PNB posts higher income in Q1

Philippine National Bank (PNB) booked a higher net income of P6.37 billion in the first quarter, up by five percent from a year ago, as stronger lending activity and higher core revenues offset a still uncertain interest-rate environment.

In a disclosure, the Lucio Tan-led bank said earnings for the January to March period were driven by steady growth in net interest and fee income, disciplined balance sheet management and prudent cost controls.

Net interest income rose by six percent year-on-year, while net fee income also increased by six percent.

PNB president and CEO Edwin Bautista said the lender remained focused on growth initiatives despite external headwinds.

‘Despite global economic headwinds, we delivered solid first-quarter progress on the back of a strong balance sheet and growing core income,’ Bautista said.

‘We are building momentum with focused growth, tighter cost control and improving asset quality while continuing to push forward our digital and AI initiatives, regardless of the market cycle,’ he said.

The bank’s total loan portfolio expanded by 15 percent from a year earlier, outpacing profit growth as PNB continued to deploy capital into lending.

Deposits stood at P1.01 trillion, with low-cost current and savings accounts making up 80 percent of the total deposit base.

‘Our return on assets remained solid at 1.91 percent in the first quarter, reflecting efficient asset deployment and the benefits of a balanced loan mix that continues to support consistent earnings despite an uncertain rate environment,’ PNB chief financial officer Francis Albalate said.

Return on equity stood at 10.8 percent, while the non-performing loan ratio was at 4.78 percent, indicating stable asset quality.

Apart from its earnings report, PNB also disclosed that its board approved the creation of an Artificial Intelligence Strategy and Governance Committee during its April 24 meeting, signaling a deeper push into technology and digital transformation.

The board likewise approved a series of management promotions effective May 1, including the elevation of Carlo Dimaala to executive vice president, Jennifer Ng and Maria Teresa Velasco to first senior vice president as well as four officers to senior vice president rank.

PNB also said Moody’s Ratings recently affirmed the bank’s investment-grade credit rating with a stable outlook, citing what the lender described as the strongest capital position among its peers.

Malacañang: President truthful about Zaldy’s whereabouts

President Marcos’ announcement about flood control scam suspect Zaldy Co being held in Prague was neither false nor premature, Malacañang said yesterday, but officials have yet to provide clear answers to questions about the former lawmaker’s whereabouts.

Presidential Communications Undersecretary Claire Castro maintained that Marcos never used the word ‘arrested’ when he announced that Co had been detained after crossing into the Czech Republic without proper documentation last April 16.

According to Castro, being caught does not necessarily mean that one has been arrested.

She said the word nahuli or caught is ‘very general’ and may mean to be stopped or to be prevented from moving.

‘What the President reported on April 16 was not wrong,’ the Palace press officer said at a press briefing.

‘For now, I cannot say who provided him the report. But the President is careful when making announcements to the people, so do not attribute the word ‘arrest’ to the President because he did not use it,’ she added.

A press release by the Presidential Communications Office (PCO) and several media reports about Marcos’ announcement used the word ‘arrest.’

It took eight days before the Department of Justice (DOJ) clarified that Co was ‘not technically arrested,’ although there was a ‘deprivation’ of his liberty ‘to a certain degree.’

Speaking to reporters last April 24, DOJ spokesman Polo Martinez likened Co’s situation to a person who arrived at an airport, but was denied entry or was excluded. ?

Castro pointed out that in his April 16 post, Marcos said that the administration was in close coordination with the Czech government to ensure that all legal processes are followed and to arrange for Co’s return to the Philippines at the soonest possible time.

The following day, the President published another social media post confirming that Co was stopped at the German border after entering from the Czech Republic and that the flood control scam suspect was denied entry and returned to Czech authorities.

Castro said the Czech Republic also did not use the word ‘arrest.’?’If it (arrested) was used by the PCO, that was its translation, most probably, of the word nahuli. But when it was learned that it was not the term being used by the Czech Republic, it was respected and we had it corrected, in line with the preferred word or term of the Czech Republic,’ she said.

‘Since we are not the only ones involved here, there is another country whose policy we need to respect.’?Although the DOJ had raised the possibility that Co may no longer be in the Czech Republic, Castro denied that Marcos’ announcement was premature.?’What does the President want? To bring Zaldy Co to the Philippines. That’s correct and nothing has changed. Until now, we want that. So what’s premature there? There is nothing premature there,’ the Palace press officer said.

EDITORIAL – Hiding wealth

As is their right, and as most people expected, Vice President Sara Duterte’s husband Manases Carpio is posing a legal challenge to the disclosure of their alleged bank transactions during the impeachment hearings at the House of Representatives.

Testifying before the House justice committee last week, Anti-Money Laundering Council executive director Ronel Buenaventura disclosed that the AMLC had flagged hundreds of suspicious and covered bank transactions of the Vice President and her husband from 2006 to 2025, amounting to P6.77 billion.

The figure was a long way from the annual net worth declared by the Duterte-Carpios in their official statements of assets, liabilities and net worth.

Yesterday, Carpio filed criminal complaints before the Quezon City Prosecutor’s Office against Buenaventura for alleged violations of Republic Act 1405 or the Bank Secrecy Law, RA 10173 or the Data Privacy Act and the Anti-Money Laundering Act or RA 9160 as amended. Also being sued are Bangko Sentral ng Pilipinas Governor Eli Remolona Jr. who chairs the AMLC, House justice committee chair Gerville Luistro and party-list Reps. Leila de Lima, Chel Diokno and Percival Cendaña.

Some quarters asked: if the bank records are fake, wouldn’t it be simpler to just allow the opening of supposed accounts, to show the fallacy of the accusations and shame the accusers? Subjecting the disclosure to a legal challenge tends to validate the accuracy of the information from the AMLC investigation.

Carpio explained that his legal action was meant not only to defend their family but also the general public as well as the security, stability and integrity of the banking and financial system. He cited the ‘absolute’ prohibition on the public disclosure of bank records.

Regardless of the outcome of the legal challenge, this issue should spur Congress to finally lift or ease bank secrecy laws.

The Philippines is one of just a handful of countries, among them Lebanon and North Korea, that have retained the strict secrecy of bank deposits, facilitating money laundering and large-scale corruption.

Every Congress has consistently rejected proposals from finance and banking officials to lift or ease bank secrecy laws. Public suspicions about the reason for this resistance are reinforced by the large-scale corruption scandal that Congress now faces involving many of its current and former members.

There are ways of protecting financial privacy without making the banking system a refuge for dirty money. Bank secrecy must not be an instrument for hiding illegally amassed wealth. It’s time to amend the law.

Caloocan grabs MPBL solo lead as Abra stretches streak

Caloocan gained the solo lead while Abra Solid North extended its unbeaten run in the SportsPlus MPBL (Maharlika Pilipinas Basketball League) 2026 Season on Monday at the San Jose Del Monte Sports Complex in Bulacan.

The Caloocan Batang Kankaloo trounced the Meycauayan Marilao Gems, 97-79, in the nightcap, to notch their fourth straight win and move ahead of the Gensan Warriors and the Bataan Risers, both toting 3-0 cards.

Led by rookie sensation Kean Baclaan and four others, the Batang Kankaloo led throughout and as far as 74-49 in pulling the Gems down to 1-2.

Baclaan, former star of the De La Salle Green Archers, posted 15 points, 10 assists and four rebounds to clinch the Best Player award over former Ateneo Blue Eagle standout Kymani Ladi, who tallied 12 points, eight rebounds, four assists and two steals.

Eric Camson and Paul Casin contributed 13 points each, and Jammer Jamito added 11 plus six rebounds for Caloocan.

The Gems drew 25 points from Shawn Argente, and 14 each from Agem Miranda and Patrick Ramos.

Meanwhile, defending champions Abra Weavers bested the Batangas City Tanduay Athletics, 98-91, in the second game for a 2-0 slate in the round-robin elimination phase of the two-division, 28-team tournament.

Shaun Ildefonso bunched eight points in a 10-1 Abra run to break free from the game’s last deadlock at 40.

Mike Ayonayon turned hot and Encho Serrano supported as the Weavers sped away by 16 points four times, the last at 73-57, with 3:55 to go in the third quarter.

Ayonayon wound up with 16 points and two rebounds; JD Fenner 15 points, highlighted by a two-handed slam at the end of the second quarter, three rebounds and two assists; and Serrano 14 points, five rebounds and three assists.

Other Weavers who delivered in their 48th straight win since last year were Shaun Ildefonso with 12 points, 10 rebounds and three assists; Raven Gonzales with 12 points, seven rebounds and three blocks; Kascius Small-Martin with nine points, six assists and four rebounds; and reigning MVP Dave Ildefonso with nine points, seven rebounds and four assists.

Basilan Steel leaned on the hot hands of John Wilson to trip Cebu, 80-75, and climb to 2-1 in the opener.

Flashing the form that made him the MPBL MVP in 2019, Wilson notched 33 points, spiked by seven triples, nine rebounds and two steals, followed by Gab Cometa with nine points and Jayvee Casio with eight, including two triples.

Wilson’s torrid shooting rubbed off on his teammates as the Steel converted 15 of 31 long-distance attempts for a high 48.4% accuracy that proved to be the big difference as the Cebu Greats made only 4 of 31 for a paltry 12.9%.

The Greats led 50-40, only to be rattled by a 16-4 run, with Wilson scoring 11, that shoved Basilan ahead, 56-54.

Basilan canned five straight triples to pad its lead to 74-66, which Cebu couldn’t overhaul for a 2-2 slate.

Cebu drew 18 points and six rebounds from Mark Meneses; 10 points, eight rebounds, three assists and three steals from Dhon Reverente; and nine points, nine rebounds, five assists and two steals from Brian Heruela.

The MPBL returns to the Pasay Astrodome on Tuesday, featuring games between Marikina and Quezon City at 4 p.m.; Bacolod against Gensan at 6 p.m.; and Bataan against Pasay at 8 p.m

Moder, Newfold log first win

Moder Solutions and Newfold Digital barged into the win column of the Southside Basketball League Inter-BPO Tournament at the Capitol Parish Gym along Escario Street in Cebu City over the weekend.

Moder trounced Business-Class, 69-44, while Newfold edged past GSSC, 69-63.

Joseph Magalang powered Moder to a rousing start with 17 points, four rebounds and two assists.

JL Seggara finished with 12 points, eight rebounds and two steals but to no avail as Business-Class crashed to a second straight loss.

On the other hand, Marl Laguna paced Newfold with a game-high 25 points on top of four rebounds and seven assists.

Post-prod house to assist CinePanalo filmmakers anew

Puregold CinePanalo has again partnered with post-production house Terminal Six Post to award post-production grants to the seven full-length feature films making their debut at the 2026 CinePanalo Film Festival.

Each film will receive a Terminal Six Post voucher worth P100,000, which can be applied toward a range of post-production services, helping filmmakers elevate their final outputs for theatrical exhibition.

In addition to the post-production assistance, Terminal Six conducted a one-day post-production workshop with the producers of each film, further training them on the techniques used to ready films for archiving as well as for distribution to online streaming platforms.

The grants provided by Terminal Six are on top of the P5 million grant that each of the filmmakers will be receiving from Puregold to create the films of their dreams.

Outside of last year’s CinePanalo selections, Terminal Six has an impressive roster of projects worked on, including the recent hit “Sunshine,” the Netflix original film “One Hit Wonder,” and the “Quezon” biopic.

“Post-production is the true unsung hero of all filmmaking, and we’re grateful to have a post-prod partner like T6 that so generously commits itself to making these films not only great stories, but technical marvels as well,” CinePanalo Festival Director Christopher Cahilig said in a statement.

Cahilig added that Terminal Six was chosen as the the festival’s official post-production provider for the second year in a row because of both the excellent quality of their services and their sharing in the ultimate vision of CinePanalo. “Each of the seven full-length feature films were chosen because of how compelling and interesting they are as stories. With Terminal Six’s help, those stories can be maximized to reach their full-potential,” Cahilig also said.

“The CinePanalo Team couldn’t be happier with the way T6 assisted our passionate filmmakers last year, and we can’t wait to see how their services elevate this year’s entries.”

Chad Vidanes, chairman of Terminal Six Post, meanwhile called the company’s continued partnership with the festival “a testament to their unwavering commitment to championing Filipino creativity and innovation as they aim to nurture homegrown talent and continue to help bring uniquely Filipino stories to life – stories that inspire, challenge, and celebrate our cultural identity.”

Vidanes also hopes that in addition to the tangible post-production services, the filmmakers will learn a lot from the seminars Terminal Six will be holding, to allow their movies to be streaming and distribution-ready for a life post-CinePanalo.

“We hope that through our training sessions, the producers of the upcoming feature films see the full, untapped potential of post-production, especially when it comes to distributing their films once the Festival is over,” added Vidanes.

The 2026 CinePanalo will run from September 23 to October 4 at Gateway CinePlex 18 as well as select Ayala Cinemas.

Philippine gains traction as aviation training hub

The Philippines is positioning itself as a new center for aviation training in Asia after Cebuano-owned Airworks Aviation Co. secured its first foreign airline cadet program-marking a break from the region’s long-standing reliance on Australia-based flight schools.

Vincent Charles Ong, president of Airworks Aviation, said the partnership signals growing international confidence in Philippine training standards and infrastructure, with a Southeast Asian carrier selecting Cebu as the base for developing its next generation of pilots.

‘This is a historic first-not just for Airworks, but for the Philippine aviation sector,’ Ong said in an interview. ‘For decades, pilot training in Asia-Pacific has been largely Australia-centric. This shifts that narrative.’

A Regional First for Philippine Aviation

The move marks the first time a foreign airline in the region has chosen the Philippines for cadet pilot training, elevating the country into a small group of global training destinations traditionally dominated by Australia, the U.S., and parts of Europe.

The program emphasizes the scalability of local aviation training capabilities, with Airworks currently the only flight school in the country running an airline-backed cadet pipeline. The company has historically trained pilots for domestic carriers but is now expanding into regional partnerships.

Government Support Underpins Growth

Industry officials attribute the breakthrough to coordinated support from regulators and airport authorities, including the Civil Aviation Authority of the Philippines (CAAP) and the Mactan-Cebu International Airport Authority (MCIAA).

Their involvement has ensured compliance with international safety standards while providing the operational backbone needed for large-scale cadet training programs.

Local government backing has also been critical. Cebu’s provincial leadership has pushed infrastructure upgrades and investor-friendly policies aimed at attracting aviation-related investments, Ong said.

Cebu Bets on Aviation as Growth Driver

Cebu is increasingly positioning itself as a future aviation training hub in Asia, leveraging its strategic location, expanding airport capacity, and established tourism ecosystem.

The decision by VietJet Air-one of the region’s fastest-growing carriers with more than 500 aircraft on order from Airbus and Boeing-adds weight to that ambition.

Analysts say the airline’s choice of the Philippines represents a strong endorsement of the country’s training ecosystem at a time when demand for pilots is surging globally.

Economic Upside Extends Beyond Aviation

Beyond aviation, the program is expected to generate export revenues and create spillover effects across the local economy.

Cadets are expected to train in the Philippines for about 18 months, driving demand for housing, food, transport, and tourism-related services. The program also supports long-term job creation in pilot instruction, aircraft maintenance, and technical services.

‘Airline cadet programs are among the most reliable pipelines for employment in aviation,’ Ong said. ‘They sustain demand not just for pilots, but for the entire ecosystem that supports training and operations.’

Platform for Regional Expansion

Airworks is now seeking to scale its operations further, with ongoing investments in fleet expansion, training facilities, and capacity upgrades aimed at attracting more airline partners across Southeast Asia and the broader Asia-Pacific.

The company sees the latest deal as a foothold in a larger regional strategy-one that could reposition the Philippines as a competitive alternative to traditional aviation training markets.

‘The opportunity is no longer theoretical,’ Ong said. ‘We’re demonstrating that the Philippines can deliver world-class aviation training at scale.

Behind the scenes of VMX’s first Bisaya film ‘Tuklas’

One of VMX’s latest films, ‘Tuklas,’ has made rounds online as it prides itself as the first ‘Bis-daks’ movie on the streamer. Shot late last year in Cebu, local VMX talent Skye Gonzaga stars as Alex, a seductive sales manager at an IT company who seduces Chris (Chino Villaluna) with promises of success in exchange for his silence over a financial scandal he uncovered.

How did the cast of ‘Tuklas’ feel about shooting the film’s tantalizing scenes? Villaluna, hailing from Cagayan de Oro, didn’t feel nervous at all, as he was assured by the protective measures in place on set.

‘The VMX team guided us with proper techniques to perform these scenes professionally. On set, everything was handled carefully, like towels were used for cover-ups after the shoot, especially for the female actors. Overall, I can say it was a professional environment that made it comfortable for all of us,’ he told The FREEMAN.

The rest of the cast members said they were nervous but were all game for the project. ‘Kulba jud siya for sure, but dili ingon grabe since this is not my first project nga naay sex scenes,’ said Denzel Cruza Clavecillas, who plays Tony, the ‘firm and seductive’ kontrabida in this steamy affair. ‘I had to own it. I’ve been dreaming of becoming a movie star, and this is just the beginning.’

‘Oh, I was very nervous. There’s no sugarcoating that,’ added Keesha Falcon, who plays Liza, Chris’ ‘pure and innocent’ girlfriend in the film. ‘I come from a slightly conservative family, and I knew people would have opinions. I knew not everyone would understand my choices, and I had to build the strength to face both praise and criticism. At some point, I just told myself: ‘Whatever they say, positive or negative, don’t take it personally. Just take everything with a grain of salt and move on like a queen.”

Falcon also said that she readied herself physically, mentally, and emotionally for the role. ‘I came prepared with my own lingerie and nightwear just in case. Walang sablay dapat,’ she shared.

Alexa Armecin, who plays Ana’s lesbian worker Janet, echoed Villaluna’s sentiments. ‘Preparation was very important. We had clear discussions with the team about the scenes, their purpose, and how they would be executed professionally. There was guidance on blocking, comfort levels, and proper coordination on set to make sure everything was handled with respect,’ she explained. ‘I focused on understanding my character deeply so I could approach the scenes with the right emotions rather than fear. In the end, it became more about trust, professionalism, and staying true to the character than the nerves I initially felt.’

Challenges

Villaluna was working in Cebu when he was offered the project by Viva South’s talent recruitment head, Chiqui Lastierre, when the production called for auditions.

‘I felt overwhelmed when I received her message. I grabbed the opportunity immediately because I saw it as a chance to grow and improve as an aspiring artist,’ he said.

Meanwhile, Falcon initially auditioned to be part of Viva Artists Agency (VAA) in 2024 during a turbulent point in her life, when she lost her dog and wasn’t satisfied with her ‘dead-end’ job. She saw auditioning as a way to reconnect with her acting roots, which started in theater.

When she was offered a spot as a VMX artist, she didn’t say yes immediately. ‘I was honestly shocked. I even joked to myself, ‘Igaton jud siguro ko og face!” she shared. ‘But at the same time, I felt flattered and nervous. It meant so much to know that Viva was finally giving space for Bisaya films, and that I could be part of something like that.’

As one of the recognizable faces of VMX (formely Vivamax), Gonzaga served as the guiding presence on set throughout production, ensuring that her castmates felt comfortable on set. ‘Skye made the working environment very comfortable and approachable, so I never felt intimidated,’ Villaluna said.

The cast built rapport before filming began and during breaks on set, using those moments to grow more comfortable with one another, especially during the film’s intimate scenes.

‘We spent time talking, getting to know each other, and rehearsing our scenes together so we could build trust and natural chemistry on set. Those small conversations and shared moments off-camera made a big difference when it was time to perform. It helped us feel more relaxed, connected, and confident in delivering our roles authentically,’ Armecin said.

Breaking the ice among the cast allowed them to help each other film intimate scenes more smoothly.

Falcon said, ‘Denzel was a lifesaver. As our resident coordinator and co-actor, he guided us through everything – from small movements to full scene flow. We even pulled an all-nighter just rehearsing lines and blocking scenes.’

Falcon also highlighted the presence of an intimacy coordinator. She shared, ‘We had one-on-one sessions with an intimacy coordinator to talk about boundarie…what we’re okay with and what we’re not. Nothing was forced.’

‘All of us were first-timers. So yes… super awkward at first. But also super funny. What made it work was that everyone was committed to getting it right,’ she added.

One of the most challenging parts of shooting ‘Tuklas’ was a last-minute change to Liza’s character that Falcon had to quickly adjust to.

‘My character was supposed to remain ‘untouched,’ but on the last day of filming, the director introduced a major change that involved more intimate scenes. That caught me off guard. But I knew it was a make-or-break moment for me. Opportunities like this don’t come often. I told myself, ‘Do it for the plot.’ And I went for it.’

Clavecillas and Villaluna also recalled the challenges of wearing plasters during filming. Clavecillas shared how one came off mid-scene and had to be reapplied quickly, while Villaluna had to keep them on until filming was finished.

‘It was difficult during long takes because we had to avoid using the restroom, and if the plaster came off, it had to be reapplied, which is a long process that can really test your patience,’ Villaluna said.

For Armecin, the challenge was internalizing a character dealing with intense emotions. ‘My character goes through betrayal, inner conflict, and difficult situations that required me to dig deep and be vulnerable in front of the camera. Some scenes were heavy and intense, so I really had to stay focused and connected to the emotions of the role,’ she said.

The cast’s favorite moments during filming were the camaraderie they built, even within a short filming schedule.

‘Everyone was so relaxed that it didn’t feel like work. It felt like a celebration,’ Falcon recalled of the final day of shooting. ‘We ended everything on such a high note.’

Armecin added, ‘Those light moments helped balance the weight of the scenes we were filming. It reminded me that even while telling a serious story, we were surrounded by people who made the whole experience meaningful and memorable.’

While the cast is aware that people will watch ‘Tuklas’ for its steamy scenes, they vouched that the film has a deeper narrative beyond its main selling point.

”Tuklas’ is far more than its bold reputation. It’s a gripping emotional rollercoaster that pulls you into a world of love, heartbreak, ambition, and unraveling secrets. Each scene peels back another layer, keeping viewers both invested and intrigued,’ Falcon said.

‘The film also conveys important lessons about relationships and life. It emphasizes being cautious about whom you trust, as betrayal can come unexpectedly. Regarding relationships, it highlights the importance of respecting your partner’s decisions and resisting temptations that can harm your bond,’ Villaluna added.

‘It shows how people can be strong on the outside while silently fighting battles within. Viewers can expect raw emotions, uncomfortable truths, and moments that will make them reflect on their own experiences and relationships. I believe many will see parts of themselves in the characters: their struggles, their choices, and their pain,’ Armecin elaborated.

The cast also stressed that ‘Tuklas’ is a proud local production that showcases the talent of its Bisaya cast and crew.

‘The film shines a light on the passion, dedication, and hard work of the Bisaya film industry, something we are incredibly proud to represent,’ Falcon said.

‘What I can brag about this movie is the pure talent and creativity of Cebuano artists. There are a lot of exciting and even more daring scenes than expected,’ Clavecillas added.

Red Bull 3×3 hoops tilt back in Philippines with regional qualifiers

Red Bull Half Court, the world’s fastest 3-on-3 tournament, returns to the Philippines, bringing its high-intensity competition across Luzon, Visayas and Mindanao.

Regional qualifiers across the country will lead into the National Finals, where the Philippines’ best will be crowned before advancing to a historic World Finals in Manila, the capital of streetball, this December.

Rooted in the energy of ‘puso sa kanto’, where the game is fast, fearless and deeply tied to community, the tournament sets the stage for a clear path from local courts to global competition.

From the courts of Manila to the rising scenes in Cebu and the physical matchups in Davao, the sixth season of the Red Bull Half Court brings the game back to the communities that define it.

Each qualifier becomes a test of control and composure. More than competing, men’s and women’s teams step in to defend their home court pride. With only 10 minutes and a race to 21 points, every decision, possession, and shot can decide the outcome.

As the tournament progresses across the country, the field tightens. Only the best teams advance to the National Finals in Manila, where the best streetball squads from Luzon, Visayas, and Mindanao go head-to-head for the Philippine title.

For the first time, the Red Bull Half Court World Final will be held here in the country, placing Manila at the center of the global game. International teams from 15 countries will arrive to compete on courts shaped by one of the world’s most passionate basketball cultures.

For Filipino teams, it is a rare opportunity to move from local courts to global competition on home soil, carrying their region, their community, and their style of play to the world stage.

Support our local street ballers and follow Red Bull Half Court 2026 as it unfolds across the country. Stay updated on the qualifiers onwards through the Red Bull Philippines’ social media pages.

Miss Universe 2025 1st runner-up, Nawat Itsaragrisil to attend MUPH 2026 coronation

Miss Universe 2025 first runner-up Praveenar “Veena” Singh of Thailand will be in attendance when Ahtisa Manalo crowns her successor as Miss Universe Philippines.

The social media accounts of Miss Universe Thailand confirmed that Veena would be visiting the Philippines this long weekend, from May 1 to 3.

Included on her agenda is the Miss Universe Philippines 2026 coronation which takes place on May 2 at the Mall of Asia Arena.

Accompanying Veena is Thai businessman Nawat Itsaragrisil, the national director of Miss Universe Thailand and the executive director of the main Miss Universe organization.

Nawat most recently visited the Philippines for the homecoming of Miss Grand International 2025 Emma Mary Tiglao, who succeeded fellow Filipina CJ Opiaza.

Veena won Miss Universe Thailand on her fourth attempt after two second runner-up finishes in 2018 and 2023 and a first runner-up finish in 2020.

During the Miss Universe 2025 pageant held in Thailand, Ahtisa was among the favorites to win but ultimately finished as the third runner-up.

Veena meanwhile was pipped to the title by Mexico’s Fatima Bosch, a result that many pageant fans still find controversial.

Both Veena and Ahtisa’s successors will compete in the diamond edition of Miss Universe taking place later this year in Puerto Rico.