Manila exorcism office to host meet on spiritual warfare

A conference on exorcism next month in Makati City aims to help Catholics better understand spiritual warfare through Church teaching and pastoral ministry.

The conference, titled ‘Spiritual Warfare: How to Heal and Prevent Demonic Attacks,’ will be held August 8 at Mary, Mother of Hope Chapel on the fifth floor of Landmark Makati.

Organized by the Archdiocese of Manila Office of Exorcism and the Philippine Association of Catholic Exorcists, the conference will feature Companions of the Cross Fr. Carlos Martins, CC, an exorcist and international speaker.

‘For nearly two decades, he has faithfully served the Church through the ministry of exorcism, helping people encounter the healing and liberating power of Jesus Christ,’ organizers said.

Martins also founded Treasures of the Church, an international evangelization ministry that has displayed more than 150 authenticated relics of saints in hundreds of dioceses around the world.

Martins hosts ‘The Exorcist Files’ podcast and wrote the bestselling book of the same title, highlighting the Church’s teaching on spiritual warfare and Christ’s victory over evil. CBCP News

Of reflective spaces, immersive production, and nonstop grooves

A contemporary RandB track from Fil-Canadian singer-songwriter Shayne Carmel, ‘Rain,’ blends lo-fi textures with bedroom and soul pop influences. The track’s warm, immersive production draws listeners into a reflective space that mirrors the quiet intimacy of rainy days.

At its core, ‘Rain’ explores the paradox of emotion. Through smooth vocals and introspective lyricism, the new track becomes more than just a song about weather-it evolves into a metaphor for human emotion. It reflects how people can hold conflicting feelings at once, turning simple, everyday experiences into deeply expressive music.

KAIA ‘Hulog’

P-Pop powerhouse KAIA makes a triumphant comeback with ‘Hulog,’ following the release of their fan-favorite single ‘Tanga.’ Where ‘Tanga’ mined the irrational things people do in the name of love, ‘Hulog’ steers the direction toward something lighter, brighter, and more hopeful: the exhilarating feeling of falling in love.

Built around the central question, ‘Paano ka ba nahulog (sa pag-ibig)?,’ KAIA says, ‘This song is about vulnerability, about allowing ourselves to be open, to take risks, and to embrace the emotions that come with caring deeply about something or someone. We felt that it was the perfect song to mark this new chapter because it reflects our growth not just as artists but also as individuals.’

BARBIE’S CRADLE – ‘Emergency’

This new single is Barbie’s Cradle’s return to creative confidence and renewal after retreating from the spotlight for more than two decades. Penned by guitarist Kakoy Legaspi and produced by Barbie Almalbis together with the band, the harmony-laden indie pop finds the pop-rock quartet confronting existential anxiety through an unexpected lens: humor.

‘It’s a sarcastic take on existential crisis,’ Legaspi explains. ‘I came up with the idea of the lyrics when I found myself staring at a piece of paper on the wall that had ’emergency numbers’ written on it. Then, Barbie had this ingenious idea of cutting up the verses that made the song flow way better and gave it a unique twist.’

BEABADOOBEE – Pylon Album

The fourth album by Fil-British singer-songwriter beabadoobee (aka Laus) is named after the strong, spindly structures of electricity towers dotting urban skylines. world. The title can also allude to the waves of distortion that crash and shatter across the record’s 14 songs, mirroring the intense crackle you hear when walking under power lines.

The album’s first single, ‘Sun Has Set,’ introduces Pylon as a set of songs that began as diary entries. She shares. ‘This song has this petty tunnel vision-it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.’ The single comes accompanied by a first-person video directed by Bea’s partner and longtime visual collaborator Jake Erland.

MADONNA – Confessions II Album

Madonna released her fifteenth album titled ‘Confessions II’, with many critics calling it Ms. Ciccone’s best release in decades. Rolling Stone said the latest release is a ’64-minute nonstop groove, drawing from all over the history of dance music’. The Guardian noted that the new collection of dance tracks was ‘not quite as good as Confessions on a Dance Floor’, Confessions II is unmistakably The Queen of Pop’s best album since. Madonna, 67, reunited with British producer Stuart Price, whom she worked with for ‘Confessions on a Dance Floor’ in 2005, which produced global hits ‘Sorry’ and ‘Hung Up’.

THE ROLLING STONES – Foreign Tongues Album

The Rolling Stones are back. Now a three-piece in the wake of drummer Charlie Watts’s passing in 2021, the Stones’ 25th studio album continues their collaboration with producer Andrew Wyatt and features a slew of special guests including Steve Winwood, Paul McCartney, the Cure’s Robert Smith and Chad Smith of Red Hot Chili Peppers.

At the New York release party, Mick Jagger was quoted as saying that the 14 songs would span numerous genres: ‘The thing about this record is – the Stones are a rock band that also has the capacity to do ballads, country music or dance music. So we don’t get stuck in one kind of style.’ The cover art for Foreign Tongues is by New York-based artist Nathaniel Mary Quinn, and the album arrives on the heels of a cryptic global teaser campaign.

Suarez beats American foe via 1st rd TKO

CHARLY SUAREZ scored a thunderous first-round technical knockout win against American Manuel Avila to claim the vacant World Boxing Organization (WBO) international super featherweight belt on Sunday.

Suarez hardly sweat in beating the American at the National Orange Show Event Center in San Bernardino, California.

He delivered a crisp right up followed by a devastating left hook right at Avila’s temple.

The American wobbled on his legs before going down on his knees and referee Ray Corona halted the fight at the 2:32 mark of the opening round.

‘Just part of the strategy. I was able to hit him directly on the right the temple and he went down,’ Suarez told BusinessMirror on Sunday via a video call.

The referee, Suarez said, made a good decision stopping the fight to prevent further damage to Avila.

‘He [Avila] stopped and knelt for a few seconds after I hit him. The referee saw that he was no longer fit to fight,’ Suarez said. ‘Praise God, I was okay and ready for the next one.’

‘I’m praying that he’s not in danger,’ added the Rio de Janeiro Olympian.

Suarez, who turns 38 next month, remained undefeated in 19 fights with 11 knockouts, while the 34-year-old Avila dropped to 26-3-1 with nine knockouts.

It was Suarez’s first fight since his controversial duel with unified WBO and International Boxing Federation (IBF) super featherweight champion Emanuel Navarrete of Mexico in May 2025 that was ruled no contest last July 2025 after the referee’s call was reversed by the boxing governing body.

The Davao del Norte warrior, a silver medalist in the Incheon 2014 Asian Games and two-time Southeast Asian Games gold medalists, said he’s ready for a rematch with Navarrete which the WBO set later this year.

Suarez is trained and managed by Delfin Boholst under promoter Sampson.

‘I’ll continute to train here in the US so I can prepare very well against Navarrete,’ Suarez said.

Echoing Pope Leo XIV, experts sign Rome declaration on limits for AI, nuke arms

Inspired by Pope Leo XIV’s encyclical ‘Magnifica Humanitas,’ more than 200 leading academics, innovators, and Nobel laureates signed a declaration in Rome on July 16 calling for responsible artificial intelligence (AI) development and the complete elimination of nuclear weapons.

‘We must disarm the next arms race, both AI and nuclear, before they define the next century as well,’ the declaration stated.

According to Vatican News, the signing of the declaration for ‘an unarmed and disarming peace in the age of artificial intelligence, nuclear and autonomous weapons, new digital protocols, and emerging models of digital development’ took place in the Giulio Cesare Hall at the Palazzo Senatorio, Rome’s city hall atop the Capitoline Hill.

The signing also concluded the Global Nobel Laureates Assembly on Artificial Intelligence and Nuclear War, held from July 14 to 16 at Borgo Laudato Si’, part of the Pontifical Gardens at Castel Gandolfo, where Pope Leo XIV is staying from July 5 to 27.

Among those present at the signing were the vicar general of the Diocese of Rome, Cardinal Baldassare Reina; the mayor of Rome, Roberto Gualtieri; and Hollywood actress Sharon Stone.

For an unarmed and disarming peace

The declaration called on governments and corporations to slow AI development, halt the expansion of nuclear arms, and work toward their total elimination.

‘We call on governments, corporations, and international organizations to enable coordinated slowdown of frontier AI development,’ the declaration stated. ‘We call for urgent, sustained, and good-faith negotiations leading, within an agreed and time-bound framework, to the verifiable and irreversible elimination of nuclear weapons.’

According to a July 16 press release, the declaration and summit were inspired by Leo XIV’s encyclical ‘Magnifica Humanitas.’

‘Pope Leo XIV, invoking values shared across religious traditions, has called humanity toward an ‘unarmed and disarming peace.”

A race for human survival

Speaking at the signing of the declaration, Reina explained its significance for humanity’s survival amid the threats of nuclear war and AI misuse.

‘The declaration presented today reminds us with great clarity that no machine, no algorithm, and no autonomous system can be placed at the center of decisions upon which the survival of humanity depends,’ Reina said.

Prof. David Gross, a Nobel Prize laureate in physics and a professor of theoretical physics at the University of California, Santa Barbara, emphasized the need for nuclear nations to adopt policies to reduce the risk of nuclear war.

‘We are in the middle of an accelerated arms race,’ Gross said.

‘We ask that nuclear nations promote policies that reduce the risk of war, nuclear war, and annihilation.’

BEST OF BOTH WORLDS | Rock and classical music take centerstage in Silent Sanctuary’s major concert

Silent Sanctuary has never been a conventional rock band. Since its early years, the six-piece Filipino rock group has woven classical string instruments into its music.

Twenty-four years later, the band is set to bring that signature sound to its biggest stage yet as it performs with the Manila Symphony Orchestra (MSO), one of Asia’s oldest orchestras, and the Viva Voce Choir, a Manila-based vocal ensemble.

Although the collaboration marks a milestone for the concert, Silent Sanctuary is no stranger to sharing the stage with the MSO. The band first appeared as a guest performer in the MSO’s Rocketstra concerts in 2005 and again in 2018, performing only a handful of songs.

For the upcoming concert, however, the orchestra will join the band for much of the show, accompanying nearly 20 songs with specially arranged orchestral performances.

‘This is the ultimate realization of our vision for our music,’ Anjo Inacay, the band’s cellist, said partly in Filipino during the band’s July 10 press briefing, which he said will bring the band’s long-held artistic direction of blending classical music with rock to life.

Vocalist and guitarist Raymund ‘Sarkie’ Sarangay chimed in that the collaboration has also challenged the band to rethink its catalog, particularly songs that originally featured little or no orchestral accompaniment.

‘It’s exciting because some of our songs don’t have strings, while others don’t have wind sections or percussion. We’re creating new arrangements for those,’ Sarangay said in Filipino.

Together with band members Ronnie Ropal on bass guitar, Allen Calixto on drums, and Kim Mirandilla-Ng on violin, Sarangay said they are exploring the orchestra’s full range of instruments to develop arrangements that complement each song and offer audiences a new way of experiencing their familiar tracks.

‘We’ll really explore the full orchestra and find arrangements that best suit the songs we’ll be performing,’ he said.

The concert, titled ‘Gabi ng Lambing,’ will be directed by Paolo Valenciano, with Ria Osorio serving as musical director. It is scheduled at the SM Mall of Asia Arena on October 25, 2026, with an additional performance on October 24.

The band described the October 24 performance as a ‘reverse’ second show, as it was added ahead of the original concert date after no later arena dates were available.

Sarangay, meanwhile, said it feels as though the band will have an additional member who will come up with fresh ideas for the arrangements and ensure that each instrument in the orchestra has its moment to shine.

‘We don’t want the orchestra to be heard only as a whole. We really want people to hear the oboe, the clarinet, and the other instruments individually, while still retaining the feel of some of our greatest hits,’ he added.

Inacay said the band is happy to serve as a bridge that introduces more people to classical music through their songs.

‘If our music can encourage someone to pick up a violin and cello, I think nagawa na nung music namin yung isa sa mga purpose na ma-encourage ang mga tao to open their instrument,’ Inacay said.

According to the band, the upcoming concert represents a ‘peak moment’ in their career, following the quick sellout of tickets, with the first day’s show reaching full capacity within five hours. They added that the two concert dates will feature different experiences to avoid spoilers for fans attending either performance.

The group also expressed optimism about continuing to create music for their supporters while striving to evolve and further improve their craft.

BFAR, British Embassy Manila advance fisheries innovation, global collaboration in SAFET 2026

The Bureau of Fisheries and Aquatic Resources (DA-BFAR) and the British Embassy Manila have partnered to co-host the Seafood and Fisheries Emerging Technologies (SAFET) Conference 2026, set from September 8 to 10 in Cebu.

The event will bring together world-leading expertise from the UK’s Marine Management Organisation (MMO) and the Centre for Environment, Fisheries and Aquaculture Science (CEFAS) with on-ground operational experience from the Philippines to advance sustainable fisheries and aquaculture, responsible seafood sourcing, blue finance linked to marine protected areas, and emerging opportunities from marine energy

The partnership underscores a shared commitment between the Philippines and the United Kingdom to tackle the most pressing challenges facing the Indo-Pacific fisheries sector.

‘SAFET 2026 reflects the Philippines’ commitment to building a modern fisheries sector where technology directly benefits both people and the environment. Through collaboration with global partners, we aim to accelerate practical innovations that strengthen fisheries governance, improve seafood traceability, conserve marine resources, and create better opportunities for our fisherfolk and coastal communities,’ said BFAR National Director Elizer Salilig.

‘We welcome our partners from around the world to join us in Cebu as we work together to turn innovation into meaningful action,’ said Inga Wise, SAFET Executive Director.

‘We cannot solve the complex challenges facing our oceans in silos. The SAFET Conference is a unique convergence point where market-driven technology meets government initiative. By bringing global tech innovators to the table alongside fisheries authorities, we are fostering the exact partnerships needed to build transparent, resilient seafood supply chains and secure thriving coastal livelihoods for the future,’ she added.

Through SAFET 2026, BFAR and the British Embassy Manila will facilitate dialogue that includes coastal communities, technology developers, and policy-makers, ensuring that new tools are accessible, scalable, and tailored to the needs of the local fisheries sector.

‘The challenges facing global fisheries require stronger partnerships and smarter solutions. SAFET 2026 provides a unique platform where governments, scientists, technology innovators, industry leaders, and fishing communities can work together to transform promising technologies into practical actions that strengthen the fisheries sector. We are proud that the Philippines is hosting this important global conversation and invite everyone to join us in shaping the future of sustainable fisheries,’ said Philippine Agriculture Undersecretary for Fisheries Drusila Esther Bayate.

Advancing the Digital Shift

SAFET’s conference theme ‘From Innovation to Implementation: Powering Responsible Fisheries, Markets, and Livelihoods,’ reflects the Philippine fisheries sector’s shift from manual processes to a comprehensive digital ecosystem.

BFAR is currently leading this transition by deploying cutting-edge tools, among them the Electronic Catch Documentation and Traceability System (eCDTS) and the Fisheries Integrated Information Management Center – Vessel Monitoring System (FIIMC-VMS).

By integrating the latest technologies such as artificial intelligence, satellite observation, and IoT-enabled monitoring, the Bureau is actively strengthening law enforcement, combatting illegal, unreported, and unregulated (IUU) fishing, and ensuring that Philippine seafood meets the highest international trade standards.

As the Philippines advances its digital transformation, SAFET 2026 reaffirms the country’s growing leadership in science-based fisheries management and its commitment to building a resilient, transparent, and prosperous future for all Filipino stakeholders.

Mindanao architecture student wins Global Designer of the Year with Bajau-inspired design

MINDANAOAN architecture student Ejhey L. Durias, 23, made history after becoming the first Filipino to be named Global Designer of the Year in the architectural category for a design that preserves the Bajau community’s cultural identity while creating spaces that support sustainable livelihoods.

Durias received the top honor at the AYDA International Awards (formerly the Asia Young Designer Awards) held in Bangkok, Thailand. His winning entry, ‘Banuas Lawod’ (Aquaculture community Hub), was selected from more than 9,000 submissions from architecture and interior design students across 17 countries and regions.

The title combines the words banuwa, meaning ‘community,’ and lawod, which refers to the deeper part of the sea.

Speaking to the BusinessMirror during a victory celebration in Makati City on Monday, Durias said the concept was shaped by extensive research and conversations with members of the Sama-Bajau (Sea Nomads), locally known as the Badjao, in Davao, including those who had been displaced from their coastal communities and were later forced to beg in urban areas after losing their traditional livelihoods.

Those stories became the foundation of his proposal, which seeks to strengthen the community’s traditional livelihoods, encourage displaced Badjao families to reconnect with their communities, and create opportunities for long-term economic and cultural resilience.

‘I don’t belong to any indigenous group, but I’ve always loved visiting the sea with my family,’ Durias said.

He said that during those visits, he interacted with community members and came to admire their way of life, though he admitted he did not fully understand the hardships they faced until he conducted research for the project.

‘That realization has kind of inspired me to design with greater empathy,’ he noted.

During his final presentation, Durias told the story of Badol Kati Amilgani, a Sama-Bajau fisherman who now travels across cities in the Davao region with his son, performing with improvised drums to earn a living after losing his traditional source of income.

‘To take a Bajau home is to take their life,’ Durias told the judges. ‘For them, home was never land. Home was the rhythm of tides beneath their feet.’

He said many Sama-Bajau communities have been displaced not only by environmental pressures but also by armed conflict and social exclusion, forcing many families into poverty and leaving them disconnected from their traditional way of life.

To address these challenges, Banuas Lawod is anchored on five design principles: preserving marine cultural identity, climate-adaptive architecture, aquaculture-based livelihoods, sustainable construction materials and a closed-loop environmental system. Inspired by the layered structure of scallop shells, the design integrates resilient homes, shared community spaces, aquaculture facilities and ecological infrastructure into a single coastal settlement.

The housing draws from the traditional lepa houseboat and the Filipino bahay kubo, while incorporating flood-resilient construction, passive cooling, rainwater harvesting and gravity-fed water systems.

Complementing the residential clusters are an aquaculture hub, seafood processing and trading facilities, shellfish and seaweed cultivation areas, community gardens, bamboo nurseries and reef-inspired foundations that restore marine ecosystems while helping protect the settlement from storm surges.

‘Banuas Lawod is not just a housing intervention, but a regenerative coastal ecosystem,’ Durias said.

‘It is not just architecture by the sea. But an architecture by the sea, where aquaculture is not extractive but sustaining, where housing is dignified and identity is strengthened,’ he noted.

Asked whether he hopes to see the project realized, Durias said he would welcome the opportunity if given the chance.

‘But I hope that my project is more than just a place to meet. It’s something that strengthens their livelihood, preserves their culture, and gives the community a greater sense of security and belonging. So if all of this meets my project, I think that it has done its job,’ he said.

Chen Lee Siong, general manager of Nippon Paint (Coatings) Philippines Inc., said Durias’s victory demonstrates that Filipino design talent can compete on the global stage but must continue improving how local stories are communicated to international audiences.

‘For the last 10 years, we’ve fallen short-not because our ideas weren’t good, but because we weren’t always able to translate them into a language that resonates globally,’ Lee Siong told the BusinessMirror.

‘In Ejhey’s case, he was able to explain not only the solution but also the story behind the Sama-Bajau community. Once people understand the problem and connect with it emotionally, they can appreciate the value of the design,’ he said.

As part of his victory, Durias received a fully funded fellowship to the Design Discovery Program at the Harvard University Graduate School of Design in Cambridge, Massachusetts, valued at up to $10,000.

The country’s strong showing was further highlighted by Patria Danielle Malijan, an interior design student from De La Salle-College of Saint Benilde, who received the International Nippon Paint Colour Award for a proposal that reimagines playgrounds as spaces for Filipino traditional games and cultural learning.

A cup of river water can reveal secrets of human health, pollution and biodiversity

The DNA in a single cup of water can track wildlife, monitor pollution and survey pathogens in waterways and their surroundings, all at the same time.

DNA is contained in each cell of every plant, animal, fungus and microbe. It carries the genetic instructions needed for an organism’s survival, growth and function, and the DNA of each species is unique.

Organisms shed DNA into their environments. This environmental DNA, or eDNA, can come from cells shed from skin, spores and pollen blowing on the wind, or even just a cough or sneeze.

It can provide huge amounts of information. Researchers can use it to assess biodiversity, monitor the spread of invasive species and detect pathogens.

Traditional monitoring methods, such as field observation or trapping, can be difficult, intrusive and time-consuming. Tracking an elusive species in the wild can mean hours or days without a sighting, perhaps in difficult terrain or remote locations.

Trapping wildlife can be stressful for the animals and relies on expert knowledge to properly handle wildlife and position traps.

With eDNA, researchers can collect information about a species without ever needing to see or interact with it. Moreover, a cup of water, a few ounces of sand or even air sucked through a filter can hold enough information to determine what has been in the area, including people, wildlife and infectious pathogens.

Cracking the DNA code

Researchers sequence DNA fragments collected from sand, water or air to decode the order of the chemical building blocks that make up DNA.

These sequences can be used to not only identify the species that the fragments of DNA came from, but also to narrow down the area where the organism originated.

Until recently, researchers typically used an approach called metabarcoding to sequence eDNA. This method creates many copies of specific, short genetic markers that researchers can use to identify particular species.

Although powerful, metabarcoding is selective by design. It finds only what it is designed to find-typically small but informative regions of DNA called barcodes-and ignores everything else.

Because the DNA fragments are so short, it’s difficult to link these bits of information. A single barcode cannot cover all species in an area, and it cannot provide information about the genetic traits of species in the area.

My team at the Duffy Lab at the University of Florida took a different approach. Rather than focusing on one short region of DNA in a sample, we used a technique researchers call long-read shotgun metagenomic DNA sequencing, which reads each fragment of DNA in long, continuous sections.

All the DNA and traits in one long fragment clearly come from the same individual. As a result, we can sequence all of the DNA from every species, from viruses to vertebrates and everything in between.

Compared to metabarcoding, shotgun sequencing is faster and requires less lab manipulation and processing.

The ‘shotgun’ portion of the name refers to how the DNA is fragmented, read in short stretches and then reassembled. This random, explosive fragmentation resembles the firing of a shotgun.

By comparing the results of shotgun DNA sequencing to large reference genome databases, researchers can figure out which species the DNA came from. This process provides an all-in-one DNA readout of everything in a single sample.

Rather than identifying the presence of particular target species, like the barcoding technique, shotgun sequencing is a broad snapshot of the ecological communities in a specific area.

In a single assessment, researchers can detect microbes, fungi, plants and animals in as little as 24 hours.

River rich in species

To test our new method, my team and I collected water samples from the Avoca River in Ireland, starting from near its source in the Wicklow Mountains all the way down to where it enters the Irish Sea in Arklow town. We also collected sand samples from beaches near the river mouth.

These samples revealed a wealth of genetic information drifting through the river system.

The DNA we filtered from the water samples came from many organisms living in or near the water, including otters and oysters, foxes and fish, badgers and bacteria.

Some of the species we detected were common and easily visible along the river (cows, sheep, dogs and humans), while some were more difficult to see (leatherback turtles and octopi). Some required a magnifying glass (biting midges, microscopic worms and viruses).

Researchers can also use environmental DNA to evaluate whether biodiversity restoration is working as expected.

From our samples of the Avoca River, we detected DNA from organisms with major economic and ecological consequences: a fungus called ‘Leptosphaeria maculans’ that affects crops and a fungus called ‘Batrachochytrium dendrobatidis’ that has caused catastrophic declines in frog populations around the world.

This is the first time researchers have detected ‘B. dendrobatidis’ in Ireland.

Not only can eDNA show which species are present, it can also reveal their origins and help researchers understand how they migrate and disperse.

For example, the blue mussel eDNA we recovered near the mouth of the Avoca River most closely matches the DNA of mussels found off the coast of Wales (84 percent) and France (16 percent).

Pollution mitigation

Human impact on the river was clearly reflected in the eDNA we collected.

The samples we collected upstream in a sparsely populated area had very little human DNA. By contrast, the samples we took near the town of Arklow in 2022 contained high levels of human DNA, consistent with untreated wastewater entering the river at that time.

Additionally, we found DNA from human-associated pathogens in river water and beach sand. These included bacteria such as streptococcus, parasites such as entamoeba, and sexually transmitted pathogens such as chlamydia, herpes and gonorrhea.

When we returned to collect samples in 2024, the human DNA signal had practically disappeared. This coincided with the construction of pipework leading to the new Arklow Wastewater Treatment Plant, diverting human waste from the river.

The ability to identify wildlife, human activity and pathogens all from one water sample highlights the potential for a wide-ranging One Health approach to environmental health surveillance.

In principle, it is possible to use eDNA to simultaneously identify pollution sources and emerging pathogens, track invasive species and monitor environmental reservoirs of disease, nearly in real time.

All of nature in a nutshell

Environmental DNA offers a new form of ecosystem monitoring. Rather than carrying out environmental surveillance through the separate lenses of zoology, botany, microbiology and epidemiology, eDNA acts as a continuous genomic observatory.

This ‘all-in-one’ approach to ecosystem monitoring is becoming ever easier as DNA sequencing costs continue to fall, technology advances allow longer DNA fragments to be sequenced, and computational power improves.

A single cup of water can unlock the incredible secrets flowing beneath the surface of the river. Biodiversity in and around the water, the effects of pollution and recovery, and the beautiful complexities of entire ecosystems are just waiting to be revealed.

154th Open at Royal Birkdale

THIS week, all golfing eyes will be on Southport, England, for the 154th Open Championship. For those like me who have been golfing for a few decades, it’s British Open week, although for some reason, that monicker has been used less and less lately. So as the R and A prefer, let’s call it the Open Championship week too.

This year’s venue, Royal Birkdale, is easily recognizable from its white, art deco designed clubhouse standing out among the shades of green and brown. Royal Birkdale has hosted ten previous opens, with winners including Peter Thomson, Arnold Palmer, Johnny Miller, Lee Trevino, Tom Watson, Ian Baker-Finch, Mark O’Meara and Padraig Harrington.

Most memorable among the Open Championships played at Royal Birkdale was arguably the last one, in 2017. Why was it memorable? Let’s take a look back.

Golf’s Golden Boy

JORDAN SPIETH was the toast of the golf world in the mid-2010s. After Tiger Woods’s over a decade-long hold on the game, the late 2000s to the early 2010s saw the emergence of newer blood. Rory McIlroy just burst onto the scene and in 2011-2014, seemed to be the next Tiger Woods.

Rory won four majors in that four-year period, and looked like he was taking over from Woods. But no one knew that after his 2014 Open and PGA Championships, it won’t be until 2025 until Rory wins a major again.

After Rory, it was Jordan Spieth’s time. Spieth was an accomplished junior player with two US Junior Amateurs under his belt. He also led his college, University of Texas to an NCAA title in 2012. By 2013, Spieth skipped school and won as a rookie on the PGA Tour. In 2014, he was runner-up at the Masters and had a win in the Australian Open and the Hero World Challenge.

2015 was Spieth’s real coming out party. He won the Masters and US Open, almost won the Open Championship, and climbed to World No.1. He was golf’s golden boy, with a combination of excellent clutch putting, competitive drive, and a bit of showmanship.

Cracks starting to show

JUST like 2015, Jordan Spieth started 2016 with a win in Hawaii. It was his seventh victory before his 23rd birthday, something Tiger-esque. At the 2016 Masters, Spieth was at the driver’s seat again, leading by five strokes heading into the back nine Sunday.

And then the 12th hole happened. He actually bogeyed the 10th and 11th, before stepping on the iconic par 3 12th and proceeding to dunk two balls into the water for a quadruple-bogey 7. He never recovered and handed Danny Willet his first, and only major.

NOW back to the Open Championship at Birkdale. Jordan Spieth was back to his old ways and was looking to put the nightmare of the Masters behind him. Jordan led by 3 strokes over Kuchar at the start of the final round. After a less than steady start, Kuchar caught up and they were tied well into the back nine.

At the 13th hole, after Kuchar sent his tee shot into the light rough, Spieth proceeded to flare his drive 50 yards right into one of Royal Birkdale’s very bushy hills. The lie was so bad, Spieth decided to take an unplayable.

Now, we as golfers might automatically think ok, drop within two club lengths, add a stroke, and let’s save bogey. If the lie might still be unplayable around the area, a stroke and distance penalty might be better. Head back to the tee, take your medicine and forget that double bogey. But under the intense pressure and with the entire world watching Spieth used the rules to his advantage and made his drop in the driving range area after 20-plus minutes of debates and rules checking. He didn’t cheat, he just used the rules to his advantage.

The saved bogey and exceptional turnaround where he made birdie-eagle-birdie-birdie and won by three over Kuchar is the stuff of legend. That victory was Speiths last major, and although he has won a couple of times since, he is nowhere near the top of golf. But that tournament will go done as one of the most memorable Opens. Will this year’s Open at Royal Birkdale produce the same level of excitement?

Opening round of154th Open

AS of this writing, the first round of the 154th Open has just finished. At the top is little known Jackson Suber at -5. Trailing him are a mix of major champions and lesser-known players from the US, Europe, and the rest of the world. Local hero Bob MacIntyre is just two back, as are Bryson DeChambeau, Francesco Molinari and Cam Young.

World No. 1 Scottie Scheffler is another shot adrift at -2 along with past Open champs Henrik Stenson and Collin Morikawa. Rory McIlroy struggled with inconsistency, missing putts from close range while showing brilliance off the tee in some holes. Rory drove the 415 yard par-4 ninth hole and made birdie, but couldn’t keep the momentum with missteps following flashes of great ball striking.

The rest of the week should separate the better players from the also-rans. This year’s Open could shape up for another epic finish.

TNT survives Macau’s fourth quarter wrath

Coach Chot Reyes and TNT Tropang 5G almost fell to Macau’s fourth quarter comeback but refused to do so.

The Tropang 5G survived the Giant Pandas’ final surge in the dying moments, prevailing with a 106-103 win to bag their first win at the beginning of their campaign in Season 50 Philippine Basketball Association Governors’ Cup on Sunday at the Araneta Coliseum.

Rey Nambatac scattered with 23 points on 8-of-15 shooting from the field with six assists while import Darius Days added 23 points plus six rebounds and Roger Pogoy posted 23 points to lead TNT.

De’ Vondre Perry led Macau with 36 points and 10 rebounds but remains winless in four games.

TNT wasted a 101-83 advantage in the early part of the fourth quarter but hung tough down the stretch to escape with a win.