IT was during the first Cinemalaya Philippine Independent Film Festival in July 2005 when ‘Pepot Artista’ won as its inaugural Best Film winner and ‘Ang Pagdadalaga ni Maximo Oliveros’ as the Special Jury Prize.
The 22nd Cinemalaya will run from August 6 to 18, 2026 with the theme ‘Reel Reflections’ as the festival ‘explores cinema as a mirror that reflects the realities, aspirations, struggles, and triumphs that shape the Filipino experience.’
There will be nine competing full length films and 10 short films.
‘2 VALID IDs’ by Ma-an L. Asuncion-Dagñalan and Abet Pagdagdagan Raz is about a poor farmer, unable to claim a remittance because she lacks the required two valid IDs, finds herself in a situation that challenges her character, beliefs, and morality.
‘A.NI.MÁL’ by Dustin Celestino Explores the intense political fallout, dynamics of local political dynasties, and moral corruption following the surfacing of the incriminating footage of a powerful family friend abusing his dog.
‘GANGGANG’ by JL Burgos tells the story of three boys with an unlikely bond to find the best fighting spider (Ganggang) against the school bully’s spider, until their own search puts their friendship to a test.
‘HAND OF GOD’ Mark Duane Angos is about a young soldier who finds in football the unexpected refuge while in a remote village scarred by years of conflict. But as hope for a different life grows, he must decide whether to follow the path laid out by war or choose a future of his own.
‘KAKA SA YAWAN (BROTHERS BY THE RIVER)’ by Alpha Habon celebrates the richness of Mangyan-Tadyawan traditions, intergenerational healing, and how the poignant memory of a friend can bring forth healing and the courage to rewrite one’s future.
‘STATUS: REJECTED’ by Vahn Leinard Pascual is about a grandmother longing for love and the promise of a better life abroad is swept into an online romance that challenges her sense of worth, family, and the dreams she refuses to let go of.
‘TAYO LANG ANG NAKAKAALAM’ by David R. Corpuz explores queer intimacy, chosen family, and the invisible bonds that connect them. It attempts to create a space for stories that are often kept hidden, known only to a few.
‘MAG-IINA’ By Giancarlo Abrahan and Guelan Varela-Luarca tells the story of a woman who returns to her family’s ancestral home near the 40th day of her estranged father’s death where three generations of women are bound together by grief, madness, and evil thicker than blood.
‘TIRIK’ by May-i Guia Padilla features the gritty journey of a priest, a parishioner and a taxi driver to make peace with their moral conflicts while eluding an assassination attempt.
The competing short films are ‘Hoy, Hoy, Ingat!’ by Norvin de los Santos, ‘Honey, My Love, So Sweet’ by JT Trinidad, ‘Para-Paraan’ by Mae Chan Li, ‘Silkscreen’ by Rey Anthony Villaverde, ‘Runo!’ by Lysa Catolico and Jazmine Gin Pateña, ‘The River Flows in Different Places’ by Lot-Lot Hermosura, ‘Elenita Elena Elaine’ by Gabriela Serrano, ‘Kung Paano Kakalas’ by Joseph Vitali, ‘Sorbetes’ by Jennissie Gilbuena, and ‘The Keeper’ by Nolan Rae Fabular and TRNZ.
The opening film, ‘Enjoy Your Stay,’ explores a mother’s enduring love for her daughter, while the closing film, ‘Filipiñana,’ follows a teenage girl whose job at a country club leads to unexpected discoveries.
Cinemalaya is held annually at the Cultural Center of the Philippines (CCP) and various cinemas. Its films, often called ‘indie films,’ embody Cinemalaya’s vision: ‘the creation of new cinematic works by Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.’
The past winning films in the New Breed category are ‘Pepot Artista’ (2005), ‘Tulad ng Dati’ (2006), ‘Tribu’ (2007), ‘Jay’ (2008), ‘Last Supper No. 3’ (2009), ‘Halaw’ (2010), ‘Ang Babae sa Septic Tank’ (2011), ‘Diablo’ (2012), ‘Transit’ (2013), and ‘Bwaya’ (2014).
The winners in the Directors’ showcase are ‘Donor’ (2010), ‘Bisperas’ (2011), ‘Posas’ (2012), ‘Sana Dati’ (2013) and ‘Kasal’ (2014).
The winners in the Main competition are ‘Pamilya Ordinaryo’ (2016), Respeto (2017), ‘Kung Paano Hinihintay ang Dapithapon’ (2018), and ‘John Denver Trending’ (2019), ‘The Baseball Player’ (2022), ‘Iti Mapukpukaw’ (2023), ‘Tumandok’ (2024), and ‘Bloom Where You are Planted’ (2025).
Bloom ‘Where You are Planted,’ directed by Noni Abao, narrates the story of three land rights activists in Cagayan Valley: Agnes Mesina (a development worker), Amanda Echanis (a jailed mother-artist-activist), and Randy Malayo (a slain peace consultant).
The film was recognized for ‘its powerful and deeply humane portrayal of political activists uprooted by violence yet steadfast in their pursuit of justice and belonging; for transforming the struggle for land, peace, and dignity in Cagayan Valley into a meditation on home, hope, and resilience.’
Main screenings take place at Red Carpet Cinemas-Shangri-La Plaza, Gateway Cineplex 18, and select Ayala Malls Cinemas.
Peyups is the moniker of the University of the Philippines. Atty. Dennis R. Gorecho heads the Seafarers’ Division of the Sapalo Velez Bundang Bulilan Law Offices. For comments, e-mail info@sapalovelez.com, or call 0908-8665786.