be tempted to believe them.

Perhaps it is time we became more like Penelope, not passive or naive, but patient, discerning, strategic, and faithful. Penelope waited for Odysseus because she believed he would return. Christians wait for something far greater. We wait for Christ.

That perspective changes everything. We can work for our country without pretending that we can save it ourselves. We can fight corruption without becoming corrupt. We can defend truth without surrendering compassion. We can oppose political abuse without allowing anger to consume us.

The Philippines does not need another political messiah. It needs citizens who understand that politicians are servants, not saviors. The suitors will keep coming, with money, machinery, slogans, surveys, influencers, trolls, promises, enemies, and manufactured narratives.

Let us listen carefully and examine their records. Let us test their promises and refuse to be rushed. And when the time comes, let us exercise the one power no political suitor should ever take from us: our vote. The suitors will keep coming in droves. Let us simply become wise enough not to marry them.

Siegfred has a diversified set of education and experiences which has made him a game changer and a servant leader in organizations. His professional degrees came from the United States Military Academy at West Point in New York, Ateneo Law School, and University of Southern California, Los Angeles, USA. His corporate experiences include stints as general counsel for the country’s flag carrier, a food exporter with manufacturing plants in Davao and in Laguna, and a sports distributor company. Siegfred is a former soldier and a lawyer by profession, a teacher and inspirational speaker by passion, and a book author and a writer with a mission.

DILG, DepEd, ECCDC issue early childhood care guidelines

THE Department of the Interior and Local Government (DILG), Department of Education (DepEd), and Early Childhood Care and Development Council (ECCDC) have formally signed the implementing rules (IRR) of Republic Act 12199 to promote stronger and more coordinated early childhood care and development services.

Interior Secretary Juanito Victor Remulla and Education Secretary Juan Edgardo Angara, both ex-officio co-chairmen of the ECCDC, joined the council’s vice-chairperson and executive director, Teresita Inciong, in signing the guidelines of the Early Childhood Care and Development Systems Act.

Signed into law by President Marcos in 2025, RA 12199 strengthens the ECCD system to address gaps in healthcare, nutrition, early childhood education, safety, security, and social services for children aged five and below.

The IRR establishes clear responsibilities across national government agencies and local governments (LGUs), recognizing that effective early childhood development begins in communities.

Under the guidelines, every province, city, and municipality is mandated to establish an ECCD office to oversee local programs and service delivery. LGUs are also directed to maintain functional childcare facilities, including Day Care Centers, Childminding Centers, and Health Stations, while developing childcare programs in workplaces and communities.

Local governments are tasked to provide funding for ECCD programs through available local funds, the Special Education Fund, and the Gender and Development Fund, while pursuing partnerships to expand services and reach more children.

The DILG will oversee LGU compliance with RA 12199 and provide capacity development support to strengthen local implementation.

The Department will also facilitate the integration of ECCD into the assessment criteria of the Seal of Good Local Governance (SGLG), reinforcing early childhood development as a measure of responsive and effective local governance.

Present during the signing were DILG Assistant Secretary Jesi Howard Lanete, Congressional Education Commission 2 chairman Pasig Rep. Roman Romulo and Party-list Rep. Jude Acidre of Tingog, ECCD Council members, and other government officials and partners.

My take on UAAP’s decision on Ateneo

HERE is how I read the University Athletic Association of the Philippines’ (UAAP) decision not to suspend Ateneo from the upcoming season in the wake of the Dipaculao tragedy that claimed the lives of two of their players.

Having read that rule book as well, there is nothing in there that should penalize Ateneo. In my opinion, the board did not find any violations to the rules and statutes. Hence, the decision to allow the Ateneo men’s basketball team to compete. Gross negligence, yes. There should be accountability, yes. The head coach, coaching staff, and the team manager were either banned or suspended.

And really, many schools and varsity teams are run either autonomously or semi-autonomously. It was a terrible and tragic accident that could have happened to anyone.

The whole affair has given every sports program in this country an opportunity to closely integrate their efforts with the school, clean up some of their messes, and be more mindful of adhering to safety above all.

Furthermore, it isn’t just that-it is also looking at protocols and responses should something untoward happen once more.

The UAAP, like the National Bureau of Investigation or even that suspicious Criminal Investigation and Detection Group investigation, have determined that the players were also victims. Hence, that decision.

Heavens, it isn’t that Ateneo is so powerful that it can buy the league’s decision. No, it is not because league’s Executive Director Rebo Saguisag graduated from Ateneo Law School and that Commissioner Jai Reyes is true blue.

If you must know, Atty. Saguisag roots for San Beda (where he went for his grade and high school education) and University of the Philippines (where he went for college). As for Jai-he is only in charge of the games and the officials and isn’t part of any voting process.

Now, having observed the board in the previous years, the adoption of the two-tier leadership has changed their decision making and approach to matters of the league.

You have the presidents of the universities who look at the league from a macro level and chart its direction, and the school representatives who are tasked with running the league.

These people have approached their discussions more methodically as they too are educators.

If you look at the decision making in previous years when it comes to rendering decisions even to erring constituents of the schools, it has changed. It isn’t the old punitive approach. If there is an individual or individuals who should be sanctioned, it is now contained to that person. It is opposed to the old way where the school’s sports programs suffered as a whole from the discretions of one.

I also gather that the people who represent the schools are no longer at each other’s throats. Gone are the days where there were boardroom shouting matches. Gone are the days when there are cliques.

I recall around 2011, I wrote a scathing article about some decision by the league. The next day, at the Big Dome, I came across three of the board members. The late Bam Paguia, then the National University representative who I had known for quite some time, took me aside and said, ‘The league is evolving.’

My reply was the league has been around for over 70 years. Why can’t the league get it right?

Mr. Paguia shrugged. ‘We’re working to make it better.’

This is not to exonerate the UAAP. Even for decisions in years past that I thought were erroneous.

I can understand that some schools and observers might feel aggrieved or even up in arms about what they feel is a poor decision too given others were previously suspended.

Again, I think that the UAAP has changed their approach in the last few years.

I think we saw some of the first signs of this during the Covid-19 lockdown when University of Santo Tomas’s then coach was likewise banned for violating the pandemic protocols. The team continued.

The tragedy of Dipaculao could have been prevented, yes. Unfortunately, history can only be learned forward. It is painful episode not only for Ateneo but also the families who lost their loved ones.

I am sure the league-as will every other one in the country-will look for ways to prevent such a tragedy from happening again.

’Let’s Celebrate Expo 2026′: A fair within a fair

Considered the most curated gathering of event suppliers in the country, ‘Let’s Celebrate Expo 2026’ spotlighted the industry stalwarts as well as its rising stars. Held on July 18 and 19 at Space at One Ayala, Makati City, visitors got to meet a meticulously selected mix of established names, emerging and iconic creatives, hotel and destination brands, and food and beverage preferences.

‘Anyone can organize an expo. Curating is about creating conversations between people, ideas, brands, and destinations. It’s about introducing tomorrow’s talents while celebrating the icons who built the industry,’ explained founder and lead curator Marbee Shing-Go. ‘Let’s Celebrate has never been about gathering the most suppliers. It’s about bringing together the right people. And that philosophy continues to define every edition of Let’s Celebrate.’

An innovative concept first introduced by curator Shing-Go, the ‘fair within a fair,’ returned this year. It was led by planners Bingo Flores of Sweet Comfort Events and Cat Ebuen of Events Embassy.

‘Its collaborative showcases with stylists Mc Pascual and Jacq Pascual demonstrated the strength of creative teams, bringing together planners, stylists, photographers, filmmakers, florists, and designers to present celebrations the way they’re truly created-in collaboration,’ said Shing-Go.

THE GMT TRIO AND EMERGING TALENTS

THE highlight of the affair was an immersive installation by globally recognized event stylists Gideon Hermosa, Michael Ruiz and Teddy Manuel, who have become a formidable force collectively known as GMT.

The trio’s exclusively designed installation was inspired by nature, sustainability, and Filipino craftsmanship, as it offered a glimpse into where celebration design is headed next-without giving away the surprise before visitors see it for themselves.

This year’s featured celebration designers presented their individual philosophy, each proving that every celebration could and will reflect a completely unique personality. Celebration design, after all, is never one-size-fits-all. They are May Mañalac of Eye Candy Manila, Anna Winstel of Events Central, Bhem Meijer of Il Fiore Flower Boutique, Miguel Bautista of Miel’s Event Styling, and Alden Raza of Arraza Events.

THE STORYTELLERS

THE event also gathered the ‘Storytellers Behind the Celebrations,’ the most respected names in Philippine wedding photography and filmmaking whose documentary, editorial or cinematic styles bring unique perspectives to preserving life’s most significant moments:

Jason Magbanua, who pioneered and helped redefine the Same Day Edit (SDE); Mayad Studios, renowned for its timeless wedding films; Metrophoto, acclaimed for its editorial approach to photography;

Nice Print, a favorite and trusted visual storyteller among celebrities; ProudRad, known for its heartfelt, documentary-style approach; Mico Studios, beloved for its elegant and emotive imagery; Sherard Yu, whose cinematic eye is shaping contemporary wedding storytelling; and Studio Yanagi, an emerging player gaining steam for its stylish and thoughtful narratives.

FOOD AND BEVERAGE GALORE

It’s not a Filipino celebration without sumptuous food and unlimited drinks. At Let’s Celebrate, the options are mouth-watering: Cocktail brands Manila Craft and Blackbox Cocktails; The Tastemakers, pioneers of refined zero-proof cocktails: and Diwang, crafted beverages with contemporary Filipino flavors.

The bespoke Carmelo’s Steakhouse Catering made its debut at the expo. It brings the culinary heritage of one of the country’s most respected dining institutions, Carmelo’s Steakhouse, which is widely credited with introducing Filipinos to premium Angus beef to weddings and milestone celebrations.

Two new names with fresh concepts were also at the expo: The Sundaygrams Café and Cakes, with its enticing pastries and café offerings for intimate occasions; and Molte Grazie, showcasing its appetizing aperitif and grazing experiences.

HOSPITALITY AS DEFINED BY FILIPINOS

FAMED for its ‘Marry Me at Marriott’ fashion spectacles, Marriott International Philippines presented all 13 of its Philippine properties, including The Westin Manila, AC Hotel by Marriott Manila, The Farm at San Benito, Courtyard by Marriott Iloilo, Fairfield by Marriott Cebu Mactan, Four Points by Sheraton Palawan Puerto Princesa, Four Points by Sheraton Boracay, Manila Marriott Hotel at Newport World Resorts, and Sheraton Manila Hotel at Newport World Resorts.

A featured international destination partner was the Spain Tourism Board. Buoyed by its recent triumph at the World Cup, Spain might inspire couples to choose Spain as a wedding destination, as we share similar culture, cuisine, and traditions.

For the adventurous and nature-tripper, planner Jomai Arnaiz, together with designers Miguel Bautista and Tiffany de Castro, showcased the charm of mountain celebrations through Itogon Mountain Village, Montesierra, and Danum, Baguio’s artisanal liquor.

There’s also the picturesque Hillcreek Gardens in Tagaytay, an integrated destination wedding venue where couples can celebrate from ceremony to after-party and even the next day’s brunch.

THE JOY OF DISCOVERY

Let’s Celebrate introduced new talents such as Always in Motion Live, LX Events Pro, 4th Wall, Forscink Lights and Sounds, and Manila Craft. They offered a new concept for the modern after-party.

‘Let’s Celebrate’s defining ideas have always been about discovery. Alongside industry veterans was a carefully curated group of emerging photographers, filmmakers, designers, stylists, content creators, and creative entrepreneurs-young talents whose work represent the future of celebrations,’ shared Shing-Go.

LandBank bond issue in 2027 eyes over ?10B

THE Land Bank of the Philippines (LandBank) has pushed to 2027 its bond issuance to bag over P10 billion, the state-run lender’s top executive said.

On the sidelines of the ‘2026 Outstanding BSP Stakeholders Appreciation Ceremony,’ LandBank President and CEO Lynette V. Ortiz told reporters that the state-run bank will shelve its plan to issue bonds, opting instead to return to the debt market next year.

‘I think what we’re planning to do is, I mean, the rates are quite high. So we’re planning to likely do that next year,’ Ortiz said. ‘I mean the last issuance we raised P50 billion, right? But it all depends. So for it to be worth it, I would say probably over P10 billion.’

Last February 2026, the state-run bank raised P50 billion through its ‘Agriculture, Sustainability, Environment and Socioeconomic Development,’ or ‘Asenso,’ bonds, officially listed on the Philippine Dealing and Exchange Corp. (PDEx).

Proceeds from the sale of its debt papers will bankroll green and social projects nationwide, such as renewable energy, food security, housing, employment and socioeconomic empowerment.

With the success of the Asenso bonds, the state-run lender initially planned a follow-up issuance.

However, Ortiz said they have become ‘cautious.’

‘I think there are still a lot of headwinds; as you saw our GDP [gross domestic product] growth,’ she added.

‘So we’re doing what we can within the factors and macroeconomic environment that we’re dealing with. I’d say that I think it’s really all about efficient balance sheet management; also managing our risk very cautiously, very well,’ Ortiz told reporters.

A month ago, Ortiz said while the bank is keen to go back to the market, she said ‘it will all have to be timed with general macro-environment, investor sentiment.’

‘We will go back. It’s just timing,’ she said in July.

Alas Girls on a roll in Chile

SAN FELIPE, Chile-As Alas Pilipinas takes a step closer to the Round of 16 in the FIVB Volleyball Girls U17 World Championship, the coaching staff is taking measures to prepare the squad for bigger battles ahead.

Edwin Leyva and his staff made another calculated gamble, bringing in the second unit as early as the second set and letting them finish it off even after they squandered a huge chunk of the lead built by the starters.

Jello Andrea Mauricio came through with the finishing hit to close the set, and Alas Pilipinas went on to beat Tunisia, 27-25, 25-19, 25-16, for its second straight victory on Sunday at Liceo Particular Mixto San Felipe.

The Philippines-supported by the Philippine Olympic Committee, Philippine Sports Commission and Asics-improved to 2-1, climbing to second behind only China as the tournament takes a breather on Sunday.

Equally important, Leyva said, was getting Megan Hernandez, Taj Teves and Jhenica Sadia time on the floor to get their competitive juices flowing.

‘We’ve got players who, once you pull them out, start thinking clearly and get fired up even more,’ Leyva said. ‘And the second unit, meanwhile, tries to prove they belong on the floor and work harder to extend their minutes. In a way, you’re hitting two targets with one stroke.’

Team manager and assistant coach Karl Chan said seeing a big lead get whittled away was indeed stressful, but the second unit needed to learn how to fight its way out of the hole.

‘We could have simply sent back one or two starting wing spikers, but we didn’t doubt that they can get it done. It just took them a little more time,’ Chan said.

Leyva also said the staff is not surprised the Philippines is now closing in on the next round, with matches against Peru and Venezuela still on schedule.

‘We really knew this team can make waves here. We can win matches. The only challenge is adjusting. It’s cold, we’re in a different crowd, and some of our girls are new to international competition.

‘We’ve also reminded them about the fear of underperforming, the self-doubt that creeps in. That’s part of the growth process.’

Rayco, Olaguir find groove

ALAS Pilipinas is finding its rhythm just as Xyz Rayco and Resty Olaguir are rediscovering their groove.

Key players in the Alas Pilipinas Girls squad that earned the berth in this world meet through the Asian Women’s U16 Championship last year in Jordan, Rayco and OIaguir revived their old connection and pushed the Philippine team to a 2-1 win-loss record.

After an opening loss to defending champion China, world No. 25 Alas Pilipinas has taken down higher-ranked foes in succession, downing No. 8 Mexico before sweeping No. 20 Tunisia at Liceo Particular Mixto San Felipe.

That put Alas Pilipinas in second spot in Pool B, behind only defending champion China, with two playdates left in the preliminaries. The top four advance to the Round of 16.

With Olaguir running the offense, Rayco found the openings that had eluded her in the first two matches.

‘It feels different when she sets ne the ball, it feels like I can really kill it,’ Rayco said. ‘Of course, I’ll work hard to be able to play my best whoever I share the court with.’

The 16-year-old Rayco, top offensive threat in the Asian U16 meet in Jordan, finished with 13 points on 12 attacks and a block, including two of Alas Pilipinas’ final three points to seal the nerve-racking first set.

‘I’m happy because everyone contributed. I’m also happy with my game because I was able to show how I really play. I’m satisfied even though I made mistakes because I was able to bounce back and show who I am as a player,’ Rayco said.

‘The past two days, I didn’t feel like I was playing the right way. I felt like I played poorly. My teammates said it was fine, but I wasn’t satisfied, so today I really wanted to bounce back. I’ll keep this going.’

Olaguir said she didn’t expect to be fielded with Irish Mahinay running the offense, but the Ateneo setter settled in when Alas hit a shaky stretch in the opening set.

‘I’m happy I got in and contributed. I think I’m slowly getting back to the way I really play,’ Olaguir said.

‘There are still a lot of things I need to work on. I hope this continues and that I don’t let my emotions get the better of me.’

Caera Celis continued her stellar play and wound up as Alas Pilipinas top scorer for the third straight match, delivering 15 points on 13 attacks and two blocks.

Sharina Rhyza Lleses came up with 10 points, all from attacks, for the Philippines, which returns to action after the tournament break on Sunday as it battles world No. 6 Peru on Monday and end up pool play against No. 12 Venezuela on Tuesday.

Eala faces Bencic in biggest Toronto test yet

Alexandra Eala has been winning matches in different ways this week. That may be the most encouraging part of her Toronto run.

She beat Caty McNally 6-3, 5-7, 6-4 in 2 hours and 39 minutes, despite receiving treatment after rolling her right ankle in the second set. The win extended Eala’s winning streak to seven and sent her into the fourth round, where she will face No. 12 seed Belinda Bencic for a place in the quarterfinals.

It is Eala’s first meeting with Bencic, and it is a serious step up in opponent. Bencic is a former Canadian Open champion and one of the smartest players on the women’s tour. She does not need to blast opponents off the court. She takes the ball early, redirects pace, and makes players uncomfortable by giving them less time to set up.

That will be the main issue for Eala.

Eala’s left-handed forehand has been a major weapon in this run. She can pull opponents wide, especially from the ad court, then use the open space to take control of the point. Against Bencic, though, hitting a few big forehands and waiting for a mistake will not be enough. Bencic is good at getting those balls back early and sending them somewhere different.

The match could come down to whether Eala can keep Bencic moving and reacting. If Bencic gets comfortable near the baseline and starts taking returns early, Eala could spend much of the match under pressure on serve. Eala needs a strong first-serve percentage, especially on the ad side, to open the court and give herself the first look at attack.

The ankle is another factor, even if Eala has indicated it is manageable. Bencic’s game is not built around pure power, but it demands quick movement. She changes direction well, hits early and makes players cover the court. Eala cannot afford to be stuck defending from the corners for long stretches.

The best way for Eala to protect herself is to play on her own terms. She should look for the forehand early, use the wide serve, and mix in changes of pace. She cannot fall into a predictable crosscourt pattern because Bencic will read it quickly. Eala has to keep the Swiss player guessing – heavy forehands crosscourt, an occasional drive down the line and selective trips to the net when the opening is there.

Bencic is coming off a three-hour, 24-minute win over Taylor Townsend, so Eala also has a reason to make this physical. The more long rallies and tight service games, the more Bencic will have to draw on after a demanding previous round.

But Eala should not expect the Swiss veteran to fade. Bencic has won big matches for years and knows how to manage pressure when a match gets tight.

Eala’s win over McNally showed the maturity behind this run. After losing the second set, she broke early in the decider and protected the advantage to close out the match. That kind of resilience will matter against Bencic.

Eala can expect strong Filipino support again in Toronto, particularly if the match becomes tight. But her biggest task is to keep the match simple. She does not need to make a statement on every ball. She needs to serve well, use her forehand intelligently and stay patient when Bencic sends back shots that would finish points against most players.

Bencic will try to take away time, test Eala’s serve and force the Filipina to hit one more ball. If Eala can stay patient through those exchanges and stop Bencic from dictating inside the baseline, she has a real chance to add another important win to a breakthrough summer.

Toronto’s draw has already been shaken by major exits, with top seed Aryna Sabalenka falling to Ekaterina Alexandrova in three sets and No. 3 seed Jessica Pegula losing 6-3, 6-3 to Diana Shnaider, who snapped an 0-4 record against the American. Iga Swiatek avoided a similar fate after dropping the opening set to Marta Kostyuk before rallying emphatically, 3-6, 6-1, 6-2, while Elina Svitolina beat Amanda Anisimova 6-2, 6-4. The results underline the volatility of the Toronto draw and add context to Eala’s night-session meeting with Belinda Bencic: the path remains difficult, but the departures of Sabalenka and Pegula show that seedings have offered little protection this week.

This is not just another match in a winning streak. It is the kind of matchup that shows whether a run has legs.

PHI-NADO launches education program in Cebu

THE Philippine National Anti-Doping Organization (PHI-NADO) conducted the inaugural rollout of its Regional Anti-Doping Education Program (ADEP) in Cebu City, marking a significant milestone in expanding anti-doping education across the country and reinforcing the Philippines’s commitment to promoting clean sport at the grassroots level.

As a signatory to the World Anti-Doping Code 2021, PHI-NADO continues to strengthen its nationwide anti-doping education initiatives by bringing World Anti-Doping Agency (WADA)-compliant education closer to athletes and sporting communities beyond Metro Manila.

The Regional ADEP aims to to equip athletes, athlete support personnel and key stakeholders with the knowledge, values and practical tools needed to make informed and ethical decisions in sport.

Recognizing Cebu as one of the country’s premier sporting hubs, the program supports PHI-NADO’s goal of establishing a sustainable and culturally grounded anti-doping education system at the local government unit (LGU) level.

Through the collective efforts of athletes, coaches, educators, healthcare professionals, parents, and local officials, the initiative seeks to cultivate a shared responsibility in protecting the integrity of sport and building clean sport communities across the region.

The two-day program-held July 31 to August 1-brought together 200 participants each day, representing athletes, coaches, athlete support personnel, medical professionals, teachers, school administrators, parents and LGU officials under the theme’Building Clean Sport Communities.’

Participants engaged in comprehensive discussions on the fundamentals of anti-doping, athletes’ rights and responsibilities, the doping control process, the Prohibited List, Therapeutic Use Exemptions (TUEs), supplement risks, food-first approach and the importance of values-based education in fostering ethical decision-making.

Cebu City Sports Commission (CPSC) chair Dr. Rhoel Dejaño underscored the importance of strengthening anti-doping education at the local level to safeguard the future of Philippine sports.

Philippine Sports Commission Commissioner Edward Hayco, meanwhile, highlighted the profound influence of sports in shaping the character and values of children and young athletes.

Hayco emphasized that because sport serves as a powerful platform for developing discipline, integrity, and respect, it is the shared responsibility of families, educators, coaches, sports organizations and local communities ‘to protect young athletes from threats that undermine the spirit of sport and to foster environments where they can thrive with honesty and fair play.’

The participants actively took part in interactive learning sessions, discussions and practical activities designed to reinforce the core values of clean sport.

The Cebu ADEP marked the beginning of PHI-NADO’s efforts to institutionalize regional anti-doping education throughout the Philippines.

By empowering local stakeholders through accessible, values-based and WADA-compliant education, the PHI-NADO-headed by Dr. Alejandro Pineda, continues to strengthen the nation’s commitment to protecting athletes and ensuring that every Filipino athlete has the opportunity to compete on a level playing field.

HIS TURN TO SING | Miguel Mendoza finally sings his own story

FOR much of the past two decades, Miguel Mendoza has been more familiar to listeners through other people’s voices than his own.

His songs have been performed by some of the country’s biggest artists-Sarah Geronimo, Regine Velasquez, Erik Santos, Jed Madela and Katrina Velarde among them-while Miguel quietly built a career behind the scenes as a songwriter, producer and creative collaborator.

Now, he is stepping back into the spotlight, not with a new composition, but with one that has already become part of Filipino pop culture.

For the first time, Miguel has recorded ‘Isa Pang Araw’ himself, nearly eight years after writing the song for the 2018 film Miss Granny.

Originally recorded by Sarah Geronimo as the movie’s official theme, the ballad went on to win the 2019 Awit Award for Best Song Written and Performed for a Movie, TV or Stage Play and earned a nomination for Best Original Song at the 67th FAMAS Awards.

The new recording is not intended to replace the version audiences already know. Instead, it allows the songwriter to return to words that were born from one of the most difficult chapters of his own life and finally tell the story in his own voice.

The ‘quiet architect’

LONG before he became known as a songwriter, Miguel was always a singer.

He first entered the national spotlight as a finalist in the inaugural season of Philippine Idol, before later becoming the third Star Dreamer of Pinoy Dream Academy Season 2. Yet, despite those early breaks, opportunities as a recording artist became increasingly difficult to find.

‘To answer you honestly, yes,’ Miguel said when asked whether there was a time people struggled to accept him as a singer. ‘That’s why I embraced the back end-songwriting. I thought maybe this was really where God wanted me.’

‘For years, you question yourself. You question your talent. But you just have to fight through it and believe in yourself.’

That willingness to keep going eventually opened doors beyond songwriting.

Away from television, he worked in production, handled teleprompters, directed live events and even took on jobs far removed from the entertainment industry, including working overseas as a seafarer, performing as a singer aboard a cruise ship, and, at one point, as a mascot.

Rather than seeing those experiences as detours, he now considers them part of the education that shaped him.

Returning to ‘Isa Pang Araw’

THE story behind Isa Pang Araw has long been known among music fans.

Miguel wrote the song after his first submission for Miss Granny was rejected. Drawing from grief following his father’s passing, he wrote another piece-one that eventually became the film’s theme song.

But writing the lyrics and singing them turned out to be two very different experiences. ‘When I was writing the song, I acknowledged the feelings, but I wasn’t really allowing myself to feel them,’ he explained.

At the time, he was focused on dealing with practical responsibilities left behind after his father’s death. The emotions existed, but they remained buried beneath everything that needed to be done.

Recording the song years later changed that. Throughout the sessions, Miguel said he finally allowed himself to become vulnerable, guided by his collaborators at FlipMusic.

‘I cried during the recording sessions,’ he recalled. ‘For nine years, I had kept all of that inside. It felt good to finally let it out.’

Even the lyric that resonates with him most has changed over time. When he first wrote the song, the bridge carried the greatest emotional weight. Today, it is the opening verse (Sa libong-libong taong nangangarap, binigyan mo ako ng pagkakataon) that affects him most

‘FlipMusic gave me another chance,’ he said. ‘I don’t even know anymore if this is my third, fourth, or fifth chance.’

A new beginning

MIGUEL has officially signed with FlipMusic Records as a recording artist, while his compositions will now be published under FlipMusic Publishing, making him part of the label’s roster both as a performer and songwriter.

He describes it not as a one-off project, but as the beginning of a new chapter. Plans are already underway for a full-length album next year, one that will allow him to write and record music intended for his own voice.

‘I’m excited because this time I get to write for myself,’ he said.

He also hopes to collaborate with fellow FlipMusic artists and songwriters as he develops new material.

Also, interestingly, after years of becoming known for emotional ballads, Miguel said he is ready to explore a lighter side of songwriting. Among the projects lined up this year is a Christmas song, one he promises will be far more joyful than listeners might expect.

’Just Javier’ offers inspiring glimpses of a future saint

Born into privilege and wealth, but later chose to thread a camino (path) of sacrifices, simplicity, and prayer, Javier Sartorius Milans del Bosch found his purpose and offered his life back to God.

The biographical documentary ‘Just Javier’ (also known as ‘Solo Javier’), which opens at select cinemas in the Philippines on August 12, explores the extraordinary life of mission, ‘brutal’ conversion, and contemplation of the Spanish aristocrat.

Produced by Adauge for Bosco Films, the 91-minute film tackles what drove Javier to search for a deeper meaning to one’s existence not externally but from within.

‘He tried everything and lived everything. He had relationships with women and with some men. He experienced it all. He used to say, ”From the menu of life, I’ve tried everything, but nothing fills the heart. Nothing truly fills my heart,” said Jordi Bosch Codina, president of the Javier Sartorius Association working toward opening his cause for canonization, in an interview with EWTN Vatican.

The film presents a complete canvas of Javier’s inspiring journey-from his early wild and restless life in Madrid to a promising paddle tennis and sales career in Los Angeles that he abandoned to pursue missionary work with abandoned and sick children in Cuzco, Peru, to his priestly formation in Toledo, then a life of poverty, silence, and solitude at the mountaintop Sanctuary of Lord in the Pyrenees, down to his last breath at the Cistercian monastery of San Miguel de Dueñas in León, Spain.

While he suffered from ‘a bleeding ulcer in his intestine,’ according to a report by EWTN’s ACI Prensa, Javier spoke nothing about his pain and suffering even during his last phone conversation with Rosa Muguiro, his first cousin, a day before he passed. She said he left everything all up to God.

Javier died in on June 21, 2006 at age 44, before he was to be ordained a Catholic priest.

The film’s director, Josepmaria Anglès said in the same report that Javier’s story that he portrayed in the film ‘is not simply something to remember-it is something meant to awaken the heart.’

‘Javier’s life is a relentless search for a life of fulfillment, a life of meaning-a life that isn’t just about accumulating pleasures and experiences, but about truly experiencing love and encountering God,’ Anglès said.

Tomás Farrell, who played Javier Sartorius in the film, considers the film ‘very thought-provoking’ for young people.

‘I feel it’s a very beautiful project because, in the end, Javier Sartorius can be someone who, when he becomes known, when people, especially young people, start to get to know him, I think, can ultimately help us see a life example that says, ‘Hey, go for it.’ That is, if you have a calling in your heart, something good, go for it,’ Farrel shared in a statement given to the Archdiocese of Granada.